Cinemanila 2005 Advance Screenings - DEKALOG
Dekalog
a film by Krzysztof Kieslowski
August 5-14, 2005
SM Centerpoint & SM Manila Cinemas
FIPRESCI Prize
1989 Venice International Film Festival
Outstanding Achievement in Foreign Film
2000 National Board of Review, USA
“Decalogue” firmly established Kieślowski’s international reputation. This original series illustrates the ten commandments. Each of the stories presented is linked to the theme of the next commandment. Because of it’s form, all viewers are deeply moved by this film, regardless of their world view or religious beliefs. Asked on numerous occasion why he chose such a subject, the director replied curtly, “It’s worthwhile to be reminded of these ten very well written sentences. There needs to be a point of reference, some definitive criterion…”.
“Decalogue” has been listed as a film of the highest moral values and recommended by the Vatican. It has also won numerous awards at film festivals including:
- The FIPRESCI award
- The “Young Cinema” Award, Venice IFF, Italy, 1989
- The “Critic’s Award”, International Film Meeting, Dunkirk, France, 1989
- The “Critic’s Award”, International Film Festival, Montreal, Canada, 1989
- The “Catholic Organisation Award”, IFF, San Sebastian, Spain, 1989
- The “Critic’s Award”, IFF, Sao Paulo, Brazil, 1989
Decalogue 1 (Dekalog 1)
“I am the Lord they God; thou shall have no other gods before me.”
Krzysztof introduces his small son, Paweł, to the mysteriesof the personal computer, a machine which he believes is infallible. It is winter. Paweł, anxious to try out his new pair of skates, asks his father if he can go out to the local pond which has just frozen over. They consult the computer; the ice will hold the boy’s weight; he can go. Paweł doesn’t come home. There was a freak local thaw; the computer was wrong; Paweł drowned. Krzysztof runs to the church in protest and despair, falls against an altar. Candle wax splashes over the face of the black Madonna and dries on her cheeks as tears.
Decalogue 2 (Dekalog 2)
“Thou shall not take the name of the Lord they God in vain.”
Dorota visits Andrzej, her dying husband, in the hospital. She is pregnant – this might be the last chance for her to have a baby – but not by him. She asks the Consultant in charge of her husband’s case whether Andrzej will die. If he lives, she will have an abortion; if he dies, she can have the child. How can the doctor decide the life or death of an unborn child? How can he be certain whether his patient will die or miraculously recover? He tells Dorota that her husband doesn’t have a chance, but Andrzej recovers. Dorota tells Andrzej that they are going to have a baby, he thinks it’s his.
Decalogue 3 (Dekalog 3)
“Remember the Sabbath day, to keep it holy.”
Christmas Eve, a night when families are together and nobody wants to be alone. Ewa tricks Janusz, her ex-lover, away from his family and under various pretexts tries to keep him with her for the night.
Janusz wants to go home but Ewa is determined. They part at dawn.
Decalogue 4 (Dekalog 4)
“Honor the father and the mother.”
Anka is 20 years old. Her mother is dead and she lives with Michał, her father. They get on well together. Michał has to go on a trip abroad. While he is away, Anka finds an envelope in her father’s room: ‘Not to be opened before my death.’ Within that envelope is another, addressed, in her mother handwriting, to her. Anka meets her father on his return and quotes the letter where her mother reveals that Michał is not Anka’s real father. A different relationship emerges between Anka and Michał as Anka subtly tries to seduce him. Michał resists, she might still be his daughter. As Michał leaves for another trip, Anka runs after him, confessing that she hasn’t read the letter after all.
Decalogue 5 (Dekalog 5)
“Thou shall not kill.”
A youth, randomly and brutally, murders a taxi-driver. Piotr has just pass his law exams and been admitted to the bar. He is to defend Jacek, the young murderer. There is no evidence for the defense, and no apparent motive. Jacek is put on trial, found guilty and executed by hanging. Piotr, after his first case, is left with the bitter doubt – does the legal system, in the name of the people, have the right to kill in cold blood?
Decalogue 6 (Dekalog 6)
“They shall not commit adultery”
Tomek, a young post office worker, is obsessed with Magda, the promiscuous woman who lives in the tower block opposite. He spies on her through a telescope and finally declares his love. She initiates him into the basic fact of life – there is no love, only sex. Tomek, shattered, tries to commit suicide but doesn’t succeed. When he returns from the hospital, it is Magda who becomes obsessed with him.
Decalogue 7 (Dekalog 7)
“Thou shall not steal”
Six-years old Ania is being brought up by Ewa in the belief that Majka, Ewa’s daughter, is her sister, whereas Majka is really her mother. Tired of living this lie and desperate to have Ania love her as a mother, Majka ‘kidnaps’ Ania and runs away from her parents. She seeks refuge with Wojtek, Ania’s father. Majka was just a schoolgirl when Wojtek, her teacher, got her pregnant. Ewa, jealous of Ania’s love, looks for her everywhere, phones Wojtek. Majka seizes her little girl and continues to run; she will only return home if her mother allows her to bring up her own daughter in the recognition of the true relationship. Majka and Ania hide at a nearby station. Ewa asks the woman at the ticket office whether she has seen a young woman with a little girl. The ticket woman lies-yes, she did see them but they left some two hours ago. In the background, Ania wakes up and sees Ewa. ‘Mommy,’ she calls and runs to her. A train arrives, Majka jumps on, rejecting Ewa’s pleas for her to come home.
Decalogue 8 (Dekalog
“They shall not bear false witness against they neighbor”
Elżbieta, researching the fate of Jewish war survivors, is visiting from New York and sits in on lectures in ethics at the University of Warsaw. She approaches Zofia, the professor, and tells her that she is the little Jewish girl whom Zofia refused to shelter from the Nazis during the Occupation. As Zofia explains the reason for this is apparent cowardice-someone had betrayed Zofia’s husband who was active in the underground and any Jewish child would have fallen into the hands of the Gestapo-her long-standing sense of guilt is cleared while Elżbieta’s faith in humanity is restored.
Decalogue 9 (Dekalog 9)
“Thou shall not covet thy neighbor’s house”
Roman learns he is impotent. Recognizing his wife, Hankas’, sexual needs, he encourages her to take a lover. She is reluctant; she loves Roman, but does have an affair with Mariusz, a student. Roman, despite his own words, becomes excessively jealous and obsessed with the thought that Hanka might have followed his encouragement and taken a lover. He spies on her and learns of her relationship with Mariusz, unaware of the fact that Hanka has broken off the affair. Roman tries to commit suicide but survives. Hanka rushes to his side.
Decalogue 10 (Dekalog 10)
„They shall not covet they neighbor’s wife, nor his manservant, nor his maid, nor his goods, nor anything that is your neighbor’s.”
A man dies leaving an extremely valuable stamp collection to his two sons, Jerzy and Artur. Although they know very little about stamps, they are unwilling to sell. They learn that one very rare stamp is needed to complete the valuable set. To acquire the stamp Jerzy donates his kidney – the man in possession of the stamp is in need of a kidney for his daughter. Returning from hospital, Jerzy and Artur find that they suspected each other and are reconciled.
Krzysztof Kieslowski started his career shooting documentaries and later became associated with the “cinema of moral anxiety, “ which grouped several Polish directors, including ‘Andrzej Wajda’, and aimed to depict the conditions of Poles under communism. His best known work was the three colors series “Red”, “White, “ and “Blue”. “Red” brought him an Academy Award nomination for best director in 1995, “Blue” shared the Golden Lion at Venice in 1993, and “White” earned Mr. Kieslowski the best director prize in Berlin, 1994.
