Author Topic: Filipino films  (Read 499770 times)

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Offline keating

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Re: SA LIKOD NG HIMALA
« Reply #2070 on: Dec 08, 2008 at 11:14 AM »
The UP Film Institute (UPFI), in cooperation with the International
Circle of Online Noranians (ICON), will hold free screenings of Sa
Likod ng Himala, a movie-in-the-making documentary on Ishmael Bernal's
masterpiece Himala (ECP, 1982),fittingly at the UPFI Bernal Gallery on
December 16, 2008 (Tuesday), starting at 7 pm.

In Super 8mm format, this 20-minute documentary was made by the
in-house staff of the former UP Film Center (now expanded into the UP
Film Institute). It features rare footage, among others, of Bernal in
action during the filming of the movie's momentous stampede scene. The
UPFI has preserved the original 26-year-old reel of the film in its
archives in almost pristine state—a miracle of sorts

This one-night-only event is meant to honor the film Himala, starring
Superstar Nora Aunor and penned by Ricky Lee, for winning the CNN APSA
Viewers' Choice Award for Best Asia-Pacific Film of All Time,
presented recently at the 2nd Asia-Pacific Screen Awards held in
Queensland, Australia (see video).

This special tribute, a special year-ender for the UPFI, has been
planned even before Himala got the CNN APSA award. "The fact that this
Bernal film has been shortlisted with the works of world cinema
masters like Akira Kurosawa, Satyajit Ray, Wong Kar-wai, and Ang Lee,"
said UPFI Programming Director Nonoy Lauzon, "is a great feat by itself."

Described by critic Alfred Yuson as "definitely world class," Himala
holds the distinction of opening the 2nd Manila International Film
Festival in 1983. It was handpicked by Berlin festival director Moritz
de Hadeln, no less, to be part of the competition film selection of
Berlin International Film Festival in the same year, the first and
only Filipino film so far that competed for the Golden Bear. It then
went on to be screened in key Russian cities—Moscow, Kiev, and
Alma-ata—before it went to the Chicago International Film Festival
where it won the Bronze Hugo Award for Best Feature Film.

Himala has remained as one of National Artist Ishmael Bernal's most
exhibited films in both local and international film events. From the
'80s to the current decade, it has been shown in world's key cities
such as Taipei, Bangkok, Tokyo, Jakarta, Los Angeles, Hong Kong,
Vienna, and New York. In 2007, iHimalaBHimalaHimala was included in
the programs of Berlin Hot Shots Film Festival and Paris Film Festival.

The Bernal Gallery on the same day will showcase a mini Himala
exhibit, organized by the International Circle of Online Noranians.
The group will also conduct a short program honoring the film and some
of the people behind it. In between screenings of the documentary,
ICON will also hold activities such as film discussion and forum with
distinguished guest.




Offline Noel_Vera

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Re: Filipino films
« Reply #2071 on: Dec 08, 2008 at 01:03 PM »
Keats, would you or anyone know if they're showing the film Himala on the same day, or after the doc? That seems to make sense, at least to me...

Offline keating

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Re: SA LIKOD NG HIMALA
« Reply #2072 on: Dec 12, 2008 at 02:01 AM »
Nonoy Lauzon said the event is only for the rare footage, Noel. It would be good also to see the film again on the big screen. The footage will include Ishma orchestrating the crowd scene from the time of Nora's gunned down sequence up to the point where she was placed on the ambulance shot by the film crew of Experimental Cinema of the Phils. They should have tucked this one on the dvd release or the docu REMINISCING HIMALA from Cinema One.

Offline oggsmoggs

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Re: Filipino films
« Reply #2073 on: Dec 12, 2008 at 05:19 PM »

Offline keating

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Re: SA LIKOD NG HIMALA
« Reply #2074 on: Dec 14, 2008 at 01:04 PM »
Makasaysayang dokumentaryo, ipapalabas sa UP Film Institute

Isang pambihirang video mula sa archives ng UP Film Institute (UPFI)
ang pormal na isasapubliko sa unang pagkakataon. Itatanghal ang Sa
Likod ng Himala, 20-minutong dokumentaryo ukol sa paggawa ng
pelikulang Himala (ECP, 1982) ni Ishmael Bernal, sa UPFI Bernal
Gallery, Disyembre 16, 2008 (Martes). Libre ang bawat screening na
magsisimula sa ika-7 ng gabi.

Ginawa ang dokumentaryo noong 1982 ng in-house staff ng UP Film
Center (pinalawak ngayon bilang UP Film Institute). Limang resident
cameramen ng Film Center ang nagsadya sa set ng Himala sa disyerto
ng Paoay, Ilocos Norte. Naroon sila sa lokasyon habang kinukunan ang
isa sa highlights ng pelikula—ang pagbaril kay Elsa (Nora Aunor) sa
burol habang nagtatalumpati, ang sumunod na stampede, at ang
pagbuhat ng mga deboto sa katawan ng bisyonaryo. Gamit ang Super 8mm
movie camera, nagtulong ang lima sa pagkuha ng footage.

Ibinunga nito ang isang dokumentaryong di matatawaran ang halaga.
Bukod sa makasaysayan, naidokumento rito ang buong giting na
pamamahala ni Ishmael Bernal (National Artist for Film) sa pagkuha
sa isa sa pinakamalalaking eksena sa Sine Pilipino, gamit ang pitong
kamera at sangkot ang halos tatlong libong tao. Masisilip dito kung
bakit at paano naging isang dakilang obra ang Himala na patuloy na
kinikilala sa mundo.

Ang okasyon ay pagpupugay ng UP Film Institute, sa pakikipagtulungan
ng International Circle of Online Noranians (ICON), sa pelikulang
Himala sa pagwawagi nito ng CNN Viewers' Choice Award for Best Asia
Pacific Film of All Time. Iginawad ang naturang parangal noong
Nobyembre sa 2nd Asia Pacific Film Awards na ginanap sa Queensland,
Australia.

Ang Himala ang pinakaimpluwensiyal na pelikula ni Bernal. Nagkaroon
ito ng bersiyong teatrong musikal at dramang panradyo. Naging
inspirasyon ito ng isang award-winning film. Di rin mabilang ang
pagtukoy dito sa iba't ibang midyum ng kulturang popular. Nakatanim
na sa kamalayan ng Filipino ang mga linya sa pelikula.

Pinukaw din ng Himala ang atensiyon ng mundo. Binuksan nito ang
Manila International Film Festival noong 1983. Sa Europa, nag-
premiere ito sa Berlin Film Festival bilang official selection para
sa Golden Bear nang taon ding iyon, bago lumahok sa Moscow filmfest.
Sa dating USSR, itinanghal ito sa mga siyudad ng Kiev (Ukraine) at
Alma-ata (Kazakhstan). Isinali rin ang pelikula sa 19th Chicago
International Film Festival kung saan ito nag-uwi ng Bronze Hugo
Prize para sa Best Feature Film.

Sa nakalipas na higit dalawang dekada, nailibot na ang pelikula sa
Taipei, Bangkok, Tokyo, Jakarta, Los Angeles, Hong Kong, Vienna, New
York, at iba pang siyudad. Ngayong taon, bahagi ang Himala ng
programa ng Berlin Hot Shots Film Festival (Germany) at Paris Film
Festival (France).

Offline oggsmoggs

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Re: Filipino films
« Reply #2075 on: Dec 24, 2008 at 12:31 PM »

Offline keating

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Re: Filipino films
« Reply #2076 on: Dec 25, 2008 at 02:09 PM »
My wish list right now is to find a copy of Mike de Leon's BILANGGO SA DILIM.

Offline oggsmoggs

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Re: Filipino films
« Reply #2077 on: Dec 28, 2008 at 10:22 PM »

Offline sosy_high

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Re: Filipino films
« Reply #2078 on: Dec 29, 2008 at 11:39 PM »
I've just seen a Lino Brock boxed set Vol. 1 in Astrovision megamall kanina. It contains Insiang and Ang Tatay kong Nanay. The price was 650 pesos and the cover of the boxed set was very, very good.

And oh, Mr. Noel Vera's quote is on the cover too.  :D

Offline Noel_Vera

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Re: Filipino films
« Reply #2079 on: Dec 30, 2008 at 08:14 AM »
Oh, cool!

Offline indie boi

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Re: Filipino films
« Reply #2080 on: Dec 30, 2008 at 08:36 AM »
Noel, maybe you should start thinking of a catchphrase for use on DVD cover blurbs, haha! ;D

Offline keating

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Re: BILANGGO SA DILIM
« Reply #2081 on: Dec 30, 2008 at 11:14 AM »
BILANGGO SA DILIM (Mike de Leon, 1986)

Can't help but to shout in raves and cheers after watching this videofilm last night. Marketed as a videomovie back in 1986 which opened the first Independent Film & Video Festival in Wave Cinema in Cubao, BILANGGO SA DILIM can qualify though as a mainstream art house flick with the talents of Joel Torre, Rio Locsin and Cherie Gil combined in an ensemble acting plus Rody Lacap and Ely Cruz as part of the production team, Pablo Biglang Awa for the title sequence, editing and Jun Latonio for the haunting musical score. Based on a John Fowles novel, THE COLLECTOR.....a man locked in the world of obsession and paranoia  refused to confront his past amidst the guilt of murdering his kidnap victim and kidnapping another one. Joel Torre shines in his characterization as Lito/Eddie..... beyond doubt is even much better than Anthony Perkins in PSYCHO, Jack Nicholson in THE SHINING. Cherie Gil's sensuality and bravura performance exudes throughout the film especially in the climactic chase scene where Mike de Leon cuts to a high-angle slow motion shot of the protagonists worthy enough to keep you at the edge-of-your-seat!

With only less than 15 films tucked in his filmography, no one never questions the man's technical competence. Since his films have always been polished and flawless in terms of technical craftmanship. The limitation of the video medium that he demonstrated in BILANGGO SA DILIM declares his return to solid art form after dabbling in the box-office hit komiks melodrama HINDI NAHAHATI ANG LANGIT, high artistry inspite of the limitation of the medium. If this videofilm will be released now, it might be the best among all the indies combined. And with such a small resources, you can always count on the genius of Mike de Leon.
« Last Edit: Dec 30, 2008 at 06:04 PM by keating »

Offline sosy_high

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Re: BILANGGO SA DILIM
« Reply #2082 on: Dec 30, 2008 at 11:50 AM »
BILANGGO SA DILIM (Mike de Leon, 1986)

Can't help but to shout in raves and cheers after watching this videofilm last night. Marketed as a videomovie back in 1986 which opened the first Independent Film & Video Festival in Wave Cinema in Cubao, BILANGGO SA DILIM can qualify though as a mainstream art house flick with the talents of Joel Torre, Rio Locsin and Cherie Gil combined in an ensemble acting plus Rody Lacap and Ely Cruz as part of the production team, Jun Latonio for the haunting musical score. Based on a John Fowles novel, THE COLLECTOR.....a man locked in the world of obsession and paranoia  refused to confront his past amidst the guilt of murdering his kidnap victim and kidnapping another one. Joel Torre shines in his characterization as Lito/Eddie..... beyond doubt is even much better than Anthony Perkins in PSYCHO, Jack Nicholson in THE SHINING. Cherie Gil's sensuality and bravura performance exudes throughout the film especially in the climactic chase scene where Mike de Leon cuts to a high-angle slow motion shot of the protagonists worthy enough to keep you at the edge-of-your-seat!

With only less than 15 films tucked in his filmography, no one never questions the man's technical competence. Since his films have always been polished and flawless in terms of technical craftmanship. The limitation of the video medium that he demonstrated in BILANGGO SA DILIM declares his return to art form after dabbling in the box-office hit komiks melodrama HINDI NAHAHATI ANG LANGIT, high artistry inspite of the limitation of the medium. If this videofilm will be released now, it might be the best among all the indies combined. And with such a small resources, you can always count on the genius of Mike de Leon.


Woah. I've been dying to see this. San mo po ito napanuod?

Offline rse

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Re: Filipino films
« Reply #2083 on: Dec 30, 2008 at 01:29 PM »
Saw 3 MMFF entries while in Manila:

Tanging Ina Ninyong Lahat
Suffers a little bit with sequelitis.  Not as focused as the first one.  Still there are a lot of hilarious moments.  Wait for the DVD.

Baler
Nice photography, and well-made.  Acting is so-so.  The leads just don't have chemistry and the movie can't seem to figure out whether it's a love story or a historical drama.  Philip Salvador is acting too much...it looks like he's auditioning to have an award.  Still it's worth your time.

BTW it would have worked better if they used a real church.  The set was too distracting for me because it looks sooo obviously fake.  Also some of the actors who are supposed to be Spaniards look very native it's also very distracting (but I forgive it for that, obviously for budgetary reasons).

Dayo
I almost forgot that I saw this as well.  Not very memorable.  It's Disney, with Philippine budget.


I also wanted to see One Night Only but wasn't able to due to time constraints.


« Last Edit: Dec 30, 2008 at 11:55 PM by rse »

Offline keating

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Re: BILANGGO SA DILIM
« Reply #2084 on: Dec 30, 2008 at 05:46 PM »
Woah. I've been dying to see this. San mo po ito napanuod?

I saw it at my cohort's place. We were suppose to go to a party but ended up watching it instead.

Offline keating

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Re: MAY ISANG TSUPER NG TAXI
« Reply #2085 on: Dec 30, 2008 at 07:15 PM »
MAY ISANG TSUPER NG TAXI (Luciano B. Carlos, Elwood Perez, Joey Gosiengfiao, 1975)

Funky, kinetic, laugh fest to the max from the company (Juan dela Cruz Prods.) that gave us ISANG GABI, TATLONG BABAE. A hunky taxi driver played by Orestes Ojeda drives around and has four female passengers riding, four stories intertwined in this omnibus film. The comedy is a breath of fresh air no toilet humor and the gags in different situations doesn't fall flat. Credit should be given to its wacky cast that includes Pilar Pilapil, Celia Rodriguez, Alona Alegre and Boots Anson Roa. The music of the 70's fills in with the tunes of Three Degrees, Stylistics and Simon Garfunkel. Most of the cast from the lead down to its supporting players like Vina Cansino & Sandy Garcia can also be seen in the other camp masterpieces by Gosiengfiao & Perez most notably in ZOOM ZOOM SUPERMAN & SI POPEYE ATBP. Boots Anson Roa sizzles with those virginal looks cavorting and flirting with Orestes on the final episode.
« Last Edit: Dec 30, 2008 at 07:39 PM by keating »

Offline rse

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Re: Filipino films
« Reply #2086 on: Jan 01, 2009 at 11:06 PM »
I bought a number of DVDs on my last visit to Manila.  Here are the ones I've seen so far:

Tatlo, Dalawa, Isa. 
I was pleasantly surprised by this.  The first movie in the anthology is very un-Brocka.  It reminds me more of Batch 81, Full Metal Jacket, even Salo (the cutting-of-hair scene).
The 2nd movie is quintessential Brocka.  It's very melodramatic but it just gets you.  Anita Linda's performance is simply heartbreaking.  Unforgettable.
The 3rd movie is devilishly delicious.  I didn't know that Mary Walter can be that creepy!  Great great movie!

My Only U
One of the better commercial love comedy I've  seen recently.  It's a very charming movie.

My Big Love
Standard fair romantic comedy.  Not that bad.

For the First Time
KC is so beautiful.  I think Joyce Bernal is overrated.  Ruffa's brother is trying too hard to be tough in this movie.  It just isn't believable.

My Bestfriend's Girldfriend
Your typical GMA/ABS kinda movie.  Glossy, forgettable.





Offline oggsmoggs

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Re: Filipino films
« Reply #2087 on: Jan 02, 2009 at 02:03 AM »

Offline rse

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Re: Filipino films
« Reply #2088 on: Jan 02, 2009 at 06:12 PM »
Didn't like Dayo.  Too much shameless product placements.  The worst one is for the Ceccon vitamins! Since they are not really able to achieve the polish of big budget international releases, they should have tried the other route. Also they should have used a more ethnic/native sound.  It's too Hollywood, too Disney. It's annoying and distracting that the tikbalang and other engkantos speak Taglish.  The Lipad sequence is basically the same sequence as A Whole New World in Aladdin.  Although I must agree the voice talents are good!


Offline halvert

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Re: Filipino films
« Reply #2089 on: Jan 04, 2009 at 08:52 PM »
balit kaya walang dvd release ng mga indie films? i've only seen "maximo oliveros" and "ligaw liham" but i can't find one of  "endo" ,"pisay"or raya martin's films...sayang, i think more people would appreciate them if they could actually watch them! gusto ko nga sana magpadala sa mga relatives ko abroad para malaman nila that we have movies outside of star cinema and regal

Offline rse

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Re: Filipino films
« Reply #2090 on: Jan 04, 2009 at 09:55 PM »
Managed to buy a copy of Tirador on VCD. I'm starting to be a fan of Brillante Mendoza.  This is only his 2nd movie that I've seen, the other is Kaleldo (which I think is visually stunning).  This movie is a masterpiece of gritty filmmaking.  It looks so real,  that it looks almost like a documentary. It's a modern Filipino classic.  Now I'm excited to see his other works.   Which other ones are released now in either DVD or VCD?  BTW this VCD has embedded English subtitles, which I think is a welcom bonus.  I don't know if there's a DVD release.  I hope that there's one.  I can't wait to upgrade.



« Last Edit: Jan 04, 2009 at 09:56 PM by rse »

Offline jdv1229

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Re: Filipino films
« Reply #2091 on: Jan 05, 2009 at 07:14 AM »
Masahista is out on DVD and so is Mendoza's sophomore effort Kaleldo. There's also the direct to video release Pantasya. Tirador is an excellent film but Manoro remains to be my personal favorite.

Offline Noel_Vera

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Re: Filipino films
« Reply #2092 on: Jan 05, 2009 at 11:03 AM »
I agree; Manoro's my favorite.

It's useful to see some of Mendoza's models--basically the Dardennes, a bit of Von Trier or the Dogme crowd, the neorealists before them, only applied to the Filipino milieu. He's got his niche in the pantheon. 
« Last Edit: Jan 05, 2009 at 11:29 AM by Noel_Vera »

Offline halvert

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Re: Filipino films
« Reply #2093 on: Jan 05, 2009 at 03:06 PM »
^where is manoro available? any other recent films i should look for on dvd? thanks!

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Re: Filipino films
« Reply #2094 on: Jan 06, 2009 at 01:21 AM »
Some other minor works I've seen on DVDs recently:

Monster Mom
Ruffa's annoying in this movie (eventhough her character is supposed to be annoying).  I can't stand her.  Her mom Annabelle looks conscious and scared of the camera.  Still it's a Jose Javier Reyes movie so it's still watchable.

Special Kind of Love
The saving grace of this movie is Sarah Geronimo.  I'm not familiar with her aside that she's supposed to be a winner of a famous singing contest. She's actually very charming and I think, very funny...

When Love Begins
Watchable albeit forgettable and by-the-number romance movie.   And Anne Cortiz (?) is way too young for Aga.  Their kissing scenes made me cringe.

Loving You
It's nice that they've started making movies about the lives of the call center employees. Still this is your typical teenage romance movie.  Although it echoes some bits of Bagets...

Apat Dapat, Dapat Apat
I didn't get this movie.  Although I like the actors here.  They're great commedienes, but they're wasted here.  This movie is just so bad and better avoided.
« Last Edit: Jan 06, 2009 at 01:24 AM by rse »

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Re: Filipino films
« Reply #2095 on: Jan 06, 2009 at 01:22 AM »
^where is manoro available? any other recent films i should look for on dvd? thanks!

Manoro and Foster Child I can't wait to see, I don't think they're available yet though....

I'm not a fan of Dogme films (and Lars von Trier), although a huge admirer of the neo-realist movement...
« Last Edit: Jan 06, 2009 at 01:30 AM by rse »

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Re: Filipino films
« Reply #2096 on: Jan 06, 2009 at 06:05 AM »
Sa Aking Pagkakagising Mula Sa Kamulatan
This has got to be one of the best titled movies in a while.  The movie itself is not bad but it doesn’t live up to the excellent title.  My main problem with it is that the whole thing doesn’t ring true. It lacks real depth. Also it’s trying too hard to be edgy and shocking.  The narrative style used distracts more than add to the movie.  The performances are not bad except the actor who played the narrator.  He’s just not very interesting to watch on the screen.
« Last Edit: Jan 06, 2009 at 06:10 AM by rse »

Offline sosy_high

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Re: Filipino films
« Reply #2097 on: Jan 07, 2009 at 05:24 PM »
Some other minor works I've seen on DVDs recently:

Special Kind of Love
The saving grace of this movie is Sarah Geronimo.  I'm not familiar with her aside that she's supposed to be a winner of a famous singing contest. She's actually very charming and I think, very funny...

When Love Begins
Watchable albeit forgettable and by-the-number romance movie.   And Anne Cortiz (?) is way too young for Aga.  Their kissing scenes made me cringe.

Loving You
It's nice that they've started making movies about the lives of the call center employees. Still this is your typical teenage romance movie.  Although it echoes some bits of Bagets...


Sarah Geronimo was adorable in A Very Special Love. You should watch her MMK episode with Cherry Pie Picache. She was really good in it. And Loving You is a copy cat of the Korean movie Sad Movie


Offline oggsmoggs

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Re: Filipino films
« Reply #2099 on: Jan 09, 2009 at 05:53 PM »