thank you...
however dxd is totally different and will run at 384khz without conversions... I think.... but that belongs to another thread.
reading some more blogs, it is quite different that dsd uses 2.8mhz which is about 8 times that of 384khz...
fascinating stuff...
You're welcome.
Most DSD materials nowadays are actually mastered in FP or PCM, stored in PCM, then converted to DSD. Mastering in DSD is getting less and less popular as most newer studio components work better with PCM (since data is easier to manipulate in this form).
DXD is more frequently 352.8kHz, though it can also be 384kHz. Sampling rate is not directly comparable between PCM and DSD as 1 sample in DSD does not mean much on its own (it's 1 bit). It's the cummulative effects of successive bits in the bitstream that allows DSD to work. In comparison, a single data point in LPCM is simply a single sample.
In terms of outright resolution and dynamic range, DSD clearly loses to high res PCM. DSD has an advantage when it comes to outright bandwidth and jitter resistance, however.
There is actually a cross-breed format between DSD and LPCM that is referred to in studios either as "DSD Pure" or "PCM Narrow." This is 8-bit depth with 64fs or 128fs DSD sampling. This is like DSD with better resolution, dynamic range and editability.
There's also a new breed of DSD in 256fs (aka "DSD256"), which samples at 11.3MHz.
Why don't we all just use IEEE FP Audio and do the transfers ourselves.