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Entertainment => Film & TV Talk => Pinoy Entertainment => Topic started by: keating on Mar 21, 2003 at 05:02 PM

Title: The Peque Gallaga Thread
Post by: keating on Mar 21, 2003 at 05:02 PM
Since ORO PLATA MATA celebrate its 20th anniversary, it is now the time to honor in my opinion the local counterpart of Steven Spielberg.....MR. PEQUE GALLAGA.

From his directorial debut, Binhi...to his epic masterpiece, "ORO PLATA MATA" to BAD BANANAS SA PUTING TABING...Virgin Forest...Scorpio Nights....Unfaithful Wife....Once Upon A time...the Manananggal episode in Shake Rattle & Roll... ISANG ARAW WALANG DIYOS....Tiyanak....Aswang....

His films are always excellent in terms of craftmanship and technical aspects. I do hope that there will be a sequel to "oro, plata, mata" and make it as his comeback movie.

He has done also some great mini-series on television particularly BORACAY AND CEBU. Also directed back on the late 80's about the Filipinos in the U.S. via Apple Pie, Patis, atbp.
Title: Peque Gallaga
Post by: Reuven Malter on Mar 22, 2003 at 06:39 AM
Boracay was such a big deal then for us since they shot it in our province.

As a kid, I always looked forward to his sci-fi/fantasy flicks. Up to now, I'm still spooked by Tiyanak. I can't see that film without dreading what could be under my bed.
Title: THE PEQUE GALLAGA THREAD
Post by: Reuven Malter on Mar 22, 2003 at 08:12 AM
really? would like to buy it too pero takot ako eh.  ;D

that line too. it even inspired a different movie altogether.
Title: Re:THE PEQUE GALLAGA THREAD
Post by: keating on Mar 22, 2003 at 08:19 AM
really? would like to buy it too pero takot ako eh.  ;D

that line too. it even inspired a different movie altogether.

But knowing Regal...they always release the dvd format of their movies in bare-bones edition. I haven't see any of their movies release packed with special features.
Kaya wala pa akong nabibili sa mga movies nila.
Even Scorpio Nights yata wala features.  ???

That line became a smash hit back in 1988.

TIYANAK was released in theatres September of 1988.
Title: Re:THE PEQUE GALLAGA THREAD
Post by: RitchieNolasco on Mar 22, 2003 at 08:22 AM
SCORPIO NIGHTS is one great bold movie made by Peque.

The "controversial" Scorpio Nights 2 (Joyce Jimenez) in my own view is TAME when compared to the original.

Scorpio Nights' sex scenes are MORE EXPLICIT, LONGER and MORE REALISTIC. The sequel's sex scenes are MORE ARTISTIC.

It is too bad that Scorpio Nights still has not gotten the big video treatment it deserves.
Title: THE PEQUE GALLAGA THREAD
Post by: Reuven Malter on Mar 22, 2003 at 08:31 AM
it's sad that our film producers are not that globally-oriented. there's a lucrative market for Filipino films outside of the country via DVDs but they do not give them much importance.
Title: Re:THE PEQUE GALLAGA THREAD
Post by: keating on Mar 22, 2003 at 08:31 AM
SCORPIO NIGHTS according to Noel, is Peque's best film.

 It's number 3 on my lists of Peque's best films.

 I still have the complete vhs tape of that movie which was taken from the complete version of the betamax tape released 1984. The current vcd release has two scenes cut in the original version. I haven't see the dvd format of it.
Title: Re:THE PEQUE GALLAGA THREAD
Post by: gurang on Mar 24, 2003 at 01:36 AM
They just aired Oro Plata Mata on Cinema One, and I finally saw it for the first time. I understand that the print with Cinema One is extremely disjointed. I also understand that the original cut of the film ran up to six hours. Understandably, these problems in continuity make the film suffer as a whole.

But what I saw seemed like the rough draft for one of the greatest, and maybe even the greatest Filipino movie ever made. I hope that all the legal problems clear up and that Mr. Gallaga will be able to raise enough money to restore the film.
Title: Re:THE PEQUE GALLAGA THREAD
Post by: Noel_Vera on Mar 24, 2003 at 01:09 PM
The five hour version is gone.  The most complete version and the one Peque is satisfied with is a three hour plus version.
Title: Re:THE PEQUE GALLAGA THREAD
Post by: keating on Mar 24, 2003 at 10:06 PM
They just aired Oro Plata Mata on Cinema One, and I finally saw it for the first time. I understand that the print with Cinema One is extremely disjointed. I also understand that the original cut of the film ran up to six hours. Understandably, these problems in continuity make the film suffer as a whole.

But what I saw seemed like the rough draft for one of the greatest, and maybe even the greatest Filipino movie ever made. I hope that all the legal problems clear up and that Mr. Gallaga will be able to raise enough money to restore the film.

 This is perhaps Mr. Gallaga's best film so far. I hope he gets back to his original roots in doing movies not the sleazy sexy movies or the horror genre that he monopolized in the late 80's and early 90's.

Just the opening party scene in long tracking shot in "oro, plata, mata" will leave you breathless!  8)

And if you delete all the sex or controversial scenes...it will remain a timeless or classic movie for many years to come...even my grandchildren can still look up to this epic movie.
Title: Re:THE PEQUE GALLAGA THREAD
Post by: milkeemee on Apr 26, 2003 at 09:02 PM
I remember that I was a senior highschool student when I watched Oro in the province ( last full show) . I was with fifteen others ( classmates/ batchmates) and it was the first time that I went into a  lengthy film discourse with others after watching the movie.  It was a real treat because  the movie sort of opened our cinematic eyes. Oro for me is on top in terms of grandeur. Acting-wise, Joel Torre was still raw but he showed loads of potential. The rest of the cast performed almost perfectly.  It is disappointing to note that in the recent years, no movie of the same magnitude as Oro has been produced.  One important lesson here is that there is really a need for the government to help the industry by activating  ECP if not creating a new outfit  of the same nature.
Title: Re:THE PEQUE GALLAGA THREAD
Post by: keating on Apr 26, 2003 at 09:20 PM
Could it be true that Joel Torre's voice was dubbed in "ORO, PLATA, MATA"?

It's true that no Filipino movie could equal the epic, scope and grandeur of "oro, plata, mata"!

Can you imagine if this movie has been digitally remastered complete with sound and color plus interviews with the whole cast and crew?  8)
Title: Re:THE PEQUE GALLAGA THREAD
Post by: indie boi on Apr 26, 2003 at 09:56 PM
Yes, I think it was. From what I've heard, there was no choice but for another actor to dub his voice because he had a very thick ilonggo accent then.
Title: Re:THE PEQUE GALLAGA THREAD
Post by: wedge on Apr 26, 2003 at 10:50 PM
I heard that Oro Plata Mata is a six-hour movie, which is why it's `parang bitin' (not in terms of its conclusion which is perfectly okay), but I have this difficulty of analyzing Kuh Ledesma's character. I asked those who had also seen the movie, and the same question kept on popping up "Ano yung character ni Kuh Ledesma dun?"

Maybe you could give opinions on this one. Since it is unllikely that Peque Gallaga would reissue the complete version of the film in video...
Title: Re:THE PEQUE GALLAGA THREAD
Post by: indie boi on Apr 27, 2003 at 12:12 AM
The plight of Gallaga's Oro, Plata, Mata clearly shows the dismal state of our film industry. We don't even have a working organization that is tasked to safeguard these cinematic treasures.

A lot of great filipino films have already been lost to time, misuse and neglect. I hope the government comes to its senses and set up a viable organization before these other masterpieces are lost permanently.
Title: Re:THE PEQUE GALLAGA THREAD
Post by: X44 on Apr 27, 2003 at 02:32 AM
it's sad that our film producers are not that globally-oriented. there's a lucrative market for Filipino films outside of the country via DVDs but they do not give them much importance.

Quite possibly the single biggest oversight/failing of producers is to be aware of the possible revenues in the global market. (Which I think could also help the "art" side of local films immensely). And to think they're supposed to be moneymen.

On Topic: Scorpio Nights , Gangland (or was this really directed by Erik Matti, who also directed 12:00 BTW even if the credit went to uber-hack Augusto salvador) and  Virign Forest are my favorite Peques although I haven't seen the last  in awhile and could be dated.  

Are any of his pre-Lore pop movies any good? That martial arts flick with Richard Gomez,Kid Hwag Kang Susuko in particular.  Or was that him at all?
Title: Re:THE PEQUE GALLAGA THREAD
Post by: indie boi on Apr 27, 2003 at 08:43 AM
it's sad that our film producers are not that globally-oriented. there's a lucrative market for Filipino films outside of the country via DVDs but they do not give them much importance.

Quite possibly the single biggest oversight/failing of producers is to be aware of the possible revenues in the global market. (Which I think could also help the "art" side of local films immensely). And to think they're supposed to be moneymen.

On Topic: Scorpio Nights , Gangland (or was this really directed by Erik Matti, who also directed 12:00 BTW even if the credit went to uber-hack Augusto salvador) and  Virign Forest are my favorite Peques although I haven't seen the last  in awhile and could be dated.  

Are any of his pre-Lore pop movies any good? That martial arts flick with Richard Gomez,Kid Hwag Kang Susuko in particular.  Or was that him at all?

What gives with Gangland? Did he really direct it? It was so not Peque. The framing, the pace, everything about it was different I could not recognize a single element that would identify it as Peque's work.
Title: Re:THE PEQUE GALLAGA THREAD
Post by: keating on Apr 27, 2003 at 10:52 AM
Yes, I think it was. From what I've heard, there was no choice but for another actor to dub his voice because he had a very thick ilonggo accent then.

From what my cousins told me who knows the history of ORO
they even attend the screening of Oro back in the now ghostly Manila Film Center... :o

Albert Martinez was the original choice of Peque, but Albert refused to do the movie because it's on location in Negros...until now Albert Martinez regret not doing the movie.

Albert Martinez loss is Joel Torre's gain.

Title: Re:THE PEQUE GALLAGA THREAD
Post by: keating on Apr 27, 2003 at 11:00 AM
I heard that Oro Plata Mata is a six-hour movie, which is why it's `parang bitin' (not in terms of its conclusion which is perfectly okay), but I have this difficulty of analyzing Kuh Ledesma's character. I asked those who had also seen the movie, and the same question kept on popping up "Ano yung character ni Kuh Ledesma dun?"

Maybe you could give opinions on this one. Since it is unllikely that Peque Gallaga would reissue the complete version of the film in video...

 Kuh Ledesma's character was a ghost sex slave parang comfort woman siguro, who would appear every time a bad omen will happen on the "mata" section of the movie.

Since Peque re-cut the movie to only three hours, her scenes were included.

Title: Re:THE PEQUE GALLAGA THREAD
Post by: indie boi on Apr 27, 2003 at 11:14 AM
Yes, I think it was. From what I've heard, there was no choice but for another actor to dub his voice because he had a very thick ilonggo accent then.

Bro indie boi, from what my cousins told me who knows the history of my favorite PINOY FLICK OF ALL TIME... :D

they even attend the screening of Oro back in the now ghostly Manila Film Center... :o

Albert Martinez was the original choice of Peque, but Albert refused to do the movie because it's on location in Negros...until now Albert Martinez regret not doing the movie!

Albert Martinez loss is Joel Torre's gain.

You're right, Joel has a very thick Ilonggo accent...even his voice in SRR 1, The Graduates, you can recognized it that it is not his voice.

I wonder in Unfaithful Wife?  ???



I read something about Joel Torre's voice in Unfaithful Wife but I can't remember it now as it was so long ago. But if i'm not mistaken this was the first movie where Torre used his original voice. Again, this is a vague recollection kaya hindi 100% sure.

I've only seen one movie at the Film Center. It was the first MIFF and my dad got us tickets to attend the screening of A Portrait of The Artist as a Filipino. I think this was directed by Gerry de Leon but I'm not sure. Great movie! It was a great creative commitment for them to use Joaquin's English script.  ;D
Title: Re:THE PEQUE GALLAGA THREAD
Post by: keating on Apr 27, 2003 at 11:28 AM
You're lucky indie boi because you had the chance to watch during that event which I now consider "FILM HISTORY"!

We were not allowed to join my cousins during that time...I was in grade 2.

Title: Re:THE PEQUE GALLAGA THREAD
Post by: indie boi on Apr 27, 2003 at 11:41 AM
You're lucky indie boi because you had the chance to watch during that event which I now consider "FILM HISTORY"!

We were not allowed to join my cousins during that time...I was in grade 2.


May I ask how old you are now? I think I was in that same grade when we watched that movie. Naka-shorts pa ako nun.  ;D
Title: Re:THE PEQUE GALLAGA THREAD
Post by: keating on Apr 27, 2003 at 11:47 AM
I think we are both MARTIAL LAW BABIES, Bro Indie boi!

Minus mo na lang pre, and you'll get my age!  ;D

By the way, I've ordered thru my friend in the U.S. the original vhs of VIRGIN FOREST, UNFAITHFUL WIFE  and ONCE UPON A TIME in regalfilms.com.  :D
Title: Re:THE PEQUE GALLAGA THREAD
Post by: indie boi on Apr 27, 2003 at 11:55 AM
I think we are both MARTIAL LAW BABIES, Bro Indie boi!

Minus mo na lang pre, and you'll get my age!  ;D

By the way, I've ordered thru my friend in the U.S. the original vhs of VIRGIN FOREST, UNFAITHFUL WIFE  and ONCE UPON A TIME in regalfilms.com.  :D

Almost the same age nga tayo pre! The only advantage I got was that my dad was working for the government then and we lived in Pasay City which was near the Film Center kaya mas may ready access kami sa tickets.  ;D

Cool titles! Of the three titles, I've only seen Unfaithful Wife pero hindi ko na matandaan yung movie sa tagal, hehe.  
Title: Re:THE PEQUE GALLAGA THREAD
Post by: keating on Apr 27, 2003 at 12:13 PM
Some of Peque's movies changed after he team-up with Lore Reyes.  Less impact!

But i'm not saying  that they are not good.

I like VIRGIN FOREST, SCORPIO NIGHTS, UNFAITHFUL WIFE and
 ORO, PLATA, MATA (the long-tracking shot at the party scene was the best and awesome, breathless!)

You can recognized easily by watching those flicks, GALLAGANG-GALLAGA!  8)
Title: Re:THE PEQUE GALLAGA THREAD
Post by: indie boi on Apr 27, 2003 at 12:41 PM
I remember this interview Gallaga did for a TV Show. He was recounting the shoot for Scorpio Nights. Gallaga had a stroke while filming the movie. But he was adamant to finish the shoot. So what he did was to direct the whole movie while lying down on a fold-a-bed. He said he fondly remembers giving Anna Marie Guttierez and Daniel Fernando instructions for their pumping scene while he was lying prone on the bed, gyrating like a beached whale to keep time with his own instructions.   ;D
Title: Re:THE PEQUE GALLAGA THREAD
Post by: keating on Apr 27, 2003 at 01:13 PM
He suffered a stroke while doing SCORPIO NIGHTS? ???

Kaya pala his succeding films were less bold in nature compared to SCORPIO NIGHTS.

VIRGIN FOREST was a historical drama with of course some skin exposure from Sarsi Emmanuel,
UNFAITHFUL WIFE, drama, ONCE UPON A TIME with Lore Reyes, fantasy, KID HUWAG KANG SUSUKO, action,

TIYANAK...horror

and no. 2  on my lists of favorites...ISANG ARAW WALANG DIYOS...back to epic.
Title: Re:THE PEQUE GALLAGA THREAD
Post by: indie boi on Apr 27, 2003 at 01:18 PM
He suffered a stroke while doing SCORPIO NIGHTS? ???

Kaya pala his succeding films were less bold in nature compared to SCORPIO NIGHTS.

VIRGIN FOREST was a historical drama with of course some skin exposure from Sarsi Emmanuel,
UNFAITHFUL WIFE, drama, ONCE UPON A TIME with Lore Reyes, fantasy, KID HUWAG KANG SUSUKO, action

and no. 3 on my lists of favorites...ISANG ARAW WALANG DIYOS...back to epic.

His health problem is actually the reason why he started teaming up with Lore Reyes. I think Scorpio Nights was the last movie he did alone.

Virgin Forest!! I forgot that I actually saw that movie. Four times to boot! My mind kind of blanked there for a moment.  ;D
Title: Re:THE PEQUE GALLAGA THREAD
Post by: keating on Apr 27, 2003 at 01:25 PM
He should be careful now about his health, kaya pala mataba siya.  ;D (sorry...direk)

His solo movies have great impact compared with his collaboration with Lore Reyes.

About Virgin Forest...remember that scene where Sarsi Emmanuel was tied to the tree and men started to make love to her so that the late Miguel Rodriguez and Abel Jurado managed to escape?  ;D
Title: Re:THE PEQUE GALLAGA THREAD
Post by: indie boi on Apr 27, 2003 at 02:25 PM
He should careful now about his health, kaya pala mataba siya.  ;D (sorry...direk)

His solo movies have great impact compared with his collaboration with Lore Reyes.

About Virgin Forest...remember that scene where Sarsi Emmanuel was tied to the tree and men started to make love to her so that the late Miguel Rodriguez and Abel Jurado managed to escape?  ;D

I do remember that. Actually Pen Medina was one of the rapists. I consider him one of our best character actors. I had the pleasure of meeting him and his son during the first premiere of Rizal during the Philippine centennial.
Title: Re:THE PEQUE GALLAGA THREAD
Post by: X44 on Apr 27, 2003 at 02:57 PM
What gives with Gangland? Did he really direct it? It was so not Peque. The framing, the pace, everything about it was different I could not recognize a single element that would identify it as Peque's work.

I know someone who's a close friend of Erik Matti, who's the godfather of his son, too, I believe, and apparently, Gangland was directed by Matti, who was a Gallaga protege/AD. Apparently. Matti did get writer credit and appeared in a cameo. Erik also wrote and directed Scorpio 2 but as a deal with Gallaga and Reyes, the two got writer credit in exchange for a director credit for Matti. All of this , of course, is secondhand info. Who knows what really went down.
Title: Re:THE PEQUE GALLAGA THREAD
Post by: indie boi on Apr 27, 2003 at 03:08 PM
What gives with Gangland? Did he really direct it? It was so not Peque. The framing, the pace, everything about it was different I could not recognize a single element that would identify it as Peque's work.

I know someone who's a close friend of Erik Matti, who's the godfather of his son, too, I believe, and apparently, Gangland was directed by Matti, who was a Gallaga protege/AD. Apparently. Matti did get writer credit and appeared in a cameo. Erik also wrote and directed Scorpio 2 but as a deal with Gallaga and Reyes, the two got writer credit in exchange for a director credit for Matti. All of this , of course, is secondhand info. Who knows what really went down?

I also heard that Gallaga and Matti had a big falling out because of Scorpio 2. I think it involved the budget for the movie. I'm not too sure though.
Title: Re:THE PEQUE GALLAGA THREAD
Post by: X44 on Apr 27, 2003 at 03:25 PM
Matti was apparently banned from the editing room. That's what my friend told me, at least.
Title: Re:THE PEQUE GALLAGA THREAD
Post by: keating on Apr 27, 2003 at 06:20 PM
What gives with Gangland? Did he really direct it? It was so not Peque. The framing, the pace, everything about it was different I could not recognize a single element that would identify it as Peque's work.


I know someone who's a close friend of Erik Matti, who's the godfather of his son, too, I believe, and apparently, Gangland was directed by Matti, who was a Gallaga protege/AD. Apparently. Matti did get writer credit and appeared in a cameo. Erik also wrote and directed Scorpio 2 but as a deal with Gallaga and Reyes, the two got writer credit in exchange for a director credit for Matti. All of this , of course, is secondhand info. Who knows what really went down.

Scorpio Nights 2 failed in comparison to the original one.

The style, camera work, technical aspects and craftmanship are excellent. To think that Mr. Peque Gallaga was bedridden during that time!

And the bloody finale...whoa....one can conclude that
"man can never live by lust alone!"
Title: Re:Peque Gallaga
Post by: justine on Apr 27, 2003 at 07:18 PM
Boracay was such a big deal then for us since they shot it in our province.

As a kid, I always looked forward to his sci-fi/fantasy flicks. Up to now, I'm still spooked by Tiyanak. I can't see that film without dreading what could be under my bed.

I remember that TV Show bro, a lot of people made a big deal about it.  I guess during that time Boracay is not as popular as it is now.  So, people in our province are not used to seeing a lot of showbiz people.

I like Boracay and the other shows of that genre, Cebu and Davao.  Too bad we cannot see it again.  I hope they would rerun it as a promotional thing for the country's tourism. Paging Dick Gordon  ;D

My fave Peque Gallaga film is Isang Araw Walang Diyos and Once Upon a Time.
Title: Re:THE PEQUE GALLAGA THREAD
Post by: indie boi on Apr 27, 2003 at 07:53 PM
I still remember Boracay. I religiously followed it when it was aired. I think it was an intelligently written series that really deviated from the norm. Almost everyone was speaking in conversational Pilipino, which means taglish, hehe. Walang mga awkward na words that are used in formula soaps like "ngunit", "itay", etc.   ;D
Title: Re:THE PEQUE GALLAGA THREAD
Post by: wedge on Apr 27, 2003 at 08:40 PM
I heard that Oro Plata Mata is a six-hour movie, which is why it's `parang bitin' (not in terms of its conclusion which is perfectly okay), but I have this difficulty of analyzing Kuh Ledesma's character. I asked those who had also seen the movie, and the same question kept on popping up "Ano yung character ni Kuh Ledesma dun?"

Maybe you could give opinions on this one. Since it is unllikely that Peque Gallaga would reissue the complete version of the film in video...

Bro wedge, accdg. to Bro Utoy Kuh Ledesma's character was a ghost sex slave parang comfort woman siguro, who would appear every time a bad omen will happen on the "mata" section of the movie.

Since Peque re-cut the movie to only three hours, her scenes were included.

Akala ko rin nung una, hindi ko makuha yung character ni Kuh...but one of her greatest moments in the film was the explosion of her head literally!

About the complete video version...let's just continue to dream on....!
Hm, thanks for that, keating! But then, if she's a ghost bakit siya nabaril ni Joel Torre? It's a stupid question though, but does that mean that Joel Torre's character is also a ghost? And bigla na lang nawala si Ronnie Lazaro after that ala-Wild Bunch scene na yun eh. Just asking... :)
Title: Re:THE PEQUE GALLAGA THREAD
Post by: Noel_Vera on Apr 28, 2003 at 01:12 AM
Kuh's character is meant to be mistaken for a real ghost character.  Or so Gallaga says.

Gangland is by Matti?  Why am I not surprised?

They should do a festival titled "Gallaga B.L." (guess what the letters stand for).  I've always said his solo efforts are the only ones worth watching.  

Scorpio Nights 2 is wonderful comedy.  Nonstop laff riot.
Title: Re:THE PEQUE GALLAGA THREAD
Post by: indie boi on Apr 28, 2003 at 08:14 AM

Scorpio Nights 2 is wonderful comedy.  Nonstop laff riot.

I completely agree.  ;D
Title: Re:THE PEQUE GALLAGA THREAD
Post by: RMN on Apr 28, 2003 at 01:25 PM
He also directed the "historical" San Miguel beer commercials.
Title: Re:THE PEQUE GALLAGA THREAD
Post by: keating on Apr 28, 2003 at 05:57 PM
He also directed the "historical" San Miguel beer commercials.


That's why the production design and cinematography are superb!  8)

I think he can also be at par with RIDLEY SCOTT as the

MOST VISUALLY STUNNING FILMMAKER.
Title: Re:THE PEQUE GALLAGA THREAD
Post by: keating on Apr 28, 2003 at 06:07 PM
I heard that Oro Plata Mata is a six-hour movie, which is why it's `parang bitin' (not in terms of its conclusion which is perfectly okay), but I have this difficulty of analyzing Kuh Ledesma's character. I asked those who had also seen the movie, and the same question kept on popping up "Ano yung character ni Kuh Ledesma dun?"

Maybe you could give opinions on this one. Since it is unllikely that Peque Gallaga would reissue the complete version of the film in video...

Bro wedge, accdg. to Bro Utoy Kuh Ledesma's character was a ghost sex slave parang comfort woman siguro, who would appear every time a bad omen will happen on the "mata" section of the movie.

Since Peque re-cut the movie to only three hours, her scenes were included.

Akala ko rin nung una, hindi ko makuha yung character ni Kuh...but one of her greatest moments in the film was the explosion of her head literally!

About the complete video version...let's just continue to dream on....!
Hm, thanks for that, keating! But then, if she's a ghost bakit siya nabaril ni Joel Torre? It's a stupid question though, but does that mean that Joel Torre's character is also a ghost? And bigla na lang nawala si Ronnie Lazaro after that ala-Wild Bunch scene na yun eh. Just asking... :)

Bro Wedge gusto ng mag- REST IN PEACE ni KUH that's why she wanted Miguel (Joel Torre) to shoot him!

Yung nabaril siya ng una, maybe that was just an incidental shot.

The disapperance of some of the characters hindi nga masyado naipaliwanag. But my guess is...

Viring and Jo Russell (LORLI VILLANUEVA and MAYA VALDEZ) are in the U.S. already.

TATING (Mary Walter was killed by the Japanese soldiers).

And Hermes (Ronnie Lazaro) joined the military already.
Title: Re:THE PEQUE GALLAGA THREAD
Post by: acyl_halide on Apr 28, 2003 at 11:23 PM
I just read in a Korean newsletter about a Korean remake of Peque Gallaga's Scorpio Nights entitled Summer Time. Has someone seen this movie and is it as good as the Pinoy version?

Summer Time ["Sseom-meo-ta-im"] Directed by Park Jae-ho. Screenplay by Yoo Gap-yeol. A student activist moves into an attic room in a small town, where he discovers a hole in the floor. After spying on the woman downstairs, the wife of a policeman, he enters her apartment and embarks on an affair with her. Set in the 1980s. An official remake of the mid-1980s Philippine film Scorpio Nights by Peque Gallaga. Starring singer/actress Kim Ji-hyun, Ryu Su-young, Choi Chul-ho. Cinematography by Shin Hyun-joong. Produced by Sidus. Distributed by Cinema Service. Rating: 18+. 103 min. May 26.
Title: Re:THE PEQUE GALLAGA THREAD
Post by: X44 on Apr 28, 2003 at 11:47 PM
I've seen  it. I have a VCD copy I borrowed from an officemate. It's a carbon, except it's too glossy, too slick, it doesn't have the blight, the desperation and the claustrophobia of the original. The original's still far far better and I'm not just being Pinoy about it.  :)
Title: Re:THE PEQUE GALLAGA THREAD
Post by: keating on Apr 30, 2003 at 11:32 PM
I've seen  it. I have a VCD copy I borrowed from an officemate. It's a carbon, except it's too glossy, too slick, it doesn't have the blight, the desperation and the claustrophobia of the original. The original's still far far better and I'm not just being Pinoy about it.  :)

Was Scorpio Nights inspired by IN THE REALM OF THE SENSES?  ???
Title: Re:THE PEQUE GALLAGA THREAD
Post by: milkeemee on May 01, 2003 at 03:06 AM
Was Scorpio Nights inspired by IN THE REALM OF THE SENSES?  ???
Yes.  Peque was quite open about it.  BTW,  did he direct the movie Once Upon A Time ( Regal)?
Title: Re:THE PEQUE GALLAGA THREAD
Post by: keating on May 01, 2003 at 10:45 AM
It's good to hear that our Asian neighbors are re-making his films.

Yup, ONCE UPON A TIME the Regal flick was made by him with Lore Reyes.
Title: Re:THE PEQUE GALLAGA THREAD
Post by: X44 on May 01, 2003 at 11:12 AM
Talaga? I always thought it Once was made pre-Lore.
Title: Re:THE PEQUE GALLAGA THREAD
Post by: keating on May 01, 2003 at 11:18 AM
ONCE UPON A TIME was his first collaboration with Lore Reyes.

UNFAITHFUL WIFE his follow-up to Anna Marie Gutierrez after the critical success of Scorpio Nights, was his last solo credit as a director.
Title: Re:THE PEQUE GALLAGA THREAD
Post by: RitchieNolasco on May 01, 2003 at 09:59 PM
Speaking of Scorpio Nights, I must admit I LEARNED alot from the nude and sex scenes there. No kidding.
Title: Re:THE PEQUE GALLAGA THREAD
Post by: Mrs. T on May 01, 2003 at 10:14 PM
Speaking of Scorpio Nights, I must admit I LEARNED alot from the nude and sex scenes there. No kidding.

Hey RitchieN, talaga bang maraming matututuhan?  ;D ;D ;D
Title: Re:THE PEQUE GALLAGA THREAD
Post by: keating on May 02, 2003 at 10:13 AM
Bro TOTI, the dvd of Scorpio Nights is available on Regalfilms.com.

Buy it you want to learn the techniques, art and style of lovemaking....superb execution!

But there is  more than that...watch the bloody finale.
The opening credits is almost similar to the opening scene in Oro, plata, mata.

Long tracking shot!  8)
Title: Re:THE PEQUE GALLAGA THREAD
Post by: Mrs. T on May 02, 2003 at 11:15 PM
Bro TOTI, the dvd of Scorpio Nights is available on Regalfilms.com.

Buy it you want to learn the techniques, art and style of lovemaking....superb execution!

But there is  more than that...watch the bloody finale.
The opening credits is almost similar to the opening scene in Oro, plata, mata.

Long tracking shot!  8)

Who's in it? What it's all about?   ???
Is this an adult movie or a serious movie with mature nature? Sorry, I really don't know!   ???
Title: Re:THE PEQUE GALLAGA THREAD
Post by: wedge on May 03, 2003 at 03:01 AM
 ;D Scorpio Nights made me buy a CD of Simon and Garfunkel...
Title: Re:THE PEQUE GALLAGA THREAD
Post by: RitchieNolasco on May 03, 2003 at 08:33 AM
Yes Toti.

I admit it. I started making love with women around the country after watching and learning from Scorpio Nights.

I am not lying. It is true.

Hey RitchieN, talaga bang maraming matututuhan?  ;D ;D ;D
Title: Re:THE PEQUE GALLAGA THREAD
Post by: keating on May 03, 2003 at 10:37 AM
Hey....Bro Ritchie.

You should also thank MR. PEQUE GALLAGA for that!  :)
Title: Re:THE PEQUE GALLAGA THREAD
Post by: keating on May 03, 2003 at 11:01 AM
Who's in it? What it's all about?   ???
Is this an adult movie or a serious movie with mature nature? Sorry, I really don't know!   ???

It was inspired by IN THE REALM OF THE SENSES.

Yes, TOTI it's an adult movie with serious nature really intended only for mature audiences. The cast includes the legendary Anna Marie Gutierrez, Orestes Ojeda & Daniel Fernando.

THis was shown in 1984 but re-shown again at the now ghostly Manila Film Center UNCUT.
Title: Re:THE PEQUE GALLAGA THREAD
Post by: indie boi on May 03, 2003 at 12:21 PM
Can anyone give a list of the scenes included in the uncut version?
Title: Re:THE PEQUE GALLAGA THREAD
Post by: indie boi on May 03, 2003 at 01:07 PM
Speaking of uncut versions. Our film org in UP once held a big screening for Chito Rono's Private Show, little did we know that we got the uncut version of the film reel. It was there that we unwittingly showed in public the so-called banderitas scene. Sobrang gratuitous nung scene na yun and it never really contributed anything to the whole film.
Title: Re:THE PEQUE GALLAGA THREAD
Post by: keating on May 03, 2003 at 02:19 PM
Can anyone give a list of the scenes included in the uncut version?

Bro Indie boi, I was in grade 4 at that time...but luckily we had the uncut beta tape which I transfered to vhs. ;D

The pumping scene between Anna Marie Gutierrez & Daniel Fernando are much longer...than the vhs/vcd release.

I dont know on the vcd release if it contains the exchange of saliva between the two also.

And the final scene...how could I say it... there's the controversial frontal nudity of Orestes where his organ is near his gun before he make love to Anna Marie.
Title: Re:THE PEQUE GALLAGA THREAD
Post by: indie boi on May 03, 2003 at 02:22 PM
Bro Indie boi, I was in grade 4 at that time...but luckily we had the uncut beta tape which I transfered to vhs. ;D

The pumping scene between Anna Marie Gutierrez & Daniel Fernando are much longer...than the vhs/vcd release.

I dont know on the vcd release if it contains the exchange of saliva between the two also.

And the final scene...how could I say it... there's the controversial frontal nudity of Orestes where his organ is near his gun before he make love to Anna Marie.

Ah ok. Thanks for the reminders, keating. Yep, I've seen the uncut version. The VCD release has the saliva exchange but the organ/gun scene was not included and surprisingly the scene where Ojeda sees the muddy footprints on the floor.
Title: Re:THE PEQUE GALLAGA THREAD
Post by: keating on May 03, 2003 at 02:35 PM
You could also see the muddy "white" thing on Anna Marie after she was shot by Ojeda.

We had the still photo of that scene where she was lying helpless.... nabaha na yata.
Title: Re:THE PEQUE GALLAGA THREAD
Post by: keating on May 13, 2003 at 04:37 PM
Guys...any update on the legendary ANNA MARIE GUTIERREZ?  ???

She was only noticed in Scorpio Nights  and Unfaithful Wife. I wonder why did she stop making movies in 1986?
Title: Re:THE PEQUE GALLAGA THREAD
Post by: indie boi on May 13, 2003 at 04:39 PM
She now lives in the US. According to my mom, she was featured in the now defunct Apple Pie, ATBP.
Title: Re:THE PEQUE GALLAGA THREAD
Post by: keating on May 13, 2003 at 04:44 PM
Thanks for the info...indie boi.

She had a cameo role also as the hired killer who wanted to kill Charo Santos but the bullet went to Chanda Romero in "Di mo ako kayang tapakan".
Title: Re:THE PEQUE GALLAGA THREAD
Post by: tonedeaf on May 13, 2003 at 09:56 PM
and no. 2  on my lists of favorites...ISANG ARAW WALANG DIYOS...back to epic.

I always loved this movie, watched it 3-4 times  a looonng time ago.  Ensemble cast.  I thought it was way ahead of its time when it was made, parang the Filipino moviegoers weren't ready to watch something like it.  I can't listen to Yellow Submarine without remembering the movie. Haven't watched it since, though.  I always wondered what everyone else thought of it, kasi parang konti lang kami sa moviehouse when i saw it.  Don't remember it being a hit.  
Title: Re:THE PEQUE GALLAGA THREAD
Post by: keating on May 14, 2003 at 09:53 PM
I always loved this movie, watched it 3-4 times  a looonng time ago.  Ensemble cast.  I thought it was way ahead of its time when it was made, parang the Filipino moviegoers weren't ready to watch something like it.  I can't listen to Yellow Submarine without remembering the movie. Haven't watched it since, though.  I always wondered what everyone else thought of it, kasi parang konti lang kami sa moviehouse when i saw it.  Don't remember it being a hit.  

It's just a pity that ISANG ARAW WALANG DIYOS was market by Regal Films as ST flick. You could see on the poster Alice Dixson as the current bombshell on that time embracing & kissing Richard Gomez.

I was in 4th year high school when we watched this movie.

You're right tonedeaf...it was a flop! Kokonti din yung mga tao inside Sm Cinema in North Edsa.

This marks the return of Mr. Peque Gallaga in epic filmmaking and I always say that the name of Robert Arevalo's father as Manny Ojeda but it was Tito Arevalo as the leader of the cult.

The movie also was an ensemble cast.  8)

Title: Re:THE PEQUE GALLAGA THREAD
Post by: Noel_Vera on May 15, 2003 at 08:33 AM
I hear Ana Marie Guttierrez is heavily overweight now, hence unable to act on films.

She was also terrific in Takaw Tukso.
Title: Re:THE PEQUE GALLAGA THREAD
Post by: keating on May 15, 2003 at 09:16 PM
Is this still available on video or vcd, Noel?  ???(takaw-tukso)
Title: Re:THE PEQUE GALLAGA THREAD
Post by: Noel_Vera on May 16, 2003 at 07:51 AM
I don't think so.  I saw a deteriorated print once, at Pelikula at Lipunan I think.  It's writer Armando Lao's masterpiece.
Title: Re:THE PEQUE GALLAGA THREAD
Post by: keating on May 17, 2003 at 10:18 AM
Thanks for the info...Noel.

I'll check video 48 if they carry this title. I was able to rent there Celso Ad Castillo's ASEDILLO.
FPJ is good actor for the movies not for our future president.

Title: Re:THE PEQUE GALLAGA THREAD
Post by: keating on Jun 21, 2003 at 11:28 AM
I just finished watching VIRGIN FOREST with Sarsi Emmanuel. This historical epic with some bold scenes thrown in is still....GALLAGANG-GALLAGA.  8)

I think his movies changed when he partnered with LORENZO REYES. But I havent also seen BINHI his first collaboration with BUTCH PEREZ.

No offense meant to direk Lore, but MR. PEQUE GALLAGA is at his best when he is making movies in solo credit.
Title: Re:THE PEQUE GALLAGA THREAD
Post by: RitchieNolasco on Jun 21, 2003 at 10:15 PM
I remember this interview Gallaga did for a TV Show. He was recounting the shoot for Scorpio Nights. Gallaga had a stroke while filming the movie. But he was adamant to finish the shoot. So what he did was to direct the whole movie while lying down on a fold-a-bed. He said he fondly remembers giving Anna Marie Guttierez and Daniel Fernando instructions for their pumping scene while he was lying prone on the bed, gyrating like a beached whale to keep time with his own instructions.   ;D

Scorpio Nights is my favorite of all Gallaga flicks. I learned SO MUCH from it.
Title: Re:THE PEQUE GALLAGA THREAD
Post by: indie boi on Jun 21, 2003 at 10:30 PM
Scorpio Nights is my favorite of all Gallaga flicks. I learned SO MUCH from it.

Hopefully, you've learned that spitting into another person's mouth is not erotic on the part of the receiver.  ;)
Title: Re:THE PEQUE GALLAGA THREAD
Post by: Noel_Vera on Jun 22, 2003 at 08:09 AM
Hopefully, you've learned that spitting into another person's mouth is not erotic on the part of the receiver.  ;)

Oh, it depends.  Someone who WOULD find that erotic I would find very erotic...

It's like her swallowing your...you know?  Not many will do that.  The one who does, she's special...
Title: Re:THE PEQUE GALLAGA THREAD
Post by: indie boi on Jun 22, 2003 at 08:33 AM
Oh, it depends.  Someone who WOULD find that erotic I would find very erotic...

It's like her swallowing your...you know?  Not many will do that.  The one who does, she's special...

LOL

Dude, I sooo agree!  ;D ;D
Title: Re:THE PEQUE GALLAGA THREAD
Post by: Noel_Vera on Jun 22, 2003 at 08:41 AM
Not talking the object, but the issue, would like to clarify... ;D
Title: Re:THE PEQUE GALLAGA THREAD
Post by: keating on Jun 22, 2003 at 10:41 AM
If I only have enough time....my next video to watch is Mr. Gallaga's follow-up to the success of
Anna Marie's....SCORPIO NIGHTS, UNFAITHFUL WIFE his first collaboration with
 Lore Reyes
and originally titled "KAIBIGAN" with Joel Torre & Michael de Mesa.
Title: Re:THE PEQUE GALLAGA THREAD
Post by: wedge on Jun 22, 2003 at 08:54 PM
I've seen Sa Piling ng Aswang last Thursday sa Cinema One. Didn't know it was directed by Peque Gallaga. For me, the film is a terrible disappointment in both terms: the FX they used and the plot itself. Didn't like the story.
Title: Re:THE PEQUE GALLAGA THREAD
Post by: keating on Jun 23, 2003 at 08:58 PM
His best horror flick is still....the MANANANGGAL episode in the original SHAKE, RATTLE & ROLL with Herbert Bautista, Mary Walter, Pen Medina and Irma Alegre.

Speaking of Irma Alegre, what happened now to this bombshell?  ???

Also the late Mary Walter and Pen Medina are veterans of many Gallaga flicks.
Title: Re:THE PEQUE GALLAGA THREAD
Post by: fiddlers_green on Jun 23, 2003 at 09:29 PM
I just saw 'Once Upon A Time' in Studio 23 and I didn't know it was a Peque Gallaga film until the credits.

I find the movie quite slow and it only elicited a few laughts out of me.

But I think the sets and costumes were gorgeous and some of the story elements, very good and original.

A remake or sequel (if there is none) must be seriously considered.   :)
Title: Re:THE PEQUE GALLAGA THREAD
Post by: keating on Jun 23, 2003 at 09:45 PM
I just saw 'Once Upon A Time' in Studio 23 and I didn't know it was a Peque Gallaga film until the credits.

I find the movie quite slow and it only elicited a few laughts out of me.

But I think the sets and costumes were gorgeous and some of the story elements, very good and original.

A remake or sequel (if there is none) must be seriously considered.   :)

I was able to watch this on its first theatrical run in January of 1987.

The budget for this fantasy flick was estimate at P8 million plus really big on that time and you can actually see where it went, the sets, production design, effects and everything.  8)
Title: Re:THE PEQUE GALLAGA THREAD
Post by: dibidi on Jul 02, 2003 at 01:46 AM
during my freshman year a few years back our block had peque gallaga's son wanggo to teach us an art subject.

we watched the his movies Gangland and Diliryo. Although Gangland is considered a Matti film my comment of its english subtitling is it sucks. If it was the same subtitle they sent in Canada for the Toronto Film Festival i guess that's why they didn't understand the movie at all.

Diliryo has some great scenes but always bitin. Peque told the press on how he made camera angles so no nudity will be seen.

did he also co-direct Batang-X? or shall we say X-Kids.

 ;)

All in all Peque's best movies are Scorpio Nights and Oro, Plata, Mata i watched them both on Cinema One but im waiting for special remastered DVDs  releases.

I read a review quoting that "Erik Matti is the Zalman King of the Philippines
Title: Re:THE PEQUE GALLAGA THREAD
Post by: keating on Jul 02, 2003 at 11:19 PM
during my freshman year a few years back our block had peque gallaga's son wanggo to teach us an art subject.

we watched the his movies Gangland and Diliryo. Although Gangland is considered a Matti film my comment of its english subtitling is it sucks. If it was the same subtitle they sent in Canada for the Toronto Film Festival i guess that's why they didn't understand the movie at all.

Diliryo has some great scenes but always bitin. Peque told the press on how he made camera angles so no nudity will be seen.

did he also co-direct Batang-X? or shall we say X-Kids.

 ;)

All in all Peque's best movies are Scorpio Nights and Oro, Plata, Mata i watched them both on Cinema One but im waiting for special remastered DVDs  releases.

I read a review quoting that "Erik Matti is the Zalman King of the Philippines

Yup, he directed Batang X with Lore Reyes, I've said it again and again...Mr. Gallaga is at his best when making movies in solo credit.  8)

Best examples are ORO, PLATA, MATA, SCORPIO NIGHTS, VIRGIN FOREST
but I also like ISANG ARAW WALANG DIYOS with Lore Reyes.

There are 3 minutes retrospective on ORO, PLATA, MATA on Cinema One and I hope this will be included if Oro will be released on dvd which until now is our biggest dream for the moment!

Title: Re:THE PEQUE GALLAGA THREAD
Post by: keating on Jul 05, 2003 at 05:48 PM
I just finished my marathon viewing today of
Peque Gallaga flicks from Unfaithful Wife to Isang Araw Walang Diyos to Virgin Forest (2nd time on vhs) to TIYANAK.

When can we see a new Gallaga movie on the big screen?  ???
Title: Re:THE PEQUE GALLAGA THREAD
Post by: keating on Mar 27, 2004 at 12:13 PM
Heads up...peeps.

Oro Plata Mata is currently being shown at channel 23.

But the party scene and the exodus of the Lorenzo & Ojeda clan are already deleted.

Cut to Mata section at once.  :( ???
Title: Re:THE PEQUE GALLAGA THREAD
Post by: RMN on Mar 27, 2004 at 02:14 PM
I just finished my marathon viewing today of
Peque Gallaga flicks from Unfaithful Wife to Isang Araw Walang Diyos to Virgin Forest (2nd time on vhs) to TIYANAK.

When can we see a new Gallaga movie on the big screen?  ???

He's set to do a movie for Regal Films on the so-called Marian miracles in Lipa.
Title: Re:THE PEQUE GALLAGA THREAD
Post by: RMN on Mar 27, 2004 at 03:28 PM
Heads up...peeps.

Oro Plata Mata is currently being shown on channel 23.

But the party scene and the exodus of the Lorenzo & Ojeda clan are already deleted.

Cut to Mata section at once.  :( ???

Right! The exodus scene was deleted! Or maybe I just missed it. Another thing is the print. It's in dire need of cleaning and restoration. And too think it isnt a very old film. Is this the print that ABS-CBN bought?
Title: Re:THE PEQUE GALLAGA THREAD
Post by: Noel_Vera on Mar 28, 2004 at 06:41 AM
I find the movie quite slow and it only elicited a few laughts out of me.

Gallaga's always had a problem with pacing and storytelling coherence.

That said, those flaws didn't matter in Scorpio Nights--his one great film.
Title: Re:THE PEQUE GALLAGA THREAD
Post by: keating on Mar 28, 2004 at 11:39 AM
Right! The exodus scene was deleted! Or maybe I just missed it. Another thing is the print. It's in dire need of cleaning and restoration. And too think it isnt a very old film. Is this the print that ABS-CBN bought?

RMN... you didn't missed the exodus scene. It was cut already to the forest sanctuary which is the prelude to the MATA section and my least favorite.

It was actually the print that ABS-CBN bought which was painstakingly cleaned already by Road Runner and burned out during its 20th anniversary screening last January of last year thru Jessica Zafra's FLIP Movie Club.

The colors were great and you're right it badly needs restoration that ABS-CBN could only afford...

Thanks dude for the info about the new Gallaga flick. :)



Title: Re:THE PEQUE GALLAGA THREAD
Post by: llanesmark777 on Mar 28, 2004 at 04:07 PM
You are right, Scorpio Nights is more reallistic compared to the sequel. Lust about your neighbor is really happend many times. Compared to the sequel a teacher is having sex on school with a student. It's kinda impossible.
Title: Re:THE PEQUE GALLAGA THREAD
Post by: llanesmark777 on Mar 28, 2004 at 04:11 PM
Oro Plata Mata is an all time classic favorite of mine. A hard to find VCD and DVD. Gave this  movie great. Cinematography was great and a film debut of Joel Torre makes a promising actor.


Scorpio Nights More reallistic compared to the sequel.
Title: Re:THE PEQUE GALLAGA THREAD
Post by: keating on Mar 28, 2004 at 08:08 PM
Oro Plata Mata is an all time classic favorite of mine. A hard to find VCD and DVD. Gave this  movie great. Cinematography was great and a film debut of Joel Torre makes a promising actor.


Scorpio Nights More reallistic compared to the sequel.

Bro nice meeting you last Monday.

The production design of Don Escudero was superb also in Oro Plata Mata. It helped in many ways  achieve the grandeur & scope it really deserves and the haunting musical score, classic tunes scored by
Jose Gentica.  :)
Title: Re:THE PEQUE GALLAGA THREAD
Post by: RMN on Mar 28, 2004 at 08:38 PM
Hmmm... didnt national artist Salvador Bernal do the excellent production design of Oro Plata?

What I liked best about the movie is how Peque (being a
Negrense himself) managed to recapture the decadence in the lifestyle of the Negros sugar planters and hacinederos before the collapse of the sugar industry.   Who woulda thought Joey Reyes did the script?

Noticed how he made use of mostly Negrenses in the cast?
Title: Re:THE PEQUE GALLAGA THREAD
Post by: keating on Mar 28, 2004 at 08:45 PM
Hmmm... didnt national artist Salvador Bernal do the production design of Oro Plata.

What I liked best about the movie is how Peque managed to recapture the decadence of the lifestyle of the Negrense sugar planters/hacinederos before the collapse of the sugar industry.

Noticed how he made use of mostly Negrenses in the cast?

RMN...it was Don Escudero who did the excellent production design of the movie and one thing Sandy Andolong remembers while making the movie is you can't touch the furnitures after you used it since they are using real time pieces from that era.

Yup the supporting people are mostly from Negros, Peque's hometown.

My favorite scene there are the exodus & the opening party scene.  :)
Title: Re:THE PEQUE GALLAGA THREAD
Post by: llanesmark777 on Mar 29, 2004 at 04:50 AM
He's set to do a movie for Regal Films on the so-called Marian miracles in Lipa.


Really.?! im looking forward to Peque Gallaga's next project. Im kinda famillar with the Marian miracles in Lipa.  ;)
Title: Re:THE PEQUE GALLAGA THREAD
Post by: keating on Mar 29, 2004 at 08:44 PM
He's set to do a movie for Regal Films on the so-called Marian miracles in Lipa.

He seems to be taking the path done by Laurice Guillen who did her comeback film via Tanging Yaman with religious themes.

Is Regal only cashing on this trend due to The Passion of Christ mania?

Anyway...a Gallaga film always excites me.

I'll be in Negros my father's hometown before the year ends and hope to visit De La Salle University in Bacolod and let the man sign my videos.  :)
Title: Re:THE PEQUE GALLAGA THREAD
Post by: danzig on Apr 01, 2004 at 02:37 PM
Is there a lot of Wild Bunch in the latter part of Oro, Plata, Mata?
Title: Re:THE PEQUE GALLAGA THREAD
Post by: keating on Apr 01, 2004 at 06:41 PM
Is there a lot of Wild Bunch in the latter part of Oro, Plata, Mata?


Yeah in the Mata section of the movie...bro.

Alfred Yuson compared Peque to SAM PEQUENPAH with reference of course to SAM PECKINPAH who megged THE WILD BUNCH.  8)
Title: Re: THE PEQUE GALLAGA THREAD
Post by: RMN on Apr 17, 2004 at 03:56 PM
One of my favorite Maalaala mo Kaya episodes was directed by Peque. It starred Gabby Conception, Lorna Tolentino and Rosemarie Gil. And it was really spine chilling!
Title: Re: THE PEQUE GALLAGA THREAD
Post by: keating on Apr 22, 2004 at 07:26 PM
One of my favorite Maalaala mo Kaya episodes was directed by Peque. It starred Gabby Conception, Lorna Tolentino and Rosemarie Gil. And it was really spine chilling!

He can really explore the horror & suspense genre, he believes in the existence of tiyanak, kapre, aswang & other Filipino folklore mythological characters.

The "manananggal" episode on the ist Shake, Rattle & Role series was spine chilling and gave me goosebumps after watching it during the 1984 Metro Manila Film Festival.

Good thing I was rejected for ALAPAAP... ;D
Title: Re: THE PEQUE GALLAGA THREAD
Post by: renato on May 15, 2004 at 04:41 AM
What do you guys think of Lore Reyes' solo film "Dama de Noche"?
Title: Re: THE PEQUE GALLAGA THREAD
Post by: keating on May 15, 2004 at 09:26 AM
What do you guys think of Lore Reyes' solo film "Dama de Noche"?

Haven't seen it also...bro.

But Lore Reyes was a great help to Peque during those times after he suffered heart attack after doing Scorpio Nights.

But no one can duplicate the success & critical acclaimed of his early films particularly Oro Plata Mata, Scorpio Nights, Virgin Forest when he's doing it on solo credit.

ISANG ARAW WALANG DIYOS can be in the league of Oro even he did it with collaboration with Lore Reyes. 

Critic Joel David can attest to that in his book...The National Pastime Contemporary Phil. Cinema.  :)
Title: Re: THE PEQUE GALLAGA THREAD
Post by: renato on May 18, 2004 at 05:59 AM
I saw "Dama de Noche" a few years ago.The plot is thinner than some of the porno movies i've seen but the movie is more interesting than most of the  recent  Gallaga-Reyes  collaborations.

Title: Re:THE PEQUE GALLAGA THREAD
Post by: keating on Jun 30, 2004 at 07:35 PM


He's set to do a movie for Regal Films on the so-called Marian miracles in Lipa.

RMN...dude...any update on Lipa Miracles?
Title: Re: THE PEQUE GALLAGA THREAD
Post by: RMN on Jul 01, 2004 at 02:46 PM
No update so far. But I'll post when I do  ;)

BTW, didn't Peque do a string of forgettable love stories on pre-teen and puppy love???
Title: Re: THE PEQUE GALLAGA THREAD
Post by: keating on Jul 01, 2004 at 06:49 PM
No update so far. But I'll post when I do  ;)

BTW, didn't Peque do a string of forgettable love stories on pre-teen and puppy love???

On pre-teen & teenage love stories, TOO YOUNG was really forgetable which launched Aiko Melendez in her early stardom. Peque had high hopes for this young lass back in 1990 but the movie flopped at the tills.

BABY LOVE with Anna Larucea & Jason Salcedo got a B-Rating from Film Ratings
Board but the kissing scene I think between the two leads was cut from the theatrical release.

Peque accompanied by Mother Lily went to MTRCB for a dialogue to include that harmless kissing scene but they were denied. The director flared up when one of the members showed to him the rating sheet and it got R rating!

Obscene daw yung kissing scene...Peque retaliated by saying...you're the one who is obscene...you have no bra!

But Mother LIly was very cool... 8)

Title: Re: THE PEQUE GALLAGA THREAD
Post by: keating on Jul 15, 2004 at 04:22 PM
The old man's best films will be shown in Robinson's MovieWorld in Bacolod in cooperation with the NCCA & MOWELFUND...

PELIKULA at KULTURA pays tribute to PEQUE GALLAGA

ORO PLATA MATA
SCORPIO NIGHTS
VIRGIN FOREST
UNFAITHFUL WIFE
ISANG ARAW WALANG DIYOS
ANG KABIT NI MRS. MONTERO
MAGIC TEMPLE

Too bad I'll be coming home in Negros this coming December pa.  :(

Title: Re: THE PEQUE GALLAGA THREAD
Post by: RMN on Jul 15, 2004 at 04:42 PM
Vilma Santos has turned down the offer to play the lead role in the movie based on the Marian miracles in Lipa. She said she is too old to portray the role of the nun.

Title: Re: THE PEQUE GALLAGA THREAD
Post by: keating on Jul 15, 2004 at 04:49 PM
Who is the second choice, RMN? Is this intended for the MMFF this coming December?

Vilma Santos worked with Peque in some commercials before. In movies he didn't work with Nora either.
Title: Re: THE PEQUE GALLAGA THREAD
Post by: RMN on Jul 15, 2004 at 04:54 PM
I guess it all depends on Mother Lily, I'm not sure.

BTW, he also directed the last of the White Castle TV commercials...
Title: Re: THE PEQUE GALLAGA THREAD
Post by: keating on Jul 15, 2004 at 04:57 PM
Sorry I was wrong dude. Nora was in BAD BANANAS SA PUTING TABING.

The genre that he directed the least is comedy flicks.
Title: Re: THE PEQUE GALLAGA THREAD
Post by: keating on Aug 04, 2004 at 06:21 AM
I just saw ABANDONADA last night, release during the height of the ST trend 1989 and Alma Moreno who was so damn good in Gosiengfiao's The Diary of Cristina Gaston was just eaten alive by Don Escudero's production design.... ;D :(
Title: Re: THE PEQUE GALLAGA THREAD
Post by: RMN on Aug 18, 2004 at 03:29 PM
Lucio at si Miguel!!! ;D
Title: Re: THE PEQUE GALLAGA THREAD
Post by: keating on Aug 18, 2004 at 08:59 PM
Lucio at si Miguel!!! ;D

Who directed that one....Boots Plata?
Title: Re: THE PEQUE GALLAGA THREAD
Post by: keating on Sep 11, 2004 at 10:19 PM
No update so far. But I'll post when I do  ;)

BTW, didn't Peque do a string of forgettable love stories on pre-teen and puppy love???

RMN any update again on LIPA MIRACLES?  :)
Title: Re: THE PEQUE GALLAGA THREAD
Post by: keating on Oct 09, 2004 at 11:47 AM
I just read again Jessica Zafra's interview to Peque Gallaga on Flip Magazine regarding the old man's all-time favorite flicks....so here are the lists..... :)

He has soft spot on ALIEN & THE FELLOWSHIP OF THE RING.

Kubrick- 2001: A SPACE ODYSSEY & BARRY LYNDON

Peckinpah- THE WILD BUNCH

Renoir- THE RULES OF THE GAME

Spielberg- JAWS & E.T.

Altman- McCABE and MRS. MILLER, A WEDDING

Brocka- TINIMBANG KA NGUNIT KULANG, MAYNILA SA KUKO NG LIWANAG

Eisenstein- QUE VIVA MEXICO

Welles- A TOUCH OF EVIL

Bernal- MANILA BY NIGHT, BILIBID BOYS

Castillo- BURLESK QUEEN, NYMPHA

Scorsese- RAGING BULL, NEW YORK, NEW YORK, TAXI DRIVER

Coppola- THE GODFATHER TRILOGY, APOCALYPSE NOW

Cimino- HEAVEN'S GATE

Stone- JFK, NIXON

Kurosawa- SEVEN SAMURAI, RASHOMON

O'hara- TATLONG TAONG WALANG DIYOS
Title: Re: THE PEQUE GALLAGA THREAD
Post by: RMN on Oct 25, 2004 at 03:01 PM
Direk Peque back in harness
By Leah C. Salterio
The Philippine Star 10/23/2004

"I'm not making a comeback. I've always been here."

That was multi-awarded filmmaker Peque Gallaga, who points out that his
latest opus, Nang Panahong Naging Blonde ang mga Pinoy, is not a
directorial comeback. Of course, the public knows Peque as the esteemed
director of such classics as Oro, Plata, Mata, Scorpio Nights and Virgin
Forest. Four years after his last movie movie (the suspense-drama, Sa
Piling ng Aswang, a Metro Manila Film Festival entry shown in 2000), Peque
has come out of his hiatus to bring to the big screen an old material
which he also wrote.

Blonde boast of a star-studded cast and is now on its post-production
stage. The project was bankrolled by producer Tony Gloria of Unitel
Pictures, with a surprisingly meager budget of only P1 M. Tony is also the
producer of Mark Meily's award-winning directorial debut, Crying Ladies,
which stars Sharon Cuneta.

"I actually settled for a budget of P500,000 for Blonde," Peque shares. "I
was willing to do it only on video and film it in Bacolod, but Tony very
generously gave me P1 M. I asked for nine days to shoot, but Tony also
gave as 12 days. This may be the classic, pito-pito film, with totally low
budget, but with pito-pito, they save on production values and salaries of
small people on the set. With this movie, we saved on the talent fees of
the stars who are working either for free or way below scale. All the
stars are aware of the present situation of the local film industry and
they're dying to do an interesting work. The other actors should begin to
realize that their pay scale is really bloated. Kawawa ang producers
talaga."

Peque attest this is the first time in his illustrious directorial career
that he's doing a film project without any career considerations, not the
awards, the international festivals nor the box office. "I have no money
to do this movie," allows Peque, who was recently honored with the
much-coveted Gawad CCP Award for Film. "It reminds me of the times I used
to do movies when I was a teenager and I just asked friends to come and
join. Even the production staff took a cut to make this movie.

"When a good project comes up, the money is immaterial to me. That was
what got me out of my hiatus. I find myself getting paralyzed when I think
about awards while doing a movie. You start to become very self-conscious
and I've lost that a long time ago. I've trained myself away from that."

Peque wrote the material for Blonde in the mid 90s ?"when (Joseph) Estrada
was still vice president and texting was not even a trend yet" ? but the
script merely stayed in his shelf. "I got sick and tired doing industry
stuff," Peque reasons out. "There's nothing being done in local cinema
lately that really excites and interests me. I consider myself
semi-retired, but I felt I wanted to do something this year. The itch to
make another movie was there again. So I gave it a good try and talked to
major producers about the script that I have. I just had to update it."

For the longest time, no producer was willing to gamble on Peque's script.
"Nobody wanted to touch it," he says. "I don't think they got past the
(long) title. It's not the classic formula stuff. There's a love interest,
but it's not central to the story. But when I gave the script to Tony, he
called me up after two hours to say, 'I like the script.' But when I gave
the script to Tony, he called me up after two hours to say, 'I like the
script.' When he asked if I could do the film with P1 M budget, I sat down
with Lore Reyes and we worked on the budget. I'm directing this alone,
with Lore as line producer."

The main cast members of Blonde are Epi Quizon, Boy-2 Quizon, Ricky Davao,
Jimmy Fabregas, Izza Calzado and Tessie Tomas "in a major cameo role,"
according to Peque. Doing special appearances are Eddie Garcia, Richard
Gomez, Joey Marquez, Richard Gutierrez, Tonton Gutierrez, Ian Veneracion,
Gabby and Ryan Eigenmann, Joel Torre, Ara Mina, Giselle Tongi, Cherie Gil,
Michael de Mesa, Mark Gil, Rita Avila, Gina Alajar, Cherie Pie Picache and
even cartoonist Roxlee, who himself is an independent filmmaker.

Peque cannot be happier with the lineup of stars in Blonde. It was an
overwhelming experience for him to work with a star-studded cast. "I
always knew all these actors love and respected me, but I didn't know it
in such a dramatic way," he avers. "If we were going to ask starving,
young actors to do this film for free, I think that's unfair. So I asked
my old friends.

"I was not very close to Eddie Garcia and it was Tony who approached him.
But the minute I learned that Eddie was free, I called him up. I worked
with him as a production designer in Eddie Romero's Ganito Kami Noon,
Paano Kayo Ngayon and I was this contravida in Kaming mga Tigasin, one of
his early comedy films.

"I've always respected Eddie. Even when I was still a film student, I
could see that Eddie never turned down a role, no matter what it was. He
never judged whether he was too good for the project or not. You know what
a thrill it was when I told him, 'Eddie, I remember your character in
Tubog sa Ginto. Sana gano'n din ang gawin mo dito, gano'n ka-straight,
gano'n ka-simple, walang borloloy.' He did it exactly. He's a real
artist."

Despite the star-studded cast, Peque didn't encounter any problems with
any of his actors on the set. "Can you imagine, even if there were nine
stars involved in the filming for one day, there were no egos, no
late-comers," Peque offers. "They were all there to work and they were all
very professionals. All of them were sincere. Epi Quizon, who was
introduced to me by G Tongi, came up to me and said, 'I want to work with
you. All my brothers have worked with you.' I took him literally. I also
worked with his dad before."

Blonde is comedy, yet Peque notes the actors are far from kenkoy. "I told
everyone from the start, 'You know it's a comedy, but let's not play it as
a comedy at all. Let's play it as a drama.' All of the actors were
straight. They don't know they're being funny. I've only done one comedy
before. Bad Bananas sa Puting-Tabing, in 1982. I don't really do comedy
because my humor is very strange. I didn't think whether or not this movie
is pang-masa. The main consideration is I just wanted to make a movie that
I wanted to do."

Peque's producer echoes his sentiment. "the problem today is not quality
films," Tony maintains. "Our direction, cinematography and acting have
become better. The problems is predictability of the audience. You cannot
always second-guess today's winning formula at the box office. Sometimes,
you think this move would make money, but it wouldn't. The best thing to
do is make a film you really like, so at the end of the day, even if the
movie didn't make money, you end up with a movie you like. It's double
tragedy when you end up with a movie you didn't like and didn't make
money."

Peque, who gained international recognition with is war epic, Oro, Plata,
Mata, expressed his desire to promote Blonde as an intelligent film. "When
you sell a movie, you have to sell it in way that the audience can
understand it," he insists. "When I did Gangland, I had no idea how Viva
would sell it. I guess Viva panicked then. But now Gangland is being shown
in retrospective and it's always a full house.

"I'm less interested in sex and violence. I'm more interested in the
interaction of people. I used to think that was a pretension of (Akira)
Kurosawa and all those aging directors in their autumnal years, when they
talk about the so-called inter-relationships of human emotions. But I
realized you really get into that."

Does he consider Blonde his best work to date? "Butch Perez, who I also
teamed with in a lot of films told me every director or actor is always
doing his job in every film. There are those who say 'pang raket lang,'
but they still try to be good. Am I capable of really good work? Of
course. But there are certain films which I've seen that I wished I had
made, like Y Tu Mama Tambien. But my script is not even half as good as
Alfonso Cuaron's movie."

Producer Tony Gloria says Blonde will be shown next year, after the Metro
Manila Film Festival (MMFF) in December. "It will be nice to have a
trailer shown in the theaters during the MMFF," Tony says. "I believe this
is an unprecedented project. Stars were compelled to be in this film
because it's Peque directing and they love to be in it, even if some of
them are not even getting paid."

Title: Re: THE PEQUE GALLAGA THREAD
Post by: keating on Oct 25, 2004 at 03:37 PM
Thanks for the info....RMN.

I'll be the first one to line up for this. This is a dream project for Peque Gallaga.  :)

whatever happened to LIPA MIRACLES?  ???
Title: Re: THE PEQUE GALLAGA THREAD
Post by: renato on Oct 25, 2004 at 05:32 PM
Great News, RMN...

I'll be second in line. :)
Title: Re: THE PEQUE GALLAGA THREAD
Post by: keating on Oct 25, 2004 at 07:26 PM
His other two dream projects are ANG BABAENG HULK &
LIGAWAN SA PANAHON NG TAGSIBOL AT DIGMAAN.

I can't imagine men as mahjong players dishing out the latest gossips if ever ORO's sequel will happen..... :)
Title: Re: THE PEQUE GALLAGA THREAD
Post by: Noel_Vera on Oct 26, 2004 at 04:54 AM
Lore is not directing?! Now I'm interested.
Title: Re: THE PEQUE GALLAGA THREAD
Post by: keating on Oct 26, 2004 at 08:01 AM
Lore is not directing?! Now I'm interested.

me too.....the old man is making a comeback wow....finally!!!  :D

He should do his films in solo credit.....but I'm not saying Lore Reyes sucks I still like some of their collaborations....ONCE UPON A TIME, TIYANAK, ISANG ARAW WALANG DIYOS.
Title: Re: THE PEQUE GALLAGA THREAD
Post by: keating on Oct 28, 2004 at 07:27 AM
When you talk regarding the Master Filmmakers in Philippine Cinema you always think of either
 BROCKA and BERNAL....

but no GALLAGA...... ???

it's nice to welcome the New Year with his comeback flick....
NANG PANAHONG NAGING BLONDE ANG MGA PINOY
Title: Re: THE PEQUE GALLAGA THREAD
Post by: RMN on Nov 06, 2004 at 06:06 PM
Peque just wrapped-up shooting San Miguel's new, multi-million peso tvc. Expect this one to be another mini epic.


"Philippine cinema will die a year or two from now... let it die."
-Peque Gallaga
Title: Re: THE PEQUE GALLAGA THREAD
Post by: keating on Nov 07, 2004 at 02:22 AM
He should make the most out of it while Philippine Cinema is still breathing..... ;D
Title: Re: THE PEQUE GALLAGA THREAD
Post by: keating on Nov 08, 2004 at 08:29 PM
Peque Gallaga on ORO, PLATA, MATA

"It was as if God had touched me on the forehead and my wish was granted. I was going to be able to do the movie I wanted to do in the way I wanted to do it. It was a wish that was granted with a 2.5 million peso price tag. That's like being given 40 million pesos to do your favorite ALTERNATIVE WET DREAM now."
Title: Re: THE PEQUE GALLAGA THREAD
Post by: keating on Dec 04, 2004 at 10:47 AM
Another quotable quotes from the old man......on the closeness of Oro to his family history.....

"Well, I didn't have any aunts or female relatives visiting funky wounded guerillas in rice granaries in the jungle and fondling their private parts, things like that were natural extensions of the premises that existed within this imaginary family that I put together in this story. But the parameters that they operated in were from real-life family experiences."

"My wife actually was born in the jungles of Negros Occidental. They lived in a series of tree houses where they would pull the ladders in after them. My mother-in-law met her future husband when he used to visit them as a guerilla. Hacienda living is like that. A lot of nothing to do with a battery of servants to make sure that you could do nothing effortlessly. The peeling of the butong pakwan by the servants, people playing mahjong all day. I do have an aunt who is almost in her 90's who plays mahjong daily seven times a week, sunrise to sunset. (Can you imagine what her buttocks must be like?)"
Title: Re: THE PEQUE GALLAGA THREAD
Post by: llanesmark777 on Dec 13, 2004 at 07:50 PM
If im not mistaken, there's a new film from this great director. Not the Marian miracles in lipa. I forgot the title.
Title: Re: THE PEQUE GALLAGA THREAD
Post by: keating on Dec 15, 2004 at 01:03 PM
If im not mistaken, there's a new film from this great director. Not the Marian miracles in lipa. I forgot the title.

Its NANG PANAHONG NAGING BLONDE ANG MGA PINOY ...Unitel I think will shorten it to PINOY BLONDE.
Title: Re: THE PEQUE GALLAGA THREAD
Post by: keating on Jan 17, 2005 at 09:18 PM
Peque Gallaga on Oro's sequel.......

"I am on the psychological brink of shooting a movie in the same mansion as in Oro. Actually its more of memory piece from the Plata portion of Oro. The same hacienda and the same wartime environment. But after 20 years and ten years of Prozac, it's an older, gentler and kinder-- dare I say-- a more loving treatment of family under dire circumstances. It wouldn't be strictly a sequel.

But we always had plans for a sequel. Since Oro is an elegy to the loss of Spanish influence on Philippine life, the natural thing was to pick up one character-- the accountant of Don Claudio who becomes a guerilla leader-- and follow him through Reconstruction. The hoarding, the Black Market and the blossoming squatter explosion which had its origins in World War II. Of course we would retain the major mahjong sessions, but this time it would be the men who would be playing.

It would be an epic story of the slow beginning of a Philippines run like hell by Filipinos."
Title: Re: THE PEQUE GALLAGA THREAD
Post by: RMN on Jan 28, 2005 at 02:23 PM
From Erwin Romulo's column:

Oro Plata Mata (Peque Gallaga)

They just don’t throw parties like they used to – at least not in Philippine cinema anyway. Nowadays, they’re just an excuse for a climactic confrontation wherein only the main cast seems to have really been invited and the extras are left pottering about in ill-fitting fashions the art director managed to collect from the same warehouse since the 1980s. But in Gallaga’s solo debut as director, he pulls us right in by throwing the most opulent bash to usher us into the world of 1941 Philippine aristocracy. It is the birthday of Margarita, grandchild of Don Claudio Ojeda, and she is waiting for the news about her fiance who is fighting in Bataan. The patriarch himself steals away from the party to confer with a member of the guerilla movement of which he is a supporter. Outside, the younger sister Trining is experiencing her first kiss with Miguel, the son of her mother’s best friend, Inday Lorenzo. There’s dancing and even the kids are getting a taste of the fine wine of the bourgeoisie; "the war will only last two weeks," everyone reassures themselves. Even with the news of the sinking of the Corregidor, a passenger ship with friends and relatives, the musicians are told not to stop playing.

With his experience as a production designer for directors like Ishmael Bernal (on his masterpiece Manila By Night) and Eddie Romero, Gallaga shows his strengths with telling detail and meticulous visuals that chronicle with acute observation the lives of two clans. Forced to hide in the mountains to escape the Japanese, they try to forget the reality of war by indulging in their normal pastimes like mahjong and playing records. It does not take long for the brutality to intrude on their rural sojourn, making them confront the horrors of the conflict through the faces of those around them who – until then – they did not see. Clearly, Gallaga is not painting an Amorsolo picture: the rural idyll backdrops are abruptly slashed, and the characters are left to wander the stage in a crepuscular but unforgiving light.

"The war has made animals of us," Trining spews out in the film’s finale. The setting is another party, a more modest one perhaps but still a celebration. Nonetheless, we can only thank Gallaga and his collaborators for the invitation.
Title: Re: THE PEQUE GALLAGA THREAD
Post by: keating on Jan 28, 2005 at 08:19 PM
Clearly thru Gallaga's experience as a production designer in such masterpieces like Bernal's MANILA BY NIGHT & Romero's GANITO KAMI NOON, PAANO KAYO NGAYON he managed to flexed his muscles by creating the most visual epic in Philippine cinema and that is.....ORO, PLATA, MATA.

I just wish the exodus scene of the Lorenzo & Ojeda clan much longer....Viring (Lorli Villanueva) & Dra. Jo Russell (Maya Valdez) back at the last party scene before the film's finale and yeah the last words of Trining (Cherie Gil) was unforgettable!
Title: Re: THE PEQUE GALLAGA THREAD
Post by: RMN on Feb 04, 2005 at 02:07 PM
Whilst shooting Manila by Night, Bernal was in a quandry on how to shoot the scene where Cherie Gil is supposed to be drugged out and later jumps into the Manila Bay. Gallaga, as the prod. designer, came up with the idea of placing candles on styro boards and let them float on the bay. He then resquested Sergio Lobo, the DOP, to shoot the scene blurred and fuzzy to give the impression that Cherie is halucinating and seeing bright lights. Well, you know what happend? Sergio didn't quite get the instructions and shot the scene as is! So, if you watch that particular scene, you'll see floating candles on the bay surrounding Cherie and company! Peque pleaded with Bernal for a reshoot but he refused: In moviemaking, he said, there is always room for one flaw or error.
Title: Re: THE PEQUE GALLAGA THREAD
Post by: keating on Feb 04, 2005 at 05:11 PM
Speaking of Cherie Gil, I was captivated by her beauty after I saw her personally during the 20th anniversary screening of Oro, Plata, Mata at Greenbelt cinema last 2003. Did Peque used double for her sizzling scenes with Ronnie Lazaro in Oro? And she has a wet look scene also in Bernal's MANILA BY NIGHT.

Sad to know that she didn't come back as Gem dela Rosa in the second season of Gallaga's mini-series CEBU .
Title: Re: THE PEQUE GALLAGA THREAD
Post by: keating on Feb 07, 2005 at 08:03 PM
Whilst shooting Manila by Night, Bernal was in a quandry on how to shoot the scene where Cherie Gil is supposed to be drugged out and later jumps into the Manila Bay. Gallaga, as the prod. designer, came up with the idea of placing candles on styro boards and let them float on the bay. He then resquested Sergio Lobo, the DOP, to shoot the scene blurred and fuzzy to give the impression that Cherie is halucinating and seeing bright lights. Well, you know what happend? Sergio didn't quite get the instructions and shot the scene as is! So, if you watch that particular scene, you'll see floating candles on the bay surrounding Cherie and company! Peque pleaded with Bernal for a reshoot but he refused: In moviemaking, he said, there is always room for one flaw or error.

That's why the candles floated on styro boards on that particular scene! Still confuse me until now the importance of that scene in CITY AFTER DARK.
Title: Re: THE PEQUE GALLAGA THREAD
Post by: keating on Feb 19, 2005 at 06:38 PM
Peque Gallaga on movie critics

"We practically don't have any. We have a lot of reviewers, but no critics. They know that one shouldn't judge film the way one judges literature. That's what they learn in all their seminars so they say it a lot, but they don't understand it. Our reviewers are number one: terribly lazy and number two: invested with a lot of attitude.

"In the end, I have no respect for Filipino movie reviewers. They don't work as hard as we do."
Title: Re: THE PEQUE GALLAGA THREAD
Post by: talisman30 on Feb 19, 2005 at 09:11 PM
Hi Ron! So this is what's in here pare! Very interesting stuff! Not really a fan of Manong Peque but i must admit his masterpieces are pretty darn good!
Title: Re: THE PEQUE GALLAGA THREAD
Post by: keating on Feb 19, 2005 at 09:13 PM
Hi Ron! So this is what's in here pare! Very interesting stuff! Not really a fan of Manong Peque but i must admit his masterpieces are pretty darn good!

You should dig them pre! And you have similarities with Peque.....both of you are cono..... 8)  ;D
Title: Re: THE PEQUE GALLAGA THREAD
Post by: talisman30 on Feb 19, 2005 at 09:38 PM
You should dig them pre! And you have similarities with Peque.....both of you are cono..... 8)  ;D

hehehe! cono kuno! baka kamag- anak mo parekoy si manong P. ? : )
Title: Re: THE PEQUE GALLAGA THREAD
Post by: keating on Feb 19, 2005 at 09:41 PM
hehehe! cono kuno! baka kamag- anak mo parekoy si manong P. ? : )

Slight siguro bro......hehehe....just kidding.... ;D.....I have a penchant for his movies because we are both Ilonggo since my late father also hails from Negros Occidental.
Title: Re: THE PEQUE GALLAGA THREAD
Post by: keating on Mar 24, 2005 at 09:55 AM
Saw PERSONA last night hosted by Joey Reyes at Cinema One, Liza Lorena was featured and during the interview she recalls how weird PEQUE GALLAGA was! The long hair, etc and how she was aloof at first during the making of
 Oro, Plata, Mata in Bacolod.

The rest of the cast worked with Peque before on CHAMPOY like Cherie Gil & Mitch Valdez.....and speaking of Mitch, Maya before during her obscure days.....her role as the liberated Jo Russell was first offered to Liza Lorena but nixed it after her son, Tonton Gutierrez read the script and found the part so bold and daring, even though her only backside will be shown.

Luckily Boots Anson Roa nixed also the part of Fides Asencio as Inday Lorenzo the mother of Joel Torre in the movie....she got the part of Nena Ojeda. It helped her a lot to be somekind of aloof with Peque since she has only a few lines during the mahjong sessions but in the course of the movie had fun also making it. And she was asking why Peque didnt have one on one with her and later found out that her performance was already good.

And it was Mitch Valdez also who taught her to drink tequila.  :)
Title: Re:THE PEQUE GALLAGA THREAD
Post by: keating on Apr 27, 2005 at 10:59 PM
Hmmm... didnt national artist Salvador Bernal do the excellent production design of Oro Plata?

What I liked best about the movie is how Peque (being a
Negrense himself) managed to recapture the decadence in the lifestyle of the Negros sugar planters and hacinederos before the collapse of the sugar industry.   Who woulda thought Joey Reyes did the script?

Noticed how he made use of mostly Negrenses in the cast?

Maybe he also helped in the production design along with Don Escudero but the costumes which look very authentic was done by him.

National Artist Salvador Bernal also did the costumes for VIRGIN FOREST and GUMISING KA MARUJA.

Ricky Lee rejected Peque's offer to write the film of ORO PLATA MATA. And it was Joey Reyes who phoned it in.......very neat and very clever along with the title!
Title: Re: THE PEQUE GALLAGA THREAD
Post by: llanesmark777 on May 03, 2005 at 11:07 PM
His so called indie movie called Pinoy Blonde sounds good. For a pro Brocka and Bernal film.  :)
Title: Re: THE PEQUE GALLAGA THREAD
Post by: keating on May 04, 2005 at 05:20 PM
His so called indie movie called Pinoy Blonde sounds good. For a pro Brocka and Bernal film.  :)

Yup its marketed as an indie flick. Hopefully PINOY BLONDE will be shown second quarter of this year.
Title: Re: THE PEQUE GALLAGA THREAD
Post by: keating on Aug 09, 2005 at 05:29 PM
Peque just wrapped-up shooting San Miguel's new, multi-million peso tvc. Expect this one to be another mini epic.


"Philippine cinema will die a year or two from now... let it die."
-Peque Gallaga


His quotes regarding piracy drew a lot of flak........he's often misunderstood. PINOY BLONDE got good reviews but defeat at the box-office.

The red carpet preem of PINOY BLONDE was nostalgia down memory lane, three of the CHAMPOY gang were there to greet Peque..... Cherie Gil, Tessie Tomas & Noel Trinidad. Missing were Mitch Valdez & Subas Herrero.
Title: Re: THE PEQUE GALLAGA THREAD
Post by: keating on Aug 22, 2005 at 05:12 PM
Joel Torre on Oro, Plata, Mata

"I've seen it recently, I know the innocence of my character, but my performance was too theatrical."
Title: Re: THE PEQUE GALLAGA THREAD
Post by: qbaokitty on Aug 24, 2005 at 03:02 AM
"Philippine cinema will die a year or two from now... let it die."
-Peque Gallaga

Maybe that's why he made PINOY BLONDE?
Title: Re: THE PEQUE GALLAGA THREAD
Post by: keating on Aug 24, 2005 at 12:26 PM
PINOY BLONDE will still resurrect Philippine Cinema from its comatose state. The old visionaries (Guillen, O'Hara, Abaya) are still there just waiting for the right time.
Title: Re: THE PEQUE GALLAGA THREAD
Post by: Phobos on Aug 24, 2005 at 12:36 PM
"Philippine cinema will die a year or two from now... let it die."
-Peque Gallaga

Maybe that's why he made PINOY BLONDE?

I think what Peque meant when he said this is that Phil Cinema should die along with the old practices of making movies. Then, when the dust has settled, the new players can start again from scratch without the inconvenience of corporate producers breathing down their necks.
Title: Re: THE PEQUE GALLAGA THREAD
Post by: keating on Aug 24, 2005 at 12:40 PM
The problem are the audience, man. They never showed up! Basket case, no hope! Like rotten fruits, Phobos.  ;D
Title: Re: THE PEQUE GALLAGA THREAD
Post by: Phobos on Aug 24, 2005 at 12:43 PM
Yes, that is a big obstacle in resurrecting Phil. Cinema.

However, taking the "Phil. Cinema Must Die!" mantra a little further, I think studios need to lose loads and loads of money first before realizing the need for change.
Title: Re: THE PEQUE GALLAGA THREAD
Post by: keating on Aug 24, 2005 at 12:50 PM
So how can we resurrect it? Educate them? Noel's idea has valid reason. Limit the influx of Hollywood films, tax them exorbitantly than the Filipino movies, and infuse the Filipino values among them. We are now so much westernized, our brain is too full of colonialism.
Title: Re: THE PEQUE GALLAGA THREAD
Post by: Phobos on Aug 24, 2005 at 01:01 PM
I don't think it's Hollywood's fault that our movies are so s**tty. We could stop importing Hollywood films altogether, but if Mother Lily keeps making movies the way she does, then we're screwed.

I agree about the tax thing though. Also, do it like the Koreans do it, they introduce tax incentives and various support to their film industry that they're actually attracting attention from all over nowadays.

Filipino values are well and good, but if nobody sees your film, then it's the tree falling in the forest again.

I say, get people in the theaters. If that means crowd pleasing romantic comedies, then so be it. But, by God, make them well. Joyce Bernal was on the right track before she started focusing on slapstick comedies that are just not right. Star Cinema could have potential, if not for the "making movies by committee" issue.

Unitel maybe our only hope once they find their audience. Also, it was Tony Gloria himself who first told me about the "Phil. Cinema Must Die!" thing.
Title: Re: THE PEQUE GALLAGA THREAD
Post by: keating on Aug 24, 2005 at 01:10 PM
Yeah that BIR thing, the tax that make producers bleed. Agree with you about that and the filmmakers vision, it lies on them also. The creativeness, over-all aspect of the finished product. You forgot to mention censorship, though. Its one of the major obstacle.

But still this is Mother Lily who gamble on CITY AFTER DARK, SISTER STELLA L, SCORPIO NIGHTS and other landmark in Philippine Cinema. As crazy as she is, maybe its about time that she gamble again on those projects. Not those Mano Po thing!
Title: Re: THE PEQUE GALLAGA THREAD
Post by: Phobos on Aug 24, 2005 at 01:13 PM
But I think her gambling days are over. She's too old, and too clueless.

Also, correct me if I'm wrong; from what I hear, I don't think Lav Diaz was payed the promised amount for making one of his Regal Movies.
Title: Re: THE PEQUE GALLAGA THREAD
Post by: keating on Aug 24, 2005 at 01:18 PM
She's still crazy up to now pala.  ;D was that Lav Diaz' HESUS REBOLUSYONARYO? The case is now in the court if I'm not mistaken.

I wish we go back to the ECP days, sumobra nga lang ang lenient. But the 2nd Golden Age was extended during that time.
Title: Re: THE PEQUE GALLAGA THREAD
Post by: Noel_Vera on Aug 24, 2005 at 02:52 PM
I don't think it's Hollywood's fault that our movies are so s**tty.

No, we all share the blame from the audiences that aren't going to the producers that aren't performing to the filmmakers that do the same...but Hollywood is involved. It's a worldwide thing; one of the prime examples is Hong Kong--so vibrant in the '80s, so dead round the turn of the century. They're doing better now, but no thanks to Hollywood...

Also, you got to look at the cinemas that do well--India, France. They have limits on the Hollywood movies that go in, either quotas or taxes.  World cinema was more vibrant, more commercially viable back before the '80s, before the studios decided foreign markets were a good thing.

I for one wouldn't weep if the number of Hollywood movies to Manila was reduced; wouldn't weep either if the total number of Hollywood movies was reduced. I think it's about time we stopped playing fair (fair market, fair play, whatever...).
Title: Re: THE PEQUE GALLAGA THREAD
Post by: keating on Aug 24, 2005 at 02:57 PM
What's your view regarding censorship, Noel? Since we cannot control anymore the influx of Hollywood flicks. And Korea's cinema is very very alive, even kicking, out-grossing those Hollywood flicks even in the U.S.
Title: Re: THE PEQUE GALLAGA THREAD
Post by: Noel_Vera on Aug 25, 2005 at 10:19 AM
My view of censorship?

You'd hate me for censor chief--I'd enforce the ratings, make sure the kids don't watch R movies, put in equal standards for foreign and local, cut not a single frame of film, and maybe encourage UP and CCP to take advantate of their "uncensorable" privilege. Maybe even push for the commercial showing of For Adults Only rated films, which isn't happening at the moment.
Title: Re: THE PEQUE GALLAGA THREAD
Post by: keating on Aug 25, 2005 at 04:57 PM
My view of censorship?

You'd hate me for censor chief--I'd enforce the ratings, make sure the kids don't watch R movies, put in equal standards for foreign and local, cut not a single frame of film, and maybe encourage UP and CCP to take advantate of their "uncensorable" privilege. Maybe even push for the commercial showing of For Adults Only rated films, which isn't happening at the moment.

That's cool, man.

Sm Cinema up to now doesn't show R-18 movies which is bad for the movie industry.
Title: Re: THE PEQUE GALLAGA THREAD
Post by: Mr. Big Boy on Aug 26, 2005 at 08:44 PM
I think SM's move will discourage movie studios like Seiko from doing sexy B movies.  For that alone I think SM's move will be more beneficial to all of us and even more to good family movies and worthwhile films that are having a hard time finding bookings.

I think they should set-up cinemas that caters to adult audience and put it away from the malls so that the audience who goes there can be regulated more strictly.
Title: Re: THE PEQUE GALLAGA THREAD
Post by: keating on Aug 27, 2005 at 01:51 PM
I think SM's move will discourage movie studios like Seiko from doing sexy B movies.  For that alone I think SM's move will be more beneficial to all of us and even more to good family movies and worthwhile films that are having a hard time finding bookings.

I think they should set-up cinemas that caters to adult audience and put it away from the malls so that the audience who goes there can be regulated more strictly.

This is what ECP did during the 80's, thru Manila Film Center where most adult features were shown uncut. But due to political upheaval it was short lived only. It has both advantages & disadvantages, pornography became rampant abusing  artistic freedom, but if you look back it has positive results also. Sex will always be a part of Philippine Cinema.
Title: Re: THE PEQUE GALLAGA THREAD
Post by: keating on Sep 01, 2005 at 06:55 PM
Wanggo Gallaga on his father's comeback film (PINOY BLONDE)

"I'm usually pretty severe with my Dad's work. I tend to nitpick. What can I do? I know him. But it is such a joy to see my father work again."

 8)
Title: Re: THE PEQUE GALLAGA THREAD
Post by: keating on Sep 30, 2005 at 09:06 PM
PEQUE GALLAGA on CINEMALAYA

"The inside word is that many of these new movies coming out of Cinemalaya are very good. For the kind of money that was spent, they are very well done, and they are done very lovingly. The big complaint is that they are too long. I want the Cinemalaya experiment to work so badly because I think that is the future for cinema."
Title: Re: THE PEQUE GALLAGA THREAD
Post by: keating on Oct 13, 2005 at 08:28 AM
KUH LEDESMA on her enigmatic character in ORO PLATA MATA

"I am also confuse and really don't know if I was a wanderer or ghost in that movie. I shot many scenes but only few were left when I saw the movie."

The answer lies in the 5 hour version that definitely we will no longer see anymore since Gallaga already re-cut OPM to three hour version.
Title: Re: THE PEQUE GALLAGA THREAD
Post by: oggsmoggs on Oct 13, 2005 at 09:06 AM
Clickthecity lists Peque Gallaga's Scorpio Nights as showing in Ever Gotesco Caloocan, can anyone confirm this?
Title: Re: THE PEQUE GALLAGA THREAD
Post by: keating on Oct 14, 2005 at 12:50 PM
I doubt if they will re-issue the first SCORPIO, oggs. The last time I saw it, the print still looks pristine. With so many frontal shots of Ana Marie Gutierrez in this sex opus by Gallaga including Ojeda's light bulb touching the gun before the memorable bloody finale, it had a rough sailing with the censors.  ;)

And Peque will not show it with cuts. One of the MTRCB members who reviewed the film back in 1998 for DGPI's one screening fainted after watching the movie.
Title: Re: THE PEQUE GALLAGA THREAD
Post by: keating on Oct 29, 2005 at 11:19 AM
PEQUE GALLAGA on CEBU THE MINI-SERIES

"I like to work intensely six days out of seven, if not seven out of seven, so that the role and the person merge within the camera. This happened most dramatically when we did CEBU, The Series. We were all together at the hotel and on the set in Cebu for one whole month. The effect was amazing!"

 8)
Title: Re: THE PEQUE GALLAGA THREAD
Post by: keating on Nov 24, 2005 at 11:42 AM
MITCH VALDEZ on PEQUE GALLAGA

"He managed me for six months. After that, he suffered from nervous breakdown!"

 ;D ;)
Title: Re: THE PEQUE GALLAGA THREAD
Post by: keating on Nov 26, 2005 at 03:32 PM
MITCH VALDEZ on her topless scene in Oro, Plata, Mata

"I was alcoholic. I used to drink to stay naked."

 ;)
Title: Re: THE PEQUE GALLAGA THREAD
Post by: jdv1229 on Jan 29, 2006 at 10:12 AM
i was finally able to watch Pinoy Blonde & i just loved the movie! there may be hints of Tarantino in it but it's what the film is all about. Peque Gallaga was able to deliver a movie that is intelligent & witty. i was just hoping that he would've cast different acors in the lead. i have nothing against Eppie & Boy 2 Quizon but they just weren't convincing enough as film students for one. the debate on who's the better director Brocka or Bernal was quite interesting although Gallaga had tendencies to lean more on Bernal, well he's more associated with him than Brocka, he has done quite a number of films with Bernal as Production Designer & as one of the writers/researchers for Manila By Night. that aside, i still thought the film was enjoyable enough. it would've been great if the movie just concentrated on debating about  Philippine Cinema but they also had to include Hollywood Films hence the title Pinoy Blonde. Boy 2's character reminded me so much of the horror film geek Jamie Kennedy played in the Scream movies but without Kennedy's gusto & enthusiasm. as for Eppie, i've just seen so much of him lately, from Jon Red's Boso to Quizon Ave on TFC. this may not be as strong as his performance as the psycho in Yam Laranas' Radyo but it's much, much better than his appearance in the lackluster Boso. the most enjoyable part of Pinoy Blonde is the parade of cameo appearances. most of them had appeared in Gallaga's previous movies like Richard Gomez, Manilyn Reynes, Michael de Mesa, Mark Gil, Cherie Gil & Gina Alajar to name a few. i may not agree with most of the film critics who panned this film, but for a Filipino movie buff like me, hats off Mr. Gallaga for a job well done!
Title: Re: THE PEQUE GALLAGA THREAD
Post by: oggsmoggs on Jan 29, 2006 at 10:27 AM
i was finally able to watch Pinoy Blonde & i just loved the movie! there may be hints of Tarantino in it but it's what the film is all about. Peque Gallaga was able to deliver a movie that is intelligent & witty. i was just hoping that he would've cast different acors in the lead. i have nothing against Eppie & Boy 2 Quizon but they just weren't convincing enough as film students for one. the debate on who's the better director Brocka or Bernal was quite interesting although Gallaga had tendencies to lean more on Bernal, well he's more associated with him than Brocka, he has done quite a number of films with Bernal as Production Designer & as one of the writers/researchers for Manila By Night. that aside, i still thought the film was enjoyable enough. it would've been great if the movie just concentrated on debating about  Philippine Cinema but they also had to include Hollywood Films hence the title Pinoy Blonde. Boy 2's character reminded me so much of the horror film geek Jamie Kennedy played in the Scream movies but without Kennedy's gusto & enthusiasm. as for Eppie, i've just seen so much of him lately, from Jon Red's Boso to Quizon Ave on TFC. this may not be as strong as his performance as the psycho in Yam Laranas' Radyo but it's much, much better than his appearance in the lackluster Boso. the most enjoyable part of Pinoy Blonde is the parade of cameo appearances. most of them had appeared in Gallaga's previous movies like Richard Gomez, Manilyn Reynes, Michael de Mesa, Mark Gil, Cherie Gil & Gina Alajar to name a few. i may not agree with most of the film critics who panned this film, but for a Filipino movie buff like me, hats off Mr. Gallaga for a job well done!

Glad you liked it as much as I did, Jojo...
Title: Re: THE PEQUE GALLAGA THREAD
Post by: keating on Jan 29, 2006 at 08:05 PM
Jo, I'm glad you like the film just like oggs. Some people didn't get Gallaga's eccentric humor in this film. And yeah he favors Bernal over Brocka. I was just wondering he didn't mention Eddie Romero (Ganito kami noon, Paano kayo Ngayon) in the film wherein he worked also as production designer.

The duet of Eddie Garcia & Jaime Fabregas brings down the whole Mega cinema when I saw it during the preem of PINOY BLONDE.  ;D
Title: Re: THE PEQUE GALLAGA THREAD
Post by: jdv1229 on Jan 29, 2006 at 08:12 PM
oh yeah... Eddie Garcia's singing was just plain horrible but fun... Ricky Davao was great in the film and i also liked Cherrie Pie Picache. among the cameo appearances, she was the best!
Title: Re: THE PEQUE GALLAGA THREAD
Post by: keating on Jan 29, 2006 at 08:16 PM
Those Rey Valera songs......man. We cant help but laugh hilariously! Cool but laughing stuff talaga! Its just a pity that Gallaga didn't fleshed out more the conversation of Eppie & Boy 2 regarding Bernal & Brocka. It went to Tarantino movies & other Hollywood flicks.

Title: Re: THE PEQUE GALLAGA THREAD
Post by: jdv1229 on Jan 29, 2006 at 08:20 PM
Those Rey Valera songs......man. We cant help but laugh hilariously! Cool but laughing stuff talaga! Its just a pity that Gallaga didn't fleshed out more the conversation of Eppie & Boy 2 regarding Bernal & Brocka. It went to Tarantino movies & other Hollywood flicks.



same here... i was hoping there would me more exchanges on the two characters debating which one is better. the dvd has lots of special features. audio commentary with Peque Gallaga, deleted scenes making of documentary & music videos. by far the best tagalog dvd ever!
Title: Re: THE PEQUE GALLAGA THREAD
Post by: keating on Jan 29, 2006 at 08:22 PM
same here... i was hoping there would me more exchanges on the two characters debating which one is better. the dvd has lots of special features. audio commentary with Peque Gallaga, deleted scenes making of documentary & music videos. by far the best tagalog dvd ever!

Holy Lord! You have the dvd na, Jo? Wala pa dito sa Manila, always ahead kayo sa min, hehe.
Title: Re: THE PEQUE GALLAGA THREAD
Post by: jdv1229 on Jan 29, 2006 at 08:23 PM
Holy Lord! You have the dvd na, Jo? Wala pa dito sa Manila, always ahead kayo sa min, hehe.

Vincent Nebrida gave me a copy... i just got it from the mail yesterday. gano'n ba wala pang copy diyan?
Title: Re: THE PEQUE GALLAGA THREAD
Post by: keating on Jan 29, 2006 at 08:24 PM
Wala pa, Jo. Dvds always late here, man. Even the likes of KARNAL, CITY AFTER DARK and the others.  :(
Title: Re: THE PEQUE GALLAGA THREAD
Post by: jdv1229 on Jan 29, 2006 at 08:25 PM
Glad you liked it as much as I did, Jojo...

thanks oggs... Vincent Nebrida told me that only true blue film buffs would appreciate Pinoy Blonde.
Title: Re: THE PEQUE GALLAGA THREAD
Post by: jdv1229 on Jan 29, 2006 at 08:26 PM
Wala pa, Jo. Dvds always late here, man. Even the likes of KARNAL, CITY AFTER DARK and the others.  :(


bakit kaya? i'll be receiving my dvd's of Karnal, Manila By Night, Cain At Abel & Ina Kapatid Anak sometime this week. can't wait to see these movies!
Title: Re: THE PEQUE GALLAGA THREAD
Post by: keating on Jan 29, 2006 at 08:29 PM
thanks oggs... Vincent Nebrida told me that only true blue film buffs would appreciate Pinoy Blonde.

Yeah, agree 100%. One of my cousins who devoured Hollywood flicks walked out from the film.
Title: Re: THE PEQUE GALLAGA THREAD
Post by: jdv1229 on Jan 29, 2006 at 08:31 PM
Yeah, agree 100%. One of my cousins who devoured Hollywood flicks walked out from the film.

really? i just wish i saw the movie with you guys... ang sarap siguro ng discussion natin about the film 'no?
Title: Re: THE PEQUE GALLAGA THREAD
Post by: keating on Jan 29, 2006 at 08:33 PM
We will debate on it once you come home, Jo regarding Brocka & Bernal. Noel will be the moderator.
Title: Re: THE PEQUE GALLAGA THREAD
Post by: jdv1229 on Jan 29, 2006 at 08:39 PM
We will debate on it once you come home, Jo regarding Brocka & Bernal. Noel will be the moderator.


hahahaha! that would be fun... ikaw kasi maki Bernal ka eh.
Title: Re: THE PEQUE GALLAGA THREAD
Post by: keating on Jan 29, 2006 at 08:42 PM
LOL! How did you know it, Jo? But in defense of Brocka, most of his films are character driven. Gallaga favors Bernal, that's why I favor him also hehe.  ;)
Title: Re: THE PEQUE GALLAGA THREAD
Post by: jdv1229 on Jan 29, 2006 at 08:44 PM
LOL! How did you know it, Jo? But in defense of Brocka, most of his films are character driven. Gallaga favors Bernal, that's why I favor it also hehe.  ;)

alam ko naman yan kasi Gallaga is one of your all time favorites. di lang ako sure, mas marami yata akong Brocka movies na ipinadala sa yo.
Title: Re: THE PEQUE GALLAGA THREAD
Post by: keating on Jan 29, 2006 at 08:48 PM
Gallaga was Brocka's actor in Gumising ka, Maruja & the one with June Keithley, Maya Valdez. The one movie of Brocka which has a long title......can't remember, Jo.
Title: Re: THE PEQUE GALLAGA THREAD
Post by: jdv1229 on Jan 29, 2006 at 08:51 PM
Gallaga was Brocka's actor in Gumising ka, Maruja & the one with June Keithley, Maya Valdez. The one movie of Brocka which has a long title......can't remember, Jo.

oh yeah he was in Gumising and Lunes, Martes, Miyerkoles, Huwebes, Biyernes, sabado, Linggo. most of the time he appeared as an actror in Brocka movies.
Title: Re: THE PEQUE GALLAGA THREAD
Post by: keating on Jan 29, 2006 at 08:53 PM
Yeah that's it, Jo. Savvy ka tlga hehe. Was that the longest title in Philippine Cinema? Sounds like a Celso Ad Castillo movie.
Title: Re: THE PEQUE GALLAGA THREAD
Post by: jdv1229 on Jan 29, 2006 at 08:56 PM
Yeah that's it. Jo. Savvy ka tlga hehe. Was that the longest title in Philippine Cinema? Sounds like a Celso Ad Castillo movie.

i would think so... hindi naman kasi masyadong mahaba ang Nagalit Ang Buwan, right?
Title: Re: THE PEQUE GALLAGA THREAD
Post by: keating on Jan 29, 2006 at 09:01 PM
Gallaga's acting career didn't prosper but he was good as the best friend of Christopher de Leon in O'hara's TATLONG TAONG WALANG DIYOS.

Incidentally, one of his all-time favorites.
Title: Re: THE PEQUE GALLAGA THREAD
Post by: jdv1229 on Jan 29, 2006 at 09:06 PM
Gallaga's acting career didn't prosper but he was good as the best friend of Christopher de Leon in O'hara's TATLONG TAONG WALANG DIYOS.

Incidentally, one of his all-time favorites.

did he really say that? i couldn't say the same for Christopher he hated his performance in Tatlong Taon...
Title: Re: THE PEQUE GALLAGA THREAD
Post by: jdv1229 on Jan 29, 2006 at 09:09 PM
i thought Peque was also good in Abaya's Rizal.
Title: Re: THE PEQUE GALLAGA THREAD
Post by: keating on Jan 29, 2006 at 09:10 PM
Gallaga look-up to O'Hara's TATLONG TAONG WALANG DIYOS. Jessica Zafra interviewed Peque in Flip Mag in celebration of Oro, Plata, Mata's 20th anniversary.
Title: Re: THE PEQUE GALLAGA THREAD
Post by: keating on Jan 29, 2006 at 09:11 PM
i thought Peque was also good in Abaya's Rizal.

I always forgot Abaya's JOSE RIZAL. Maybe because Montano was just having a monologue in that movie.  ;D
Title: Re: THE PEQUE GALLAGA THREAD
Post by: Noel_Vera on Jan 31, 2006 at 01:32 PM
Gallaga was excellent in that 1896 TV movie--one of a series Eddie Romero produced. He's a wonderful actor, I think.

I don't blame keats for forgetting Rizal. It's a forgettable movie.
Title: Re: THE PEQUE GALLAGA THREAD
Post by: keating on Jan 31, 2006 at 01:37 PM
Gallaga over shadowed Montano in their confrontations in that Rizal flick.  ;D Noel, what was the title of that Eddie Romero series, Noli or Fili?
Title: Re: THE PEQUE GALLAGA THREAD
Post by: Noel_Vera on Jan 31, 2006 at 01:48 PM
1896. didn't you see it? Mario's was excellent, "Alitaptap sa Gabing Madilim," based on a Lualhati Bautista screenplay. Best of the lot, I thought, and the only one that didn't go overbudget.

Title: Re: THE PEQUE GALLAGA THREAD
Post by: keating on Feb 01, 2006 at 07:22 AM
Gallaga was excellent in that 1896 TV movie--one of a series Eddie Romero produced. He's a wonderful actor, I think.

I don't blame keats for forgetting Rizal. It's a forgettable movie.

Abaya is a competent filmmaker, more genius than Lamangan IMO. I don't know what went wrong on that bioflick of our national hero.

Was Montano miscast? I still want to see the dvd of RIZAL mainly because of the docu.
Title: Re: THE PEQUE GALLAGA THREAD
Post by: Noel_Vera on Feb 01, 2006 at 07:41 AM
I don't think either of them are geniuses myself; I reserve that term for a very select few--Brocka, Bernal, the two De Leons, O'Hara, Ad. Castillo on his good days.

Was Montano miscast? Jaime Fabregas spoke better Spanish. I'm hardly an objective observer, but I thought Albert Martinez was a genuinely intelligent, intense Rizal. And I can't imagine a Rizal that smirks, the way Montano does.

Actually, Gardo Verzosa, who was a terrible Andres Bonifacio in Marilou's movie, was a moving Rizal in O'Hara's Sisa. 
Title: Re: THE PEQUE GALLAGA THREAD
Post by: keating on Feb 01, 2006 at 07:45 AM
I haven't seen O'Hara's SISA and yeah Albert Martinez as Rizal in Aguiluz' RIZAL SA DAPITAN deserves a respect in his craft.
Title: Re: THE PEQUE GALLAGA THREAD
Post by: Noel_Vera on Feb 01, 2006 at 09:32 AM
Not to mention Joel Torre's enigmatic Sphinx of a Rizal in Bayaning Third World. They're all better than Montano.
Title: Re: THE PEQUE GALLAGA THREAD
Post by: keating on Feb 01, 2006 at 04:50 PM
If Aga Muhlach pushed thru with the GMA produced JOSE RIZAL, without Montano in the cast, do you think it could have been better Noel, with the same crew headed by Abaya?
Title: Re: THE PEQUE GALLAGA THREAD
Post by: keating on Feb 01, 2006 at 11:45 PM
1896. didn't you see it? Mario's was excellent, "Alitaptap sa Gabing Madilim," based on a Lualhati Bautista screenplay. Best of the lot, I thought, and the only one that didn't go overbudget.



Thanks, Noel. I'll try to look for both tv series.
Title: Re: THE PEQUE GALLAGA THREAD
Post by: Noel_Vera on Feb 03, 2006 at 04:08 PM
The story I heard was that Mike de Leon gave Aga some material and books on Rizal and asked him to read up on him. Later, he finds him reading Archie comics.

Was talking to this sexy/beautiful/talented scriptwriter (yes--there are creatures like that, and I'm not telling you who!) once when she was finishing up a script for Aga, and I noticed she was writing in all kinds of stage directions. I pointed this out to her, and she replied "if you don't put in very clear directions, he's likely to bump his head on the door."
Title: Re: THE PEQUE GALLAGA THREAD
Post by: keating on Feb 04, 2006 at 06:16 PM
 Aga was not good in grasping directions, Noel?

Speaking of O'Hara, I've just seen Brocka's GUMISING KA, MARUJA for the first time. O'Hara was good as Freddie especially before the finale. He stood out during the confrontation scene with Roces & Salvador.

Too bad Gallaga had only a small role in that film. He's thin and sporting a moustache. And Joel Torre had a cameo role as the visitor in the house.
Title: Re: THE PEQUE GALLAGA THREAD
Post by: Noel_Vera on Feb 04, 2006 at 11:29 PM
Aga was not good in grasping directions, Noel?

He barely has the brainpower to grasp.

O'Hara was okay in Gumising Ka (I thought the real hero was that incredible house). You should see him in Stardoom, Tubog sa Guinto, and above all Tinimbang Ka Ngunit Kulang.
Title: Re: THE PEQUE GALLAGA THREAD
Post by: keating on Feb 05, 2006 at 01:34 PM
I'll see TUBOG SA GINTO tonight. Back to Maruja....yeah that incredible mansion house was the real lead in that movie.

Although I've been to my father's hometown only once........Negros Occidental boasts of superb ancestral houses that can beat those in Vigan, Ilocos.

Mike de Leon is still the master of gothic horror. ITIM scares me up to now but MARUJA  has some scary moments particularly when the ghosts of Manny Ojeda & Mary Walter appeared to Susan Roces.
Title: Re: THE PEQUE GALLAGA THREAD
Post by: keating on Feb 12, 2006 at 01:15 PM
There's a fan mentality in everyone of us, and I must admit I'm guilty about this matter hehe. ;) I was able to let Peque Gallaga sign my stuff last night and had a short chat with the man. He still looks weird, sporting a long white hair reminiscent of his 80's look although its black during that time when he was doing Oro and Scorpio Nights. He spoke fluent English, conong-cono pa din, spontaneous, looks like he was in a psychedelic frenzy.

So I ask him the question which is bothering me for the past several months......sir, when will you start the sequel to Oro?

He replied with a straight forward answer chin up!......."NO TAKERS!"
Too bad I can't butt in because of Lore Reyes & Mel Chionglo.  ;D
Title: Re: THE PEQUE GALLAGA THREAD
Post by: jdv1229 on Feb 23, 2006 at 08:53 AM
i just finished revisiting Peque Gallaga's Once Upon A Time with Dolphy, Richard Gomez, Janice de Belen, Gloria Romero, Anjo Yllana & Chuckie Dreyfuss. i've forgotten how much i enjoyed this film. it was released in 1986, even back then the special effects were quite impressive. i guess it had a lot to do with Don Escudero's imaginative production design which was greatly enhanced by Totoy Jacinto's cinematography. the film's original title was Tikbalang. Mother Lily has a bad habit of changing each of her movie titles. case in point, Kaibigan ultimately became Unfaithful Wife. back to Once Upon A Time, it took me back to the good old days of the 80's. the Ali Mall in Cubao was one of the main locations at the start of the film. they also included scenes shot at Skatetown. i remember hanging out with my friends & spending lots of time at Ali Mall & frequenting their fast food plaza. enough reminiscing & back to the movie, Dolphy probably gave one of his most memorable portrayals in this film. i always looked forward to watching the King Of Comedy work with a brilliant new director & Once Upon A Time is no exception. Dolphy could still make audiences laugh even with the slightest physical gesture which was evident in key scenes in the movie, of course with Peque's guidance. he was never out of control, the kind of comedy which the late Ading Fernando helped him master. i miss Dolphy's early brand of comedy but he was back in fighting form in Once Upon A Time. the story by T.E Pagaspas & Uro de la Cruz was truly entertaining, throw a little Lord Of The Rings into the mix and voila! a truly enjoyable movie.
Title: Re: THE PEQUE GALLAGA THREAD
Post by: Noel_Vera on Feb 23, 2006 at 10:29 AM
Thjis is available online, I take it?
Title: Re: THE PEQUE GALLAGA THREAD
Post by: keating on Feb 23, 2006 at 12:19 PM
Its available on video, Noel. ONCE UPON A TIME had the biggest budget during its time, 8M, not to count the promos and marketing blitz done by Regal Films. I saw it during its first day run, January 4, 1987. I already anticipated the movie because of its trailer shown on tv. The crew had to endure on and off shooting because of the typhoons that wreck havoc on the set. The following year, the critics announced that no Filipino film qualified on their criteria, hence, no Urian award was given.

Title: Re: THE PEQUE GALLAGA THREAD
Post by: keating on Mar 25, 2006 at 12:23 PM
ORO PLATA MATA (Peque Gallaga)

I must have seen this many times than any other Filipino films but still I'm always excited everytime I got the chance to see it again on the big screen. A product of the defunct Experimental Cinema of the Philippines in which Gallaga won the script writing contest then got the rights to direct it based on his story.

Two families struggle to preserve their lifestyle amidst the grim realities of the Second World War. Gallaga succeeds in exploring the good times during the opening party scene in which he used long tracking shot to see some of the characters who will play an important role in this movie. The Ojeda family is celebrating Maggie's (Sandy Andolong) debut. Her other sister Trining (Cherie Gil) receives her first kiss from Miguel Lorenzo (Joel Torre). Meanwhile, Don Claudio (Manny Ojeda) and his fellow landowners talk about the war. The lavish party was cut short by news of the Fall of Corregidor.

As the impending war nears the city, the Ojedas accept the invitation by the Lorenzo's (Fides Asencio) to stay with them in their hacienda in the province. Two more guests arrived in the hacienda, Jo Russell (Maya Valdez) and Viring Ravillo (Lorli Villanueva). The endless mahjong sessions, Don Claudio playing his records, were some of the pastimes done by them while killing time on the hacienda. The polish production design by Don Escudero, musical score by Jose Gentica V and cinematography by Rody Lacap helped so much in achieving the looks and period epic of this film. Gallaga indulges us in showing the most visually stunning period epic piece especially the EXODUS SCENE, shot in silhouette red! The two families move to the Lorenzo's hideout in the forest as the Japanese soldiers engulfed the province.

The class struggle between the upper and lower class were put to the test while the two families were hiding in the forest. Melchor (Abbo dela Cruz) the trusted foreman stole the jewelry of Viring. He tried to break the other servant's loyalty but they force Melchor to leave. He came back as a tulisan, probably the equivalent of Abu Sayaff during the Second World War. They raid the food supply, rape the mother of Miguel and chop off the finger of Viring. The massacre scenes were shot in gruesome details to show exactly the revenge of the lower class against the two families. The naive Trining goes with the bandits despite the crimes committed against her family. The experiences brought Miguel and Maggie closer with each other. Miguel hunt down the hideout of the bandits with the help of Hermes (Ronnie Lazaro) and succeeds. He went on a killing spree.

An epilogue follows the violent climax. A simple party was held in the Ojeda home to announce the engagement of Maggie and Miguel. The survivors attempt to get back their previous lifestyle but the experience of the war has forever marked each of them. There were no battle scenes in this movie between the Japanese soldiers and Filipinos. What you will see is the psychological impact that left on the two affluent families which nearly destroyed and divided them. I was stunned everytime I'll watch again the scene wherein Inday Lorenzo bids goodbye at her saints at the altar, ordering her servants to bury them while the disaster will struck them anytime at that moment! We don't see movies like this anymore.
Title: Re: THE PEQUE GALLAGA THREAD
Post by: keating on Mar 29, 2006 at 10:00 PM
i just finished revisiting Peque Gallaga's Once Upon A Time with Dolphy, Richard Gomez, Janice de Belen, Gloria Romero, Anjo Yllana & Chuckie Dreyfuss. i've forgotten how much i enjoyed this film. it was released in 1986, even back then the special effects were quite impressive. i guess it had a lot to do with Don Escudero's imaginative production design which was greatly enhanced by Totoy Jacinto's cinematography. the film's original title was Tikbalang. Mother Lily has a bad habit of changing each of her movie titles. case in point, Kaibigan ultimately became Unfaithful Wife. back to Once Upon A Time, it took me back to the good old days of the 80's. the Ali Mall in Cubao was one of the main locations at the start of the film. they also included scenes shot at Skatetown. i remember hanging out with my friends & spending lots of time at Ali Mall & frequenting their fast food plaza. enough reminiscing & back to the movie, Dolphy probably gave one of his most memorable portrayals in this film. i always looked forward to watching the King Of Comedy work with a brilliant new director & Once Upon A Time is no exception. Dolphy could still make audiences laugh even with the slightest physical gesture which was evident in key scenes in the movie, of course with Peque's guidance. he was never out of control, the kind of comedy which the late Ading Fernando helped him master. i miss Dolphy's early brand of comedy but he was back in fighting form in Once Upon A Time. the story by T.E Pagaspas & Uro de la Cruz was truly entertaining, throw a little Lord Of The Rings into the mix and voila! a truly enjoyable movie.

Dolphy was also good in Omeng Satanista and those two gender-bending roles in the original Jack & Jill, Ang Tatay Kong Nanay. They say that good comedians make good actors. Tessie Tomas was funny also in ONCE UPON A TIME.

Gallaga will bounce back to commercial films after the defeat of PINOY BLONDE at the box-office.
Title: Re: THE PEQUE GALLAGA THREAD
Post by: keating on Apr 07, 2006 at 01:05 PM
The Dela Rosa clan explode again in Gallaga's CEBU mini-series. Catch it every afternoon at channel 9.

Cherie Gil as Gem dela Rosa adds another interesting portrayal in her filmography.
Title: Re: THE PEQUE GALLAGA THREAD
Post by: keating on Apr 15, 2006 at 02:27 PM
Peque Gallaga on Mario O'Hara's TATLONG TAONG WALANG DIYOS:

"The two performances I am proudest of: Christopher de Leon's gay friend in Tatlong Taong Walang Diyos and Mark Gil's hippie father in Rock N' Roll. Mario O'Hara showed me the Tatlong Taon script and I told him that there was no way I was going to memorize a long speech towards the end. He promised me that he was going to do it in short cut-to-cuts. But something told me not to trust him, so I stayed the whole week in Majayjay learning the speech phonetically because at the time I didn't know a straight sentence in Tagalog."

"Sure enough, when we shot the scene, which was this scene between Nora Aunor and myself, he said, "Action" and never cut. Adrenaline carried it for me and I did it in the first take. I was too astonished to be angry at him. When I drove home to Manila from Majayjay, I sang aloud all the way. I was so proud of that scene."

 8)
Title: Re: THE PEQUE GALLAGA THREAD
Post by: RMN on Apr 18, 2006 at 03:33 PM
Caught the first episode of Cebu, the mini-series created by the triumverate of Peque Gallaga, Lore Reyes and Don Escudero; their take on Dallas or Dynasty but set in the Queen City of the South with the de la Rosa clan as the central family. And after all these years, the intrigues, the family squabbles, the power plays, greed, and thirst for power still works and still has the same gripping, engrossing effect. Just two gripes: 1) the characters all seem to revolve in such a small world where everything is known by everyone eventualy; 2) it's on at 12noon every Tuesday, making it impossible for me to catch it. i want my DVD boxed-set! Please, someone tape the show for me. hehe. I hope they show Cebu: Revisited.
Title: Re: THE PEQUE GALLAGA THREAD
Post by: keating on Apr 18, 2006 at 07:59 PM
Darn, I have work every Tuesday! Its definitely better than those soap opera, RMN. Book 2 is more intriguing, more explosive and more gripping! Although Gem dela Rosa is not anymore included among the characters, rumor has it that Cherie Gil raised her talent fee for the sequel of the series.

There was also the making of Book 2 where Peque, Lore and Don discussed the mini-series before they aired the first episode back in the 90's.

And I love the wonderful musical score from the opening credits!  :D
Title: Re: THE PEQUE GALLAGA THREAD
Post by: keating on Apr 24, 2006 at 06:50 PM
Just saw VIRGIN FOREST again last weekend. Hey Jojo, your comment on your blog, I totally concur. Take away all the sex scenes in that Gallaga flick, its still an excellent film. I would rate and league it along with his masterpieces.......ORO PLATA MATA, SCORPIO NIGHTS, ISANG ARAW WALANG DIYOS & UNFAITHFUL WIFE.

Sarsi Emmanuelle's best performance ever.
Title: Re: THE PEQUE GALLAGA THREAD
Post by: Noel_Vera on Apr 24, 2006 at 08:25 PM
She does good work in the handful of films she's done--she's also good in Boatman (my favorite), and Bed Sins, for example. White Slavery too, actually, but the movie itself was, ugh.
Title: Re: THE PEQUE GALLAGA THREAD
Post by: keating on Apr 24, 2006 at 08:39 PM
Yeah Sarsi can be on the league of Ana Marie Gutierrez also. Is BED SINS good, Noel? And the late David Overbey has fondness also of Gallaga's VIRGIN FOREST.
Title: Re: THE PEQUE GALLAGA THREAD
Post by: keating on May 04, 2006 at 01:30 PM
Just saw last night Peque's new glossy San Miguel Beer commercial with Manny Pacquiao & Kris Aquino. Thank God it was not a movie! LOL!

Pacquiao can now laugh all his way to the bank! ;D
Title: Re: THE PEQUE GALLAGA THREAD
Post by: Noel_Vera on May 04, 2006 at 01:39 PM
Bed Sins is flawed but interesting. And more hardcore than Scorpio Nights--actuall fellatio, and cunnulingus.
Title: Re: THE PEQUE GALLAGA THREAD
Post by: keating on May 04, 2006 at 01:42 PM
I can't find a copy anymore of BED SINS. Might ask Jojo again. One thing I recall on that movie was there's a killer on the loose?
Title: Re: THE PEQUE GALLAGA THREAD
Post by: Peeves on May 04, 2006 at 03:32 PM
Hi Guys,
do you guys know where i can get hold of a dvd or a vdc of Oro, Plata, Mata?  ???
Title: Re: THE PEQUE GALLAGA THREAD
Post by: talisman30 on May 04, 2006 at 04:03 PM
Hi Guys,
do you guys know where i can get hold of a dvd or a vdc of Oro, Plata, Mata?  ???

VCD baka meron. alam ko no DVD yet released. ;)
Title: Re: THE PEQUE GALLAGA THREAD
Post by: Peeves on May 04, 2006 at 04:06 PM
VCD baka meron. alam ko no DVD yet released. ;)

you know where i can buy it bro?  ???
Title: Re: THE PEQUE GALLAGA THREAD
Post by: keating on May 04, 2006 at 07:06 PM
Bed Sins is flawed but interesting. And more hardcore than Scorpio Nights--actuall fellatio, and cunnulingus.

Is this the most hardcore, sexiest film O'Hara has done?
Title: Re: THE PEQUE GALLAGA THREAD
Post by: Noel_Vera on May 05, 2006 at 01:16 AM
It's not sexy. But it's pretty much hardcore.

Sexy, well he does the impossible in Uhaw na Pagibig--he made Claudia Zobel's hard, masculine face poignant and erotic.
Title: Re: THE PEQUE GALLAGA THREAD
Post by: keating on May 05, 2006 at 09:21 AM
But it was a double for Sarsi & Patrick dela Rosa?

Yeah, I've seen UHAW SA PAG-IBIG and totally agree wih you about that.
Title: Re: THE PEQUE GALLAGA THREAD
Post by: Noel_Vera on May 05, 2006 at 10:29 AM
Doubles, the footage inserted into their lovemaking scenes.

For all that, the inserts were well done, I thought, and it's still startling to see.
Title: Re: THE PEQUE GALLAGA THREAD
Post by: oggsmoggs on May 09, 2006 at 04:24 PM
(http://img301.imageshack.us/img301/1161/scorpionights9qp.jpg)

Scorpio Nights - Peque Gallaga

In Tsai Ming-liang's The Hole, a very beautifully made film that depicts human isolation in its most musical and humorous, a man finds a hole in the floor of his apartment - his only window to his downstairs neighbor. In the end of the film, the two finally connect in a touching act of salvation for the girl downstairs. In 1983, Peque Gallaga directed Scorpio Nights, also about a man (and his downstairs neighbor connecting through several peep holes which entitle the man to a scheduled show of lovemaking between the lovely downstairs girl and his husband, a potentially sterile security guard. Unlike Tsai, Gallaga doesn't merely hint of filth or garbage, he shows the dirtiness point blank. The apartment building is grimy, crowded, and actually quite vibrant. Despite the alluded boredom, there's always a host of activities that can be witnessed. The apartment houses a gay couple, a host of teenage punks with their afternoon basketball games, a group of equally punky children who is unafraid to play a naughty prank against their neighbors. The apartment building is teaming with life and activity, and such continues through the night wherein constant bickerings, cat noises, and other night aural attractions accompany the careful moans and heavy breathings of the two neighbors copulating despite the dangers of a gunslinging jealous husband. It's a fantastic premise and Gallaga milks the premise to its core. He populates his film with sex scenes that are quite surprising in its rawness and its sweaty eroticism. Gallaga explores the notions of voyeurism at first, then throws it out the window, concerning himself further with the intriguing aspects of the blanketed and guarded sexuality of the Filipino people. Here, there is no classy sex - nothing is private and human copulation is shared with the filth and the humidity of the monsoon season. Gallaga's film is visually and aurally arousing. The chaotically constructed ending is forgiven by the carefully molded beginnings that leave no room for intrigue and shyness. The film was made during the twilight years of the Marcos era, where the Filipino dictator surges upon the nation a terrorizing lockdown of democratic freedoms. The film, despite its near-pornographic depictions, is as much a political film as it is a modern-day drama. Scorpio Nights is later remade by a Korean director, and a sequel has been made by director Erik Matti - yet despite many attempts to recreate the film's sinful paintings of forbidden lust, no film has ever come close to this. ****1/2/*****
Title: Re: THE PEQUE GALLAGA THREAD
Post by: keating on May 09, 2006 at 04:30 PM
I wish Gallaga could duplicate the success of SCORPIO NIGHTS or even his other films in different genre. His sequel to ORO, no producers wanted to tackle, maybe his other dream project.......LIGAWAN SA PANAHON NG TAGSIBOL AT DIGMAAN.
Title: Re: THE PEQUE GALLAGA THREAD
Post by: Noel_Vera on May 09, 2006 at 04:45 PM
In the Realm of the Senses is an influence, but two things here I consider superior to that film: first, Realm's premise just has the couple screwing to their heart's content (or discontent); Gallaga's couple are screwing in secret, in defiance of the husband (of fascism, in effect); they are literally f*king in the face of death.

Second, Scorpio's climax is crueler and more perverse.
Title: Re: THE PEQUE GALLAGA THREAD
Post by: keating on May 09, 2006 at 04:53 PM
I remember Peque giving instructions to Ana Marie & Orestes outside the window bedridden while doing the movie. Noel, how would you rate VIRGIN FOREST & UNFAITHFUL WIFE?

Title: Re: THE PEQUE GALLAGA THREAD
Post by: Noel_Vera on May 09, 2006 at 05:07 PM
Virgin Forest has some good scenes, but i thought it was a hodgepodge. Unfaithful Wife doesn't make sense--so what if she admits she was unfaithful? A man's butt is on the line!

Peque has a problem with scripts; he's best when the script's simple, and the concept is strong enough and supple enough to stand for many things (that's my problem with that gang movie--it didn't stand for much of anything).
Title: Re: THE PEQUE GALLAGA THREAD
Post by: Noel_Vera on May 09, 2006 at 05:18 PM
I might add that commentary asked Tsai if he borrowed the image in The Hole from Scorpio Nights, but he apparently forgot to ask (I think that's what happened).

Peque and Celso share this flaw, that they often toss the script out the window in favor of a heedless, all-balls visual style. The difference I think is that 1) Celso is a marginally better storyteller, or at least is more insistent on his writers that the script makes a little more sense, and 2) that Celso's more talented, is all.

That's hard to explain, without a dvd player and tv set to show what I mean. His imagery flows more, is more smoothly cut, is more lyrical, I think, and I'm not the only one who thinks this; Mario O'Hara considers Celso the single most talented Filipino filmmaker around, with an eye superior to even Gerardo de Leon (?!)--I don't know what to think about that, but I think I know what he means.

Part of it is, I can so often see what Peque's influences are--Oshima, Bertolucci, Tarantino, so on and so forth. Celso's aren't as obvious. Is Burlesk Queen borrowing from Fellini? Bresson? Is that a homage to Gerry de Leon smack dab in the middle of his Pinakamagandang Hayop sa Balat ng Lupa remake (which I like even less than the original, which is a Ryan's Daughter ripoff)? And what the hell is Lihim ni Madonna--pretentious crap, or a neglected masterpiece?

I don't know. He's out there, and 98% of his stuff is sh*t, but that 2%--holy mother of god, I don't know anyone who can touch that 2%. 
Title: Re: THE PEQUE GALLAGA THREAD
Post by: keating on May 09, 2006 at 09:25 PM
Virgin Forest has some good scenes, but i thought it was a hodgepodge. Unfaithful Wife doesn't make sense--so what if she admits she was unfaithful? A man's butt is on the line!

Peque has a problem with scripts; he's best when the script's simple, and the concept is strong enough and supple enough to stand for many things (that's my problem with that gang movie--it didn't stand for much of anything).

David Overbey cites VIRGIN FOREST as one of Peque's best films. Do you remember him? Agree with you some scenes in VIRGIN FOREST are hodgepodge. Where else can you find a threesome posing after a love scene?  ;D

But still the story makes sense, the bonding of the three as they trek into the forest amidst the capture of Aguinaldo serves as the background of the movie. Jojo cites UNFAITHFUL WIFE as Gallaga's best. I still want to see it again, I only saw the mangled version on primetime tv many years ago.

As for GANGLAND it was more of an Erik Matti film.
Title: Re: THE PEQUE GALLAGA THREAD
Post by: keating on May 09, 2006 at 09:41 PM
I think Celso's neglected masterpiece is ALAMAT NI JULIAN MAKABAYAN. I was so really impressed with that movie! Its like Eddie Romero/Peque Gallaga combo in one. He's no longer the kid, but even ISLA I was amazed!

And that's not counting the greatest horror film in Phil. Cinema.....PATAYIN MO SA SINDAK SI BARBARA.
Count also PAGPUTI NG UWAK PAGITIM NG TAGAK, BURLESK QUEEN.

Do you think he's more genius than Mike de Leon? Its about time for a Celso Ad Castillo retrospective.
Title: Re: THE PEQUE GALLAGA THREAD
Post by: eman59 on May 10, 2006 at 01:04 AM
Marina Feleo-Gonzalez becomes livid at the mere mention of Alamat...  Marina wrote Julian Makabayan as a biography of her father, and she cannot forgive Celso for the transforming it into a picaresque fable.
Title: Re: THE PEQUE GALLAGA THREAD
Post by: Noel_Vera on May 10, 2006 at 04:17 AM
No one contests Mike's genius as an intellectual. Celso's genius comes from below the belt.

Heard about Marina's complaint--hard to say what I think about that. There's a long history of authors unhappy with what filmmakers have done with their works; Nick Joaquin was unhappy with what Mario O'Hara did with Johnny Tinoso, happy with what Tikoy did with Tatarin. Personally speaking I prefer Johnny Tinoso, flawed it may be.
Title: Re: THE PEQUE GALLAGA THREAD
Post by: keating on May 10, 2006 at 08:14 AM
Marina Feleo-Gonzalez becomes livid at the mere mention of Alamat...  Marina wrote Julian Makabayan as a biography of her father, and she cannot forgive Celso for the transforming it into a picaresque fable.

Fable? Celso transformed it into a visual feast. And it certainly works for me.
Title: Re: THE PEQUE GALLAGA THREAD
Post by: eman59 on May 10, 2006 at 01:17 PM
Fable? Celso transformed it into a visual feast. And it certainly works for me.

I liked it too.  I was just relating what Marina told me.  She felt that the very title of the movie denigrated the memory and story of her father, which was neither fable nor legend, but real and personal.  While I understand how the final cut may have betrayed her intentions as a writer (and a daughter), the movie did work.  Which brings us to Noel's point that writers and directors will always have uneasy relationships.  But ultimately it's a director's medium I suppose, and in the case of an auteur like Celso Ad, even more so. 
Title: Re: THE PEQUE GALLAGA THREAD
Post by: Noel_Vera on May 10, 2006 at 05:16 PM
I don't know if it's a consolation to her, but giving her father's story the feel of a fable probably made it more memorable, if not more credible, gave her father a larger-than-life feel, made him stay in people's minds longer than if his story had been related as solid, sober fact. Even then, it's possible she won't appreciate all that, for any number of reasons. Very complicated stuff. 
Title: Re: THE PEQUE GALLAGA THREAD
Post by: keating on May 10, 2006 at 05:23 PM
I haven't read the book, but Celso was not faithful to the original version by the author? This is turning out to be a Celso Ad Castillo thread.

How did you find the movie, Noel? It has an epic/period atmosphere and Celso was able to deliver the story very well.
Title: Re: THE PEQUE GALLAGA THREAD
Post by: Noel_Vera on May 10, 2006 at 05:31 PM
Romy Vitug told me that when it came out, people compared it and his photography to Days of Heaven.

I disagree. It's hypnotic, lyric, very grand, but it's not Malick at all. Malick never used a split-open carabao.
Title: Re: THE PEQUE GALLAGA THREAD
Post by: keating on May 10, 2006 at 05:33 PM
They should screen ALAMAT NI JULIAN MAKABAYAN on the big screen. Romy Vitug's cinematography are always top-notch giving justice cinematically and very pleasing to the eyes.
Title: Re: THE PEQUE GALLAGA THREAD
Post by: Noel_Vera on May 10, 2006 at 05:36 PM
Mind you, I didn't understand it. The 16 mm print I saw didn't have a soundtrack at all, and it was barely watchable.
Title: Re: THE PEQUE GALLAGA THREAD
Post by: keating on May 10, 2006 at 06:02 PM
Call Jojo to the rescue, Noel. If you want to watch it again.  ;)
Title: Re: THE PEQUE GALLAGA THREAD
Post by: eman59 on May 11, 2006 at 12:23 AM
I haven't read the book, but Celso was not faithful to the original version by the author? This is turning out to be a Celso Ad Castillo thread.

She did story and screenplay (she also wrote Minsa'y Isang Gamu-Gamo).  I think Alamat... is on VCD.
Title: Re: THE PEQUE GALLAGA THREAD
Post by: keating on May 11, 2006 at 09:48 AM
She did story and screenplay (she also wrote Minsa'y Isang Gamu-Gamo).  I think Alamat... is on VCD.

My copy has subs. SOFIA should restore the masterprint asap. Its being shown occasionally at Cinema One.
Title: Re: THE PEQUE GALLAGA THREAD
Post by: Noel_Vera on May 11, 2006 at 02:16 PM
I don't know if there is a print anymore. I think that 16 mm is it.
Title: Re: THE PEQUE GALLAGA THREAD
Post by: keating on May 22, 2006 at 05:54 PM
Manny Pacquiao can now retire in his boxing career since that San Miguel Beer commercial made him richer by multi-million pesos.

This is the second time that Peque directed SMB commercial. The first one aired during the late 80's.
Title: Re: THE PEQUE GALLAGA THREAD
Post by: keating on May 24, 2006 at 12:18 PM
Caught the first episode of Cebu, the mini-series created by the triumverate of Peque Gallaga, Lore Reyes and Don Escudero; their take on Dallas or Dynasty but set in the Queen City of the South with the de la Rosa clan as the central family. And after all these years, the intrigues, the family squabbles, the power plays, greed, and thirst for power still works and still has the same gripping, engrossing effect. Just two gripes: 1) the characters all seem to revolve in such a small world where everything is known by everyone eventualy; 2) it's on at 12noon every Tuesday, making it impossible for me to catch it. i want my DVD boxed-set! Please, someone tape the show for me. hehe. I hope they show Cebu: Revisited.

You should check out Book 2, RMN and see what will happen to Sophia O'Connor dela Rosa. Even my mom was hooked on the mini-series.......she's one of the reasons why we are glued to it and definitely check out Celeste Legaspi's confrontation scene with Gina Alajar on Book 2.  ;)

Too bad Gem dela Rosa (Cherie Gil) was no longer around in Book 2, that would be more explosive, gripping and more intriguing.
Title: Re: THE PEQUE GALLAGA THREAD
Post by: RMN on May 24, 2006 at 06:09 PM
Manny Pacquiao can now retire in his boxing career since that San Miguel Beer commercial made him richer by multi-million pesos.

This is the second time that Peque directed SMB commercial. The first one aired during the late 80's.

Peque also directed the SMB TVC with Judy Ann etc.
Title: Re: THE PEQUE GALLAGA THREAD
Post by: keating on May 24, 2006 at 09:21 PM
Anyone still remembers APPLE PIE, PATIS, ATBP? It used to air every Friday on channel 9 at 9pm with Joey de Leon as host. Peque concentrated on this one after the flop of KID HUWAG KANG SUSUKO.  ;D

Ana Marie Gutierrez, SCORPIO NIGHTS alumnus was interviewed in the U.S. when she migrated and tells her own experience. The musical score was done by Nonong Pedero known as Dero Pedero who has a column in Phil. Star.
Title: Re: THE PEQUE GALLAGA THREAD
Post by: keating on Jun 01, 2006 at 09:08 PM
From a reliable source........there's a teaser already made for Peque Gallaga's next dream project, the epic LIGAWAN SA PANAHON NG TAGSIBOL AT DIGMAAN.

Peque used his workshoppers recently in Bacolod for the trailer to be use in the movie which is still in pre-production process. Still no first day of shooting, yet!

Cool!
Title: Re: THE PEQUE GALLAGA THREAD
Post by: talisman30 on Jun 02, 2006 at 12:54 PM
From a reliable source........there's a teaser already made for Peque Gallaga's next dream project, the epic LIGAWAN SA PANAHON NG TAGSIBOL AT DIGMAAN.

Peque used his workshoppers recently in Bacolod for the trailer to be use in the movie which is still in pre-production process. Still no first day of shooting, yet!

Cool!

sounds cool nga bro. more updates ron!  ;)
Title: Re: THE PEQUE GALLAGA THREAD
Post by: keating on Jun 02, 2006 at 10:41 PM
Galing bro, wala pa yung movie, there's a teaser already! I bet this would be 3 years in the making if no producers will gamble on it. Peque will peddle it on foreign market. If this is the sequel to ORO PLATA MATA, expect it to be another great masterpiece!

Title: Re: THE PEQUE GALLAGA THREAD
Post by: keating on Jun 21, 2006 at 08:31 AM
Caught CEBU yesterday, just a few more episodes and it will end already. I wonder if Don Horacio dela Rosa was still alive in the series and who will play his part? He looks like the late Ishma on the portrait.

Subas Herrero was considered for that part but instead, Peque, cast him as the villain who was also power hungry in Book 2.

Love, love the anthem of the series on the opening credits!
Title: Re: THE PEQUE GALLAGA THREAD
Post by: marj on Jul 22, 2006 at 12:42 PM
I wish Gallaga could duplicate the success of SCORPIO NIGHTS or even his other films in different genre. His sequel to ORO, no producers wanted to tackle, maybe his other dream project.......LIGAWAN SA PANAHON NG TAGSIBOL AT DIGMAAN.

Right after SCORPIO NIGHTS, Don Escudero intimated that Peque Gallaga was thinking of making an out-and-out sex flick ala IN THE REALM OF THE SENES.
Title: Re: THE PEQUE GALLAGA THREAD
Post by: keating on Jul 23, 2006 at 05:47 PM
SCORPIO NIGHTS already resonates with IN THE REALM OF THE SENSES. Peque doesn't want to do another skin flick in the future.

He is contemplating on another epic after the box-office failure of PINOY BLONDE.
Title: Re: THE PEQUE GALLAGA THREAD
Post by: keating on Jul 31, 2006 at 07:26 PM
Check out Madeleine Gallaga, Peque's wife as one of the laundry woman in the hilarious river scene matched with an Ilonggo song in the background with Ronnie Lazaro and the soldiers in ORO PLATA MATA.

 ;)
Title: Re: THE PEQUE GALLAGA THREAD
Post by: surfsam on Jul 31, 2006 at 09:47 PM
I love Peque's works. I cried watching Kid Huwag Ka Sususko kasi ako lang ata ang nasa loob ng balcony ng sinehan and I thought the film deserved a bigger audience.

Oro was wonderful. Scorpio just as well.

And I love Cebu. Lara Melissa de Leon was magnificent as the bastarda. Celeste as Sofia de la Rosa Connors was brilliant. Expectedly, the Gil-de Mesa clan was outstanding. I like it more than Dynasty, Falcon Crest, etc. Over the top, yes. But it was such in the right places. I was moved when Cherie Gil kissed Joel Torre (who is HIV+ in the series). Even Peque managed to make Cebu socially relevant.

Re: Celso Ad, I remember how it was expected to dominate the MMFF and the succeeding awards but he became over-confident and there are a shut-out re: Julian Makabayan. I though Julian is a beautiful film. Sayang. It was seriously underrated. I love Nympha, Pagputi ng Uwak, Burlesk Queen, even Paradise Inn (didn't Celso do this one, starring Vivian Velez and Lolita Rodriguez--I love this film because of many reasons, one of them being Vivian Velez finally proving that she can actually act). Lolita was wonderful.

Peque shouldn't be discouraged after Pinoy Blonde. People like him and Mario O Hara (or even Celso, though he should be a bit more humble now) should continue making films because they are living treasures. They have given so much of themselves to our country and the local film industry.

Title: Re: THE PEQUE GALLAGA THREAD
Post by: keating on Aug 01, 2006 at 07:47 PM
KID HUWAG KANG SUSUKO was a combination actually of two titles taken from a Hollywood film, Karate Kid & No Retreat, No Surrender that only Mother Lily can imagine!

The Regal matriarch didn't give Peque any project for two years after it flopped at the tills. He only recovered via TIYANAK which was originally under FLT Films.

ORO PLATA MATA was up there already, the trademark of the visual flair of the old man. There are times that I liked VIRGIN FOREST & UNFAITHFUL WIFE than SCORPIO NIGHTS.

And yeah, surfsam, CEBU was fantastic! I just fervently wish that they release the box-set of that series. Cherie Gil finally congratulating Lara Melissa de Leon on her wedding day was one of the memorable moments to wrapped up Book 1 of the series.

On 2nd viewing I find Celso's JULIAN MAKABAYAN totally underrated although I haven't seen PAGPUTI NG UWAK, PAGITIM NG TAGAK, touted as another great masterpiece from the kid. Vivian Velez could actually act, her performance as the obsessed crazy woman in one of Chito Rono's flick is her best to date.

Celso Ad is no longer the kid, but Mario O'Hara is still around, he was sighted at Cinemalaya last time, btw. Peque is doing an episode of a trilogy before the end of this year and marks the screenwriting  debut of his son, Wanggo Gallaga.
Title: Re: THE PEQUE GALLAGA THREAD
Post by: keating on Aug 03, 2006 at 07:54 PM
Since the 5 hours director's cut of Peque Gallaga's ORO PLATA MATA no longer exists, here are some scenes that I noticed complete in the recent Pelikula at Lipunan shown last February.

1. The party scene of Maggie (Sandy Andolong) is extended, the ballroom scene is much much longer, you can see one of the guest nun dancing and one of Maggie's Aunt.

2. The children getting some food on the main table of the kitchen.

3. The band in the party scene has a close-up shot before the long, long, ballroom scene. Love, love this scene!  :D

4. Manny Castaneda has a dialogue while clearing the wheel chair of Mona Lisa.  ;D

5. More dialogue from the guests in panic before the party was cut short because of the announcement of the war!

6. The prayer scene of the Lorenzo & Ojeda clan in the Plata section at the hacienda is longer.

7. When the two guests arrived in the villa, Jo Russell (Maya Valdez) & Viring (Lorli Villanueva) after they were entertained by Inday Lorenzo (Fides Asencio), there was a shot of Melchor (Abbo dela Cruz) and one of the servants in dark background that looks so creepy in the window that probably signals the incoming disaster that will befall the two clans!

8. The soldiers led by Hermes (Ronnie Lazaro) jump naked in the river while an Ilonggo song was being played in the background, check out Madeleine Gallaga, Peque's wife has a cameo here.

9. And oh, the pack-up scene in the villa before the outstanding exodus scene.........the graphic love scenes of the two servants, Melchor giving instructions outside of the house, Inday Lorenzo praying while Estrella is closing the window already. Peque asked the late Ishmael Bernal if he could make the exodus scene much longer, that scene probably was already lost in the first cut that he made.

10. Now the Mata section, the animals were being butchered for the meal of the two families. The surgery scene by one of the soldiers is hard to stomach but shown without cuts. Maya Valdez and Robert Antonio's love scene at the falls is explicitly shown.

11. Cherie Gil is hot, hot in her love scene with Ronnie Lazaro. Her character is more fleshed out from being naive to becoming confuse and sex slave.

12. The massacre scene is much gorier where you can see the piled up bodies.

13. Kuh Ledesma's head literally blown into pieces before the final party scene.

Darn! I want the dvd of this Gallaga masterpiece!
Title: Re: THE PEQUE GALLAGA THREAD
Post by: surfsam on Aug 04, 2006 at 06:36 PM
Me too.

It will sell. Oro is a classic. One of my few memories as an adolescent that I felt proud as a Filipino.

1982 was such a good year in the local film industry. In a typical year, a very good film like RELASYON (Bernal) would have bagged best picture. But there was ORO (Gallaga), Batch '81(de Leon), Himala (Bernal), Moral (Abaya), Cain at Abel (Brocka). Even Viva's well-made, glossy komiks movies (Gaano Kadalas ang Minsan?, Eddie Garcia's Sinasamba Kita and films) and serious attempts like Mga Uod at Rosas (Romy Suzara), In Dis Korner (Brocka),  would have been nominated many times in a lean year.
Title: Re: THE PEQUE GALLAGA THREAD
Post by: keating on Aug 05, 2006 at 12:31 AM
1982 was perhaps the pinnacle of the Second Golden Age of Philippine Cinema. Mike de Leon's BATCH 81 & Peque Gallaga's ORO PLATA MATA were both vying for honors and stiff competition from the critics.
Title: Re: THE PEQUE GALLAGA THREAD
Post by: Noel_Vera on Aug 05, 2006 at 09:32 AM
I would say the best works came out after Ninoy's assassination, from Scorpio Nights (1984), Hinugot sa Langit, Boatman (1985) to O'Hara's Manila trilogy--Condemned (1984), Bulaklak sa City Jail (1984), Takaw Tukso (1986), and Bagong Hari, which came out at the very eve of the EDSA Revolution, and ended (to my mind) the '70s and '80s Golden Age of Philippine Cinema. Not a big fan of either Sister Stella L. or Kapit sa Patalim (both 1984), but I'll freely admit they were the most outspoken of the political films, at a time when it was truly dangerous to be political.

These post-Ninoy, pre-EDSA films were some of the darkest, most violent, and most nihilistic to come out of the Philippines, and for once the filmmakers had the artistry and skill to give full vent to their pessimism.
Title: Re: THE PEQUE GALLAGA THREAD
Post by: keating on Aug 05, 2006 at 01:07 PM
Noel, can we still dig the print of BAGONG HARI? Even Cinema One I think has no copy. Its film noir atmosphere piqued my curiosity to watch this O'Hara film.

Some of the best films came out before the Edsa Revolution. More trashy films came out after 1986. And the penetration era came out when Morato sat as MTRCB chief.
Title: Re: THE PEQUE GALLAGA THREAD
Post by: Noel_Vera on Aug 06, 2006 at 02:14 PM
It's Cory Aquino. You might say her contribution to Philippine cinema was Manoling Morato and Kris Aquino.

I don't know about Bagong Hari. One of these days?
Title: Re: THE PEQUE GALLAGA THREAD
Post by: keating on Aug 06, 2006 at 06:59 PM
Sounds strange but true, Philippine Cinema reached its lowest level during Cory's time. She admitted that the film industry was not on her priority.

Yep, I'm still positive on O'Hara's BAGONG HARI as long as Jojo is around.  ;)
Title: Re: THE PEQUE GALLAGA THREAD
Post by: jdv1229 on Aug 06, 2006 at 08:33 PM
there's always a chance we might find copies of long lost films. it's just gathering dust somewhere.
Title: Re: THE PEQUE GALLAGA THREAD
Post by: keating on Aug 06, 2006 at 08:39 PM
Like that film by.......oh, I might get a lawsuit.  ;D
Title: Re: THE PEQUE GALLAGA THREAD
Post by: jdv1229 on Aug 06, 2006 at 08:40 PM
keep it to yourself na lang...
Title: Re: THE PEQUE GALLAGA THREAD
Post by: keating on Aug 06, 2006 at 08:44 PM
I just finished watching finally BAD BANANAS SA PUTING TABING, its a mess! This was Peque's follow-up to Oro? Peque fooled me on this one, my time was just wasted, kaya pala di ko matapos tapos.

Holy Lord, er, holy crap! The only saving grave was the nice location.
Title: Re: THE PEQUE GALLAGA THREAD
Post by: butsoy on Aug 09, 2006 at 06:33 PM
Who here has a copy of 'Batang X'? I really love this film and I just dont know why.. This is the very first film that I have watched in a Movie House with my aunt..
Title: Re: THE PEQUE GALLAGA THREAD
Post by: keating on Aug 09, 2006 at 06:42 PM
BATANG X was cool. But I prefer ONCE UPON A TIME, MANANANGGAL in SRR, MAGIC TEMPLE in the kid and fantasy genre of Peque's films.

Check out Video 48, butsoy. I saw there BATANG X. Hope this helps.
Title: Re: THE PEQUE GALLAGA THREAD
Post by: butsoy on Aug 11, 2006 at 09:09 PM
BATANG X was cool. But I prefer ONCE UPON A TIME, MANANANGGAL in SRR, MAGIC TEMPLE in the kid and fantasy genre of Peque's films.

Check out Video 48, butsoy. I saw there BATANG X. Hope this helps.

Thanks Keating!
Title: Re: THE PEQUE GALLAGA THREAD
Post by: keating on Aug 11, 2006 at 09:16 PM
If you are in the mood also of exploring Gallaga's other fantasy and horror flicks which he monopolized in the 80's, check out also SHAKE RATTLE & ROLL 2, TIYANAK and ADVENTURES OF LEON AT KUTING.
Title: Re: THE PEQUE GALLAGA THREAD
Post by: Movie_Geek_Tom on Aug 12, 2006 at 12:33 AM
Pinoy Blonde Yeh Man !!!
Title: Re:THE PEQUE GALLAGA THREAD
Post by: keating on Aug 12, 2006 at 04:52 PM
The five hour version is gone.  The most complete version and the one Peque is satisfied with is a three hour plus version.

The complete running time clocks in at 3 hours and 14 mins. In the 5 hour version, Kuh Ledesma's underworld character is more fleshed out according to Peque.
Title: Re: THE PEQUE GALLAGA THREAD
Post by: jdv1229 on Aug 23, 2006 at 09:21 AM
(http://i77.photobucket.com/albums/j63/jojodevera/Screencaps-01hr16min44sec.jpg)

the Exodus Scene from Oro, Plata, Mata
Title: Re: THE PEQUE GALLAGA THREAD
Post by: jdv1229 on Aug 23, 2006 at 09:22 AM
(http://i77.photobucket.com/albums/j63/jojodevera/Screencaps-01hr41min20sec.jpg)

Miguel Lorenzo
Title: Re: THE PEQUE GALLAGA THREAD
Post by: jdv1229 on Aug 23, 2006 at 09:25 AM
(http://i77.photobucket.com/albums/j63/jojodevera/Screencaps-00hr04min24sec.jpg)

Miguel & Trining
Title: Re: THE PEQUE GALLAGA THREAD
Post by: keating on Aug 23, 2006 at 08:31 PM
(http://i77.photobucket.com/albums/j63/jojodevera/Screencaps-01hr16min44sec.jpg)

the Exodus Scene from Oro, Plata, Mata

Beautiful, awesome! More outstanding than the burning scene of Atlanta in GONE WITH THE WIND. And I agree with you Jo, regarding your review in your blog. Very, very Filipino because of the presence of the carabaos, which means also the transition period of the two clans that you cannot bring all your wealth when war comes!
Title: Re: THE PEQUE GALLAGA THREAD
Post by: keating on Dec 15, 2006 at 08:22 PM
GANGLAND is now available on dvd. Peque collaborated with Lore on this one, but it was Eric Matti calling the shots.
Title: Re: THE PEQUE GALLAGA THREAD
Post by: keating on Dec 15, 2006 at 09:33 PM
there's always a chance we might find copies of long lost films. it's just gathering dust somewhere.

Bro believe na ko sa yo...... you should have more lucrative career at SOFIA.  ;) that film was the most butchered after the Edsa Revolt because of too much violence than BATCH 81.

Title: Re: THE PEQUE GALLAGA THREAD
Post by: daigoro on Dec 19, 2006 at 04:09 PM
Was able to get a vcd of Scorpio Nights from Astro Megamall. Vhs quality but that's better than nothing.
Title: Re: THE PEQUE GALLAGA THREAD
Post by: butsoy on Dec 23, 2006 at 11:11 AM
(http://i68.photobucket.com/albums/i21/teroy14/scorpio01.jpg)

Just watched "Scorpio Nights" for the first time.. And I must say, it i s a type of bold film na hindi bastos ang pagkaka-execute ng mga lovescene. Very artistic. What are the scenes cutted from the original copy in the VCD version released by Regal?

(http://i68.photobucket.com/albums/i21/teroy14/scorpio02.jpg)

On the later part of the film, was it really Orestes Ojeda's penis that was shown there? Kasi normally di talaga nagpapakita ang mga male actors ng private parts on screen.

Title: Re: THE PEQUE GALLAGA THREAD
Post by: keating on Dec 24, 2006 at 03:59 PM
A Korean film borrowed from SCORPIO NIGHTS after the filmmaker saw it. In the uncut version the love scenes are much longer particularly the last encounter between Gutierrez & Fernando before the bloody finale.

And yes I asked Peque about that, it was not prosthetics.  ;D

No CGI exists back then, check out also the surgery scene in ORO PLATA MATA and it looks real and well-done.
Title: Re: THE PEQUE GALLAGA THREAD
Post by: daigoro on Dec 24, 2006 at 04:28 PM
OT: Speaking of private parts, do you think that Jack Nicholson really showed his member during the movie house scene in the Departed? That one caught me offguard.
Title: Re: THE PEQUE GALLAGA THREAD
Post by: keating on Dec 24, 2006 at 04:37 PM
I'm not really sure if he used double for that scene, but remember also the poster of Julia Roberts in PRETTY WOMAN?

It was only the face of Julia that was real, the body came from someone else.
Title: Re: THE PEQUE GALLAGA THREAD
Post by: jackryan on Dec 24, 2006 at 06:32 PM
A Korean film borrowed from SCORPIO NIGHTS after the filmmaker saw it. In the uncut version the love scenes are much longer particularly the last encounter between Gutierrez & Fernando before the bloody finale.

And yes I asked Peque about that, it was not prosthetics.  ;D

No CGI exists back then, check out also the surgery scene in ORO PLATA MATA and it looks real and well-done.

What is the name of the Korean re-make?
Title: Re: THE PEQUE GALLAGA THREAD
Post by: keating on Dec 25, 2006 at 06:46 PM
The official remake was SUMMER TIME. Haven't watch it because I'm still looking for a copy. X44 who saw the film says......it doesn't hold and lack the claustrophobia and desperation of the original.

SCORPIO NIGHTS may be the least political of all Gallaga films but the angst was hidden there when it  was released during the reign of the dictatorship.

Peque let it all out thru the libido of the 3 main characters......Gutierrez, Ojeda & Fernando.
Title: Re: THE PEQUE GALLAGA THREAD
Post by: Noel_Vera on Dec 28, 2006 at 05:57 PM
Whoa--Nicholson was holding a dildo.

And I think Scorpio Nights is very political--more political than, say, Oro Plata Mata. IT's a distillation of the attitude of Filipinos in the last years of the Marcos Administration.
Title: Re: THE PEQUE GALLAGA THREAD
Post by: keating on Dec 28, 2006 at 06:07 PM
Great films came out during the last years of the Marcos administration. The peak of the Second Golden Age of Phil. Cinema.

Have you seen ISANG ARAW WALANG DIYOS, Noel? Joel David gush over it.
Title: Re: THE PEQUE GALLAGA THREAD
Post by: Noel_Vera on Dec 28, 2006 at 06:48 PM
Yeah. Didn't like it much. Peque has coherence issues.
Title: Re: THE PEQUE GALLAGA THREAD
Post by: keating on Dec 28, 2006 at 06:56 PM
Yeah he really needs a very good writer. Maybe Gallaga-Lee collaboration in the near future.
Title: Re: THE PEQUE GALLAGA THREAD
Post by: Noel_Vera on Dec 28, 2006 at 06:58 PM
Gallaga Lacaba would be better. Someone more disciplined.

But I'd love to see a Gallaga Diaz collaboration. Diaz has a helluva imagination; Gallaga can probably whip up something to match Diaz's vision.
Title: Re: THE PEQUE GALLAGA THREAD
Post by: keating on Dec 28, 2006 at 07:08 PM
Pete Lacaba is a realist, he has not done a fantasy genre yet, which Peque had already mastered.

Yeah its definitely worth watching a Gallaga Diaz combo.
Title: Re: THE PEQUE GALLAGA THREAD
Post by: Noel_Vera on Dec 28, 2006 at 07:21 PM
Gallaga isn't the only master of fantasy; Ad Castillo, Gerry de Leon, and Mario O'Hara have done work in the genre too, and I submit better work.

That said, Gallaga's done verite--Scorpio Nights is like Lino Brocka directing Linda Lovelace.
Title: Re: THE PEQUE GALLAGA THREAD
Post by: keating on Dec 28, 2006 at 07:24 PM
How's the legendary Ana Marie Gutierrez, Noel? You met her, right? Is she still looks hot?  ;)

Sarsi is still acting, just finished the Cinema One original RAKET NI NANAY.
Title: Re: THE PEQUE GALLAGA THREAD
Post by: Noel_Vera on Dec 29, 2006 at 02:44 PM
Haven't met her, would like to. I've heard forever that she's overweight, then this year in Imaginasian, I hear she's in good condition, and willing to work. So who knows?
Title: Re: THE PEQUE GALLAGA THREAD
Post by: keating on Dec 30, 2006 at 05:01 PM
Ana Marie Gutierrez shines also in William Pascual's TAKAW TUKSO. She was also unforgettable as the hired killer in HINDI MO AKO KAYANG TAPAKAN.
Title: Re: THE PEQUE GALLAGA THREAD
Post by: keating on Jan 03, 2007 at 06:03 PM
The restoration process of ORO PLATA MATA came out during the 20th Anniversary screening organized by Flip Movie Club at Greenbelt Cinema. Peque talked that an Aussie is willing to restore the film on its original color and glory!

Too bad it didn't materialize since he doesn't own the masterprint of his own film!
Title: Re: THE PEQUE GALLAGA THREAD
Post by: butsoy on Feb 05, 2007 at 09:04 PM
just watched 'Pinoy Blonde' yesterday on VCD. yeah.. not your typical pinoy film. so cool!
Title: Re: THE PEQUE GALLAGA THREAD
Post by: keating on Feb 05, 2007 at 09:26 PM
Among the lost scenes cut by Peque, the Zen preparation hurts him badly. Here undergoes the transformation of Miguel Lorenzo (Joel Torre) as a warrior with Hermes (Ronnie Lazaro)before they trek down into the forest to save Trining (Cherie Gil) from the bandits in the Mata section of ORO PLATA MATA.
Title: Re: ORO PLATA MATA
Post by: keating on Feb 08, 2007 at 12:10 PM
Peque was able to trimmed down the 5 hour cut to more than 3 hours. Among the lost scenes was the enigmatic character of Kuh Ledesma, the trials that she went thru in the hands of the guerilla and Japanese soldiers.

Her character was the ominous type, she would appear to signal a bad omen that will happen to the two clan while hiding in the forest.
Title: Re: THE PEQUE GALLAGA THREAD
Post by: jdv1229 on Feb 09, 2007 at 08:06 PM
Gallaga's decision to trim the scenes with Kuh Ledesma was brilliant. it gave her character a certain mystery and when she finally met her destiny, it was gripping.
Title: Re: THE PEQUE GALLAGA THREAD
Post by: keating on Feb 09, 2007 at 08:12 PM
Very well said, but first time viewers of ORO PLATA MATA always ask this question.....What the hell is Kuh Ledesma doing in this movie?!

Title: Re: THE PEQUE GALLAGA THREAD
Post by: jdv1229 on Feb 09, 2007 at 08:16 PM
she was at the height of her singing career back then and since she is famous, it helped to have a familiar face essaying a tragic role. the character became more sympathetic...
Title: Re: THE PEQUE GALLAGA THREAD
Post by: keating on Feb 09, 2007 at 08:28 PM
Gallaga will always be remember for this movie in his entire filmography. Its good that the print from Cinema One is still in good shape.
Title: Re: THE PEQUE GALLAGA THREAD
Post by: jdv1229 on Feb 09, 2007 at 08:38 PM
it is in great shape... hope we can expect a DVD release sometime soon with special features...
Title: Re: THE PEQUE GALLAGA THREAD
Post by: keating on Feb 09, 2007 at 08:41 PM
He lost all the goodwill to remaster the film when Cinema One didn't lend the masterprint before the anniversary screening at Ayala Cinema in 2003.

Still he has some good words to Charo Santos, that she took care of the cast and crew in Negros while doing the movie.
Title: Re: THE PEQUE GALLAGA THREAD
Post by: keating on Feb 10, 2007 at 03:05 PM
(http://i103.photobucket.com/albums/m132/keating_01/box.jpg)

The official dvd release, how I wish!
Title: Re: THE PEQUE GALLAGA THREAD
Post by: keating on Feb 10, 2007 at 03:07 PM
(http://i103.photobucket.com/albums/m132/keating_01/blog4.jpg)

The press release for the 20th anniversary screening held last Jan. 2003 at Greenbelt Cinema sponsored by Jessica Zafra's Flip Movie Club.
Title: Re: THE PEQUE GALLAGA THREAD
Post by: keating on Feb 10, 2007 at 03:14 PM
(http://i103.photobucket.com/albums/m132/keating_01/blog2.jpg)

Gallaga motivating the enigmatic character of Kuh Ledesma. Photo courtesy of Flip Magazine.
Title: Re: THE PEQUE GALLAGA THREAD
Post by: keating on Feb 10, 2007 at 03:22 PM
(http://i103.photobucket.com/albums/m132/keating_01/blog3.jpg)

Cherie Gil and Bukar Urra, oblation on the set with Ronnie Lazaro, party scene in ORO PLATA MATA. Photos from Flip Magazine.
Title: Re: THE PEQUE GALLAGA THREAD
Post by: keating on Feb 10, 2007 at 03:25 PM
(http://i103.photobucket.com/albums/m132/keating_01/blog1.jpg)

Maya Valdez and Ronnie Lazaro, Peque on the set, mahjong scene with Liza Lorena, Lorli Villanueva, Maya Valdez and Fides Cuyugan-Asensio.

Photos from Flip Magazine.
Title: Re: THE PEQUE GALLAGA THREAD
Post by: keating on Feb 12, 2007 at 04:14 PM
(http://i103.photobucket.com/albums/m132/keating_01/01.jpg)

Peque Gallaga rehearses his cast for the opening party scene of ORO PLATA MATA.
Title: Re: THE PEQUE GALLAGA THREAD
Post by: keating on Feb 12, 2007 at 05:24 PM
(http://i103.photobucket.com/albums/m132/keating_01/02.jpg)

Peque Gallaga on the set of TIYANAK.
Title: Re: THE PEQUE GALLAGA THREAD
Post by: thegoodbyeguy on Feb 13, 2007 at 04:19 AM

   Nice pic Keating.
Title: Re: THE PEQUE GALLAGA THREAD
Post by: keating on Feb 13, 2007 at 12:28 PM
Thanks, goodbyeguy! I'll post more pics from Gallaga's films.
Title: Re: THE PEQUE GALLAGA THREAD
Post by: keating on Feb 13, 2007 at 06:27 PM
(http://i103.photobucket.com/albums/m132/keating_01/docu4.jpg)

Daniel Fernando shacks up with Ana Marie Gutierrez in Gallaga's landmark erotic film SCORPIO NIGHTS.
Title: Re: THE PEQUE GALLAGA THREAD
Post by: keating on Feb 20, 2007 at 05:57 PM
(http://i103.photobucket.com/albums/m132/keating_01/scan02.jpg)

VIRGIN FOREST  (Peque Gallaga, 1985)

The mangled lives of a fallen mestizo (Miguel Rodriguez), adulterous india (Sarsi Emmanuelle) and an indio fisherman (Abel Jurado) serve as the central characters in Peque Gallaga's VIRGIN FOREST. The historical drama exploits the texture of American imperialism and the contentious cooptation of the Macabebes in the capture of revolutionary leader Emilio Aguinaldo. The three central characters bonded as they trek into the forest as they were held captive by the Macabebes and two American soldiers disguised as prisoners of the revolution. The second to the last solo film of Gallaga where he is at his peak before he collaborated with Lorenzo Reyes in ONCE UPON A TIME, boasts again of technical craftmanship and expertise. He went downhill in BAD BANANAS SA PUTING TABING, rebounded tremendously in SCORPIO NIGHTS, maintained his status in UNFAITHFUL WIFE  after VIRGIN FOREST.

Most of the scenes shot in Tayabas, Quezon explore the beauty of this countryside while not abandoning the conflict within the 3 central characters and its supporting cast. Once again, Don Escudero's wonderful production design is a sight to behold! Jaime Fabregas musical score is memorable. Given the film's title, the producer marketed it as a mere bold flick, but its more than that. Sarsi Emmanulle like her contemporary Ana Marie Gutierrez and Jacklyn Jose can act amidst the dime dozen of sexy stars that flourished during the ECP days.
Title: Re: THE PEQUE GALLAGA THREAD
Post by: jdv1229 on Feb 21, 2007 at 07:45 PM
great pics!

i was told that Peque loved Bad Bananas...
Title: Re: THE PEQUE GALLAGA THREAD
Post by: keating on Feb 21, 2007 at 07:48 PM
BAD BANANAS was a mess! I told him, please don't make another movie like that.  ;D

His comedy is so different, remember CHAMPOY?
Title: Re: THE PEQUE GALLAGA THREAD
Post by: jdv1229 on Feb 21, 2007 at 07:51 PM
Champoy was great! i think Peque loved doing comedies although he became more associated with horror flicks in the late 80's & 90's.
Title: Re: THE PEQUE GALLAGA THREAD
Post by: wedge on Feb 22, 2007 at 02:14 AM
I saw the first few minutes of Virgin Forest back then when we still have Viva Cinema in cable. As usual, I expected it to be heavily truncated, but then it didn't matter because i fell asleep watching it (think t'was 3 AM when it was shown)...

I'm wondering if anybody seen a copy of this....?
Title: Re: THE PEQUE GALLAGA THREAD
Post by: keating on Feb 22, 2007 at 06:30 PM
Peque is good when making historical movies, his background as a production designer in Bernal's MANILA BY NIGHT & Romero's GANITO KAMI NOON, PAANO KAYO NGAYON adds a certain look in some of his movies.

The much publicized bold scenes in VIRGIN FOREST still elevate some heat particularly the threesome of Rodriguez, Emmanuelle and Jurado in the forest, and the gangbang of Sarsi also.  ;)
Title: Re: ORO PLATA MATA
Post by: keating on Feb 24, 2007 at 01:21 PM
(http://i103.photobucket.com/albums/m132/keating_01/3.jpg)

Motivating Kuh Ledesma on the set ORO PLATA MATA.
Title: Re: Peque Gallaga's VIRGIN FOREST
Post by: keating on Mar 11, 2007 at 07:00 PM
(http://i103.photobucket.com/albums/m132/keating_01/VirginForest.jpg)

The movie ad for VIRGIN FOREST.
Title: Re: Peque Gallaga's SCORPIO NIGHTS
Post by: keating on Mar 11, 2007 at 07:10 PM
(http://i103.photobucket.com/albums/m132/keating_01/scorpionights.jpg)

The movie ad for SCORPIO NIGHTS. Notice the inclusion of Manila Film Center at the poster credits.
Title: Re: THE PEQUE GALLAGA THREAD
Post by: RMN on Mar 12, 2007 at 03:44 PM
I've the original poster! Hehehe. ;)
Title: Re: Peque Gallaga's ORO PLATA MATA
Post by: keating on Mar 12, 2007 at 08:56 PM
(http://i103.photobucket.com/albums/m132/keating_01/oroplatamata-1.jpg)

Newspaper ad for ORO PLATA MATA. Very, very different from the 27x41 movie poster. The actual movie and theatrical poster only includes the image of the burning plantation and some stuff like the wallclock, jewelries and photos. No face among the cast because ECP was rushing it in time for the MIFF in 1983. Vic Delotavo the man behind some of the best movie poster ad from the 80's just put the exodus scene and shot some nice stuff from Villa Escudero for the theatrical movie poster.
Title: Re: THE PEQUE GALLAGA THREAD
Post by: jdv1229 on Mar 13, 2007 at 07:26 AM
this lay-out was made for Oro's theatrical release in 1983. unfortunately the film was severely censored reducing the original 3 hrs 14 minute running time to a 2 1/2hr movie...
Title: Re: THE PEQUE GALLAGA THREAD
Post by: keating on Mar 13, 2007 at 03:17 PM
What was the box-office result of Oro in 1983, Jo? Was it ECP's biggest flop?
Title: Re: THE PEQUE GALLAGA THREAD
Post by: jdv1229 on Mar 13, 2007 at 06:29 PM
Misteryo Sa Tuwa was ECP's biggest flop. Soltero made more money than Oro and Himala was the 2nd top grossing movie in the 1982 MMFF...
Title: Re: THE PEQUE GALLAGA THREAD
Post by: keating on Mar 13, 2007 at 06:33 PM
Oro's budget was 2.5M, Don Escudero recalls there were other things that didn't register on the accounting books. But then, they did get more freebies and perks. Its only small compared to movies produced during the 80's. Why is it that they were not able to recoup ECP's investment?

ONCE UPON A TIME was estimate to have a budget of 8M.
Title: Re: THE PEQUE GALLAGA THREAD
Post by: jdv1229 on Mar 13, 2007 at 06:46 PM
Oro was co-produced by PNB...
Title: Re: THE PEQUE GALLAGA THREAD
Post by: keating on Mar 13, 2007 at 06:53 PM
All the four films, right? Strange but true.....Peque didn't see Imee not even once on the set of ORO PLATA MATA.

I thought SOLTERO was a big flop, Jo?
Title: Re: THE PEQUE GALLAGA THREAD
Post by: jdv1229 on Mar 13, 2007 at 06:59 PM
only Oro was co-financed by PNB... the other three were independently produced by the ECP... Soltero was a flop in terms of normal box office results but compared to Oro and Misteryo, it made a little more money.
Title: Re: THE PEQUE GALLAGA THREAD
Post by: keating on Mar 13, 2007 at 07:32 PM
(http://i103.photobucket.com/albums/m132/keating_01/unfaithfulwife.jpg)

The theatrical poster of UNFAITHFUL WIFE. I had the original poster of this one, hehe.  :D
Title: Re: Shake Rattle & Roll
Post by: keating on Mar 13, 2007 at 07:41 PM
(http://i103.photobucket.com/albums/m132/keating_01/shakerattleroll.jpg)

Theatrical poster of SHAKE RATTLE & ROLL. I've been looking for this one for so many many years. Thanks to james of Philippine cinema vault.
Title: Re: THE PEQUE GALLAGA THREAD
Post by: jdv1229 on Mar 13, 2007 at 07:49 PM
wow! nice layout of Shake, Rattle & Roll... i was suddenly reminded of the 1984 MMFF... i have the movie uploaded on my ipod video  ;)
Title: Re: THE PEQUE GALLAGA THREAD
Post by: keating on Mar 13, 2007 at 07:53 PM
Yeah, man! Nice, nice layout. Vic Delotavo probably designed also this poster. I missed Manila Film Center.  ;D
Title: Re: THE PEQUE GALLAGA THREAD
Post by: jdv1229 on Mar 26, 2007 at 08:26 PM
here's hoping that they soon release this classic on DVD... not just this one but all four ECP titles.
Title: Re: THE PEQUE GALLAGA THREAD
Post by: keating on Mar 26, 2007 at 08:30 PM
I thought they have no rights, only for the cable? Too bad FLIP was just short lived. Its one of the rare premiere gatherings where you can ask the filmmakers during and after the screening. Sort of rare huntahan.
Title: Re: THE PEQUE GALLAGA THREAD
Post by: jdv1229 on Mar 26, 2007 at 08:56 PM
they own the prints to all four films, i guess it's high time to release them on DVD. there should be more movie clubs so they can screen the classics to a new breed of Filipino film lovers.
Title: Re: THE PEQUE GALLAGA THREAD
Post by: keating on Mar 26, 2007 at 08:59 PM
When I sat beside some Ateneo students at the screening of ORO in Gateway Cinema, they were actually looking for the dvd copy of the film.

I cant answer their query. Write a petition na lang, I told them  ;D
Title: Re: THE PEQUE GALLAGA THREAD
Post by: RMN on Mar 30, 2007 at 05:55 PM
Ok, someone please clarify this for me. Has Tanghalang Pilipino staged already the musical version of Oro Plata Mata, directed by Peque himself??? Or will it be staged pa lang? The TP brochure that I have confuses me!!!  ???
Title: Re: THE PEQUE GALLAGA THREAD
Post by: keating on Mar 31, 2007 at 09:17 PM
The man is so quiet these past few months. Didn't know that he will do the stage version of ORO PLATA MATA.

I hope Mitch Valdez will be part of it or he can retain some of the old cast.
Title: Re: THE PEQUE GALLAGA THREAD
Post by: keating on Apr 02, 2007 at 11:33 AM
Ok, someone please clarify this for me. Has Tanghalang Pilipino staged already the musical version of Oro Plata Mata, directed by Peque himself??? Or will it be staged pa lang? The TP brochure that I have confuses me!!!  ???

Dwight Gaston doing the liberetto? He had a cameo in the party scene of Oro. A fellow Negrenses like Peque.
Title: Re: TIYANAK
Post by: keating on Apr 05, 2007 at 07:14 PM
Oh my God.....ang baby ni Janice is finally arriving on dvd!

(http://i103.photobucket.com/albums/m132/keating_01/tiyanak.jpg)

 :o :o :o
Title: Re: THE PEQUE GALLAGA THREAD
Post by: jdv1229 on Apr 05, 2007 at 07:24 PM
unfortunately, the quality is not that great and no special features unlike the other Regal Platinum Series DVD's released by cinefilipino, this film and Sister Stella L are huge upsets...
Title: Re: TIYANAK
Post by: keating on Apr 05, 2007 at 07:28 PM
I saw this film on its first day run, September of 1988. It was a hit and spawn many imitating sequels and rip-offs. Peque was able to rebound after KID WAG KANG SUSUKO flopped at the tills. Mother didn't gave him a project for one year. He originally offered it to FLT films but the Regal Matriarch became interested on the movie.

How's the dvd menus, Jojo?
Title: Re: THE PEQUE GALLAGA THREAD
Post by: jdv1229 on Apr 05, 2007 at 07:30 PM
nothing interesting...
Title: Re: THE PEQUE GALLAGA THREAD
Post by: keating on Apr 05, 2007 at 07:33 PM
Too bad even the catchy trailer is not included! On the positive side, the movie was enjoyable though. The cinematography by Eduardo Jacinto was awesome.
Title: Re: THE PEQUE GALLAGA THREAD
Post by: jdv1229 on Apr 05, 2007 at 07:56 PM
it's the same quality as the VCD release...
Title: Re: THE PEQUE GALLAGA THREAD
Post by: keating on Apr 05, 2007 at 08:05 PM
Among his collaboration with Lore Reyes, TIYANAK is one of my favorites. From ISANG ARAW WALANG DIYOS, ONCE UPON A TIME, SHAKE RATTLE AND ROLL II, ABANDONADA, the visuals and technical aspects are competent.

You can just ignore Alma's performance in ABANDONADA, she was just eaten alive by Don Escudero's production design and Peque copied the beach scene in BEACHES.  ;D
Title: Re: THE PEQUE GALLAGA THREAD
Post by: jdv1229 on Apr 05, 2007 at 08:07 PM
the only film i liked among his collaborations with Lore Reyes would be Kid Huwag Kang Susuko...
Title: Re: THE PEQUE GALLAGA THREAD
Post by: keating on Apr 05, 2007 at 08:10 PM
It's a teen-angst flick, no doubt and the late Nida Blanca was a marvel on the screen as the feisty aunt of Richard Gomez.

Title: Re: Peque Gallaga's ORO PLATA MATA
Post by: keating on Apr 12, 2007 at 06:00 PM
(http://i103.photobucket.com/albums/m132/keating_01/scan1.jpg)

Priceless scene: Joel Torre ready to shoot Kuh Ledesma in the Mata section of ORO PLATA MATA. Most first time viewers were confused with Kuh's character. In the five hour cut, she was almost in every scene in the Mata section.
Title: Re: THE PEQUE GALLAGA THREAD
Post by: av_phile1 on Apr 12, 2007 at 06:10 PM
I've been wanting to see this on widescreen DVD fully restored.  One of the finest Pinoy film in my opinion.   Is Oro... already availlable on DVD?
Title: Re: THE PEQUE GALLAGA THREAD
Post by: keating on Apr 12, 2007 at 06:17 PM
Rumors are floating around again that Star Cinema will release the dvd next year. But don't get excited yet. Catch it in film festivals if you want to see Gallaga's cut. Cinema One has the pristine and the best masterprint that Road Runner painstakingly cleaned during its 20th Anniversary screening at Greenbelt Cinema in 2003.
Title: Re: THE PEQUE GALLAGA THREAD
Post by: Noel_Vera on Apr 13, 2007 at 05:26 PM
Peque's said there is no five hour cut, only a five-hour rough edit that he ultimately trimmed down to three. The three hour version is to his mind the final and complete version.
Title: Re: THE PEQUE GALLAGA THREAD
Post by: keating on Apr 13, 2007 at 05:29 PM
Unfortunately on that 5 hour rough edit cut there are many scenes that he got to compromise to fit the 3 hour plus version.

One is the Zen preparation of Miguel and Hermes before trekking into the forest to save Trining from the bandits' hideout.
Title: Re: THE PEQUE GALLAGA THREAD
Post by: Noel_Vera on Apr 13, 2007 at 05:51 PM
Point is, he felt he didn't need it. so out it goes. It's extra footage, perfect for a DVd if they ever get it back (which they can't; the footage was thrown away).
Title: Re: THE PEQUE GALLAGA THREAD
Post by: keating on Apr 13, 2007 at 06:01 PM
Yeah definitely perfect for the dvd release. If ever the footage will be found, its Peque's answer to Bertollucci's 1900.
Title: Re: THE PEQUE GALLAGA THREAD
Post by: Noel_Vera on Apr 14, 2007 at 04:22 PM
Peque says it was destroyed.
Title: Re: Peque Gallaga's ORO PLATA MATA
Post by: Mr. Hankey on Apr 14, 2007 at 04:55 PM
Priceless scene: Joel Torre ready to shoot Kuh Ledesma in the Mata section of ORO PLATA MATA. Most first time viewers were confused with Kuh's character. In the five hour cut, she was almost in every scene in the Mata section.

"I was very amused by the reaction Kuh Ledesma's death in this film got. I was laughing when I read critics saying it was brilliant symbolism, that she represented "Inang Bayan" or whatever. There was no symbolism whatsoever intended. I asked her to be in the film and did that scene simply because I wanted to show a beautiful girl's head blown up on-screen."

- Peque Gallaga, La Salle Greenhills Career Day, 1984

 ;D
Title: Re: THE PEQUE GALLAGA THREAD
Post by: keating on Apr 14, 2007 at 06:01 PM
(http://i103.photobucket.com/albums/m132/keating_01/scan2-1.jpg)

Peque Gallaga promoting PINOY BLONDE.
Title: Re: ORO PLATA MATA on the set
Post by: keating on Apr 14, 2007 at 06:03 PM
(http://i103.photobucket.com/albums/m132/keating_01/scan3.jpg)

Negros burning and on fire: Crew members on the set of ORO PLATA MATA.
Title: Re: THE PEQUE GALLAGA THREAD
Post by: jdv1229 on Apr 22, 2007 at 08:32 PM
a remake of Tiyanak is in the works with Mark Herras & Jennylyn Mercado.. any idea on who will be directing the movie?
Title: Re: THE PEQUE GALLAGA THREAD
Post by: keating on Apr 22, 2007 at 08:42 PM
No idea, will they reprise the roles of Lotlot and Monching?
Title: Re: THE PEQUE GALLAGA THREAD
Post by: jdv1229 on Apr 22, 2007 at 08:45 PM
i guess... hope it would be better... most remakes are not on par with the originals.
Title: Re: THE PEQUE GALLAGA THREAD
Post by: keating on Apr 22, 2007 at 08:47 PM
On second viewing its dragging pala. Peque's movies always change since he collaborated with Lore. Except for ISANG ARAW WALANG DIYOS, I can league it to his early masterpieces from ORO PLATA MATA, SCORPIO NIGHTS, VIRGIN FOREST and UNFAITHFUL WIFE.
Title: Re: THE PEQUE GALLAGA THREAD
Post by: jdv1229 on Apr 22, 2007 at 08:53 PM
Tiyanak was dragging at times ang quite long for a horror movie. Isang Araw was even more dragging... hia best works would be Oro, Scorpio Nights & Virgin Forest
Title: Re: THE PEQUE GALLAGA THREAD
Post by: keating on Apr 22, 2007 at 09:00 PM
The chase scene at the hospital and the scene at the nursery was quite creepy. Mario Hernando panned it also when it came out in 1988.
Title: Re: THE PEQUE GALLAGA THREAD
Post by: jdv1229 on Apr 22, 2007 at 09:06 PM
i liked the chase scene inside the theater... very well executed.
Title: Re: THE PEQUE GALLAGA THREAD
Post by: keating on Apr 22, 2007 at 09:11 PM
The finale where Peque set the fire on the nipa hut took one week to shoot, if I'm not mistaken.
Title: Re: THE PEQUE GALLAGA THREAD
Post by: jdv1229 on Apr 22, 2007 at 09:22 PM
it did? that's the most dragging sequence in the movie... it would've benefited from tighter editing.
Title: Re: THE PEQUE GALLAGA THREAD
Post by: keating on Apr 22, 2007 at 09:23 PM
Yes, also Lotlot and Monching can't perfect their kissing scene.
Title: Re: THE PEQUE GALLAGA THREAD
Post by: jdv1229 on Apr 22, 2007 at 09:43 PM
they seemed awkward... i think it was their very first kissing scene...
Title: Re: THE PEQUE GALLAGA THREAD
Post by: keating on Apr 22, 2007 at 09:51 PM
Peque almost monopolized the horror films in the 90's that could match the number of horror flicks that Celso Ad made in the 70's.
Title: Re: THE PEQUE GALLAGA THREAD
Post by: jdv1229 on Apr 22, 2007 at 10:00 PM
you're probably right... although Celso made better horror films. aside from Tiyanak, Peque's best horror film would be the Aswang episode in SRR 2 and the Madre episode in SRR 4.
Title: Re: THE PEQUE GALLAGA THREAD
Post by: keating on Apr 22, 2007 at 10:02 PM
Too bad those Celso Ad flicks are very difficult to find. SRR4 is still on my watch lists, Jo.
Title: Re: THE PEQUE GALLAGA THREAD
Post by: jdv1229 on Apr 22, 2007 at 10:05 PM
unfortunately they are... hopefully we'll get to see them again... we know they're out there somewhere....
Title: Re: THE PEQUE GALLAGA THREAD
Post by: keating on Apr 22, 2007 at 10:06 PM
Most are probably rotting somewhere else......soon jo?  ;)
Title: Re: THE PEQUE GALLAGA THREAD
Post by: jdv1229 on Apr 22, 2007 at 10:08 PM
very soon...
Title: Re: THE PEQUE GALLAGA THREAD
Post by: keating on Apr 22, 2007 at 10:11 PM
I can't catch ISANG ARAW WALANG DIYOS on Cinema One.
Title: Re: THE PEQUE GALLAGA THREAD
Post by: jdv1229 on Apr 22, 2007 at 10:12 PM
they haven't showed it for quite sometime... i wonder why?
Title: Re: THE PEQUE GALLAGA THREAD
Post by: keating on Apr 22, 2007 at 10:15 PM
Yeah its too long already. My vhs rental shop before has copy of the film but they closed and lose their profit when piracy became rampant in the late 90's.
Title: Re: THE PEQUE GALLAGA THREAD
Post by: jdv1229 on Apr 22, 2007 at 10:22 PM
darn those pirates! there must be a video shop in existence with copies of classic Filipino movies...
Title: Re: THE PEQUE GALLAGA THREAD
Post by: keating on Apr 22, 2007 at 10:24 PM
Hey man, Video 48 just put on display the borrower card of the late Lino Brocka on their place.
Title: Re: THE PEQUE GALLAGA THREAD
Post by: jdv1229 on Apr 22, 2007 at 10:29 PM
that's a collectible! i wonder which titles he borrowed...
Title: Re: THE PEQUE GALLAGA THREAD
Post by: keating on Apr 22, 2007 at 10:31 PM
Yep, the card is now very collectible. I'm curious also on what titles he borrowed. Laurice, Ricky Lee and some other people from the biz also borrows in Video 48.
Title: Re: THE PEQUE GALLAGA THREAD
Post by: keating on Apr 25, 2007 at 07:06 PM
Peque's directorial debut BINHI sounds like a sex flick. My dream is to find a copy of it. It was produced by Premiere Prods. in 1973.
Title: Re: THE PEQUE GALLAGA THREAD
Post by: sosy_high on Apr 26, 2007 at 10:18 AM
The official remake was SUMMER TIME. Haven't watch it because I'm still looking for a copy. X44 who saw the film says......it doesn't hold and lack the claustrophobia and desperation of the original.

SCORPIO NIGHTS may be the least political of all Gallaga films but the angst was hidden there when it  was released during the reign of the dictatorship.

Peque let it all out thru the libido of the 3 main characters......Gutierrez, Ojeda & Fernando.

SUMMERTIME, although it has graphic, explicit and erotic sex scenes like in Scorpio Nights, it's no scorpio nights...
Title: Re: THE PEQUE GALLAGA THREAD
Post by: keating on Apr 26, 2007 at 04:36 PM
SCORPIO NIGHTS has a different shock value when you watch it on the big screen.
Title: Re: THE PEQUE GALLAGA THREAD
Post by: keating on May 02, 2007 at 06:24 PM
Jojo I'm planning to go to Ateneo Film Library to check and research some of the micro films on their archive. Do you still remember the exact release date of the theatrical run of ORO PLATA MATA?
Title: Re: THE PEQUE GALLAGA THREAD
Post by: jdv1229 on May 02, 2007 at 07:00 PM
it was shown January 23, 1983...
Title: Re: THE PEQUE GALLAGA THREAD
Post by: keating on May 02, 2007 at 07:02 PM
Thanks Jo! The Urian Anthology Book has the playdate of all the Pinoy Films from the 80's?
Title: Re: THE PEQUE GALLAGA THREAD
Post by: jdv1229 on May 02, 2007 at 07:03 PM
they do but not everything is accurate...
Title: Re: THE PEQUE GALLAGA THREAD
Post by: keating on May 02, 2007 at 07:08 PM
Ateneo Film Libarary has the complete Daily Express broadsheet and most have been preserved thru micro film. Even film publications like Cine Manila and the others they have also.
Title: Re: THE PEQUE GALLAGA THREAD
Post by: jdv1229 on May 02, 2007 at 07:15 PM
really? can you please check if they have most of the film reviews from Movie Times? especially movies from the 70's & '80's
Title: Re: THE PEQUE GALLAGA THREAD
Post by: keating on May 02, 2007 at 07:22 PM
I'll check it out dude. Their libarary I think is much better than National Archive where most of the old and rare publications are now very brittle. In terms of library we are also lacking plus the actual resources, tsk, tsk, tsk. I'll try to talk also to Fr. Nick Cruz he also has a vast film collection. Maybe he has Celso Ad's PATAYIN MO SA SINDAK SI BARBARA.  ;)
Title: Re: THE PEQUE GALLAGA THREAD
Post by: RMN on May 03, 2007 at 05:19 PM
Ateneo Film Libarary has the complete Daily Express broadsheet and most have been preserved thru micro film. Even film publications like Cine Manila and the others they have also.

Am not too sure if they have Sine Manila issues...
Title: Re: THE PEQUE GALLAGA THREAD
Post by: keating on May 03, 2007 at 06:04 PM
really? can you please check if they have most of the film reviews from Movie Times? especially movies from the 70's & '80's

Jojo is Movie Times part of Daily Express?
Title: Re: THE PEQUE GALLAGA THREAD
Post by: jdv1229 on May 03, 2007 at 07:01 PM
Times Journal i think... but it was made into a book by Isagani Cruz called Movie Times
Title: Re: THE PEQUE GALLAGA THREAD
Post by: keating on May 03, 2007 at 07:06 PM
Is he still part of the Manunuri? I remember Krip Yuson as one of the best critics we have around in the early 80's.
Title: Re: THE PEQUE GALLAGA THREAD
Post by: jdv1229 on May 03, 2007 at 07:32 PM
i don't think he is...
Title: Re: THE PEQUE GALLAGA THREAD
Post by: keating on May 03, 2007 at 07:36 PM
I thought Isagani was a member of the Manunuri. Krip penned Gallaga's KID HUWAG KANG SUSUKO.
Title: Re: THE PEQUE GALLAGA THREAD
Post by: marj on May 08, 2007 at 08:46 AM
Isagani Cruz and Alfred Yuson used to be Manunuris.
Title: Re: THE PEQUE GALLAGA THREAD
Post by: keating on May 19, 2007 at 02:21 PM
Jojo what was the title of the song being sung by Mike Austria's gang near the end of SCORPIO NIGHTS where Anna Marie and Daniel Fernando were shacking up at the same time? Its from the 70's I think.
Title: Re: THE PEQUE GALLAGA THREAD
Post by: marj on May 21, 2007 at 07:56 AM
Elton John's SKYLINE PIGEON.
Title: Re: THE PEQUE GALLAGA THREAD
Post by: keating on May 21, 2007 at 06:19 PM
Thanks, marj. Its not Elton John who sang it if I'm not mistaken.
Title: Re: THE PEQUE GALLAGA THREAD
Post by: marj on May 24, 2007 at 11:21 AM
The song was wriiten by Elton John and Bernie Taupin and included in Elton John's "Empty Sky" album (1975).
Title: Re: THE PEQUE GALLAGA THREAD
Post by: keating on Jun 06, 2007 at 07:51 AM
Peque and company won the lawsuit they filed against Mother Lily for the intellectual rights of BATANG X. Mother wants to repay him by kind and doing another movie for Regal.

This is a big blow for Mother. But knowing her, she will make all the pakiusap  to Peque.
Title: Re: THE PEQUE GALLAGA THREAD
Post by: butsoy on Jun 06, 2007 at 09:52 PM
Peque and company won the lawsuit they filed against Mother Lily for the intellectual rights of BATANG X. Mother wants to repay him by kind and doing another movie for Regal.

This is a big blow for Mother. But knowing her, she will make all the pakiusap  to Peque.

Wow! 'BATANG X'! My favorite Peque and childhood movie.  ;D
Title: Re: Peque Gallaga's ORO PLATA MATA
Post by: keating on Jun 09, 2007 at 05:02 PM
(http://i103.photobucket.com/albums/m132/keating_01/01.jpg)

Peque Gallaga gives instructions to his cast for the opening party scene of ORO PLATA MATA.

Peque Gallaga's ORO PLATA MATA: A Milestone in Philippine Cinema by Lito B. Zulueta

When Oro Plata Mata was shown in the 1983 Manila International Film Festival, it was clearly seen as a milestone in Philippine Cinema. Why it became so nobody could exactly put a finger to. The readiest answer  was that it was a movie of epic proportions that delved into one of the most sensitive and seminal periods of Phil. history-the Second World War and the terrible suffering it caused a nation just barely coming together.

The subject it chose to tackle was original and even brazen. Much like the Jews and the Holocaust, Filipinos seemed less than forthcoming about the war. The dreadful silence betrayed the war's trauma. To many who lived through it, it was the Fall.

It was to his credit that Gallaga charted the Fall in terms that were immediate and compelling. In situating the war in the feudal splendor of Negros, he presented its impact in social and psychological terms. He showed how the war's fury exposed the canker hidden beneath the affluence of the Negros elite, hastening the collapse of an order that was merely waiting for a crisis to fall apart.

Since he was charting the Fall, Gallaga must also depict Eden. Some of the movie's more charming scenes portrayed the feudal paradise in terms of funny and trenchant, particularly the endless mahjong sessions that the Negros elite hold as if they had been born to do just that all their lives.

Side by side with these scenes of feudal languor and sly social comedy were the gripping scenes of suspense, particularly the family's bewildering flight as the Japanese entered Negros: the patriarch played by Manny Ojeda using his cane to overturn a vase to shock the topsy-turvy household into silence and order so that he could instruct them to bring only the valuables and not to panic; the stark silhouette of the carabao-drawn caravan of the families as it flees while the torched sugar hacienda flares in the background; and the families' rabidly violent encounters with the tulisanes in the forest.

In the end, so exhausted by war's machinations and cruelty, the families reestablish themselves but without the grace and innocence of old. Everything has been changed irreversibly. The old order has been destroyed and however hard the families try, they cannot anymore reconstitute themselves from the debris of their own physical, emotional and psychological disintegration.
Title: Re: THE PEQUE GALLAGA THREAD
Post by: av_phile1 on Jun 09, 2007 at 06:11 PM
So when is the Oro DVD coming out?
Title: Re: THE PEQUE GALLAGA THREAD
Post by: keating on Jun 09, 2007 at 06:18 PM
No news still. Abs-Cbn is still keeping the masterprint in their film archive. Let's hope that it will not be in vinegar syndrome before they transfer it on dvd in the future.
Title: Re: THE PEQUE GALLAGA THREAD
Post by: av_phile1 on Jun 12, 2007 at 09:53 AM
Really pissed and curious what's keeping them from releasing it.  Scorpio Nights was screened at the same Marcos film festival and has already been released in DVD.
Title: Re: THE PEQUE GALLAGA THREAD
Post by: keating on Jun 12, 2007 at 09:07 PM
Its good that they released SCORPIO NIGHTS on dvd even though it was the sanitized version. The frontal shot of Orestes was removed making the death and necrophilia scene of Anna Marie less powerful.
Title: Re: THE PEQUE GALLAGA THREAD
Post by: Noel_Vera on Jun 13, 2007 at 06:54 AM
They released the better film on dvd (albeit sanitized) is what I think...
Title: Re: THE PEQUE GALLAGA THREAD
Post by: keating on Jun 14, 2007 at 07:38 PM
Long before known in the ECP scriptwriting contest as THE JUNGLE STORY, it was Joey Reyes who gave the title ORO PLATA MATA to Peque Gallaga in one sublime moment of inspiration. And it worked on so many levels.
Title: Re: THE PEQUE GALLAGA THREAD
Post by: keating on Jun 15, 2007 at 06:17 PM
THE DISSOLUTION OF ORO PLATA MATA:
 by Lito Zulueta published in Phil. Daily Inquirer, dated January 27, 2003 for the 20th Anniversary Screening of ORO PLATA MATA at Greenbelt Cinema.

The history of ORO PLATA MATA since 1983 has similarly suffered a dissolution of sorts. After the revolution of 1986, the ECP, like any Marcosian creation, was sequestered and its assets came under the protection and disposition of the Asset Privatization Trust (APT).

Peque Gallaga found it hard to shake off the association with ECP and the Marcoses even if he hadn't exactly been a friend of the conjugal dictatorship or a recipient of its largesse. In a press conference last Thursday, he said he had never even seen Imee Marcos thoroughout the filming of OPM. He explained Imee Marcos put the P10 million assistance fund to finance the ECP winning scripts in a bank and let her lieutenants raise the money for OPM. Charo Santos Concio acted as producer. "Imee was never involved," Gallaga said.

Don Escudero explained that the P2.5 million budget of OPM was misleading. "We got a lot of freebies that did not register in the final accounting," he said. In more ways than one, the production haggled for arrangements to deliver the film in time for the Manila International Film Festival.

After 1986, APT auctioned off OPM and Gallaga almost always won the bidding. But the price was too small and APT had to declare a failure of bidding several times. It was only recently that the APT finally sold the movie to Star Cinema. In another instance of how the movie's portrayal of class divisions may have prefigured the personal estrangement of its makers in real life, Gallaga said he asked Charo Santos-Concio, now the head of Star Cinema, about the sale. But she denied it.

To his consternation later, ABS-CBN showed the movie in one of its cable channels later despite his offer to remaster  the movie using his own money. "Galit ako," he said. "Sobra na talagang bastusan!"

But the animosity will have to simmer down at the moment as ORO PLATA MATA gets its 20th Anniversary screening and its makers congratulate themselves for having made a movie that has withstood the wear and tear of time.

Gallaga himself is excited about the screening. Asked what has made the movie last this long, he said, "Oro Plata Mata is in the details....Now I wonder why I didn't pay as much attention to my other films."

 8)


Title: Re: THE PEQUE GALLAGA THREAD
Post by: RMN on Jun 20, 2007 at 02:21 PM
I just found out that Butch Perez directed the music video of Ka Freddie's Magdalena with Peque playing a waiter! Does anyone remember this one?
Title: Re: THE PEQUE GALLAGA THREAD
Post by: keating on Jun 20, 2007 at 03:45 PM
I've seen the MTV of Freddie's MAGDALENA together with Sampaguita's mellow song back in the early 80's. Many generations today doesn't know that Pinoy MTV exists since early 80's. Too bad I didn't notice Peque in that MTV.

Maybe he sports a short hair on that one.  :D
Title: Re: THE PEQUE GALLAGA THREAD
Post by: keating on Jun 25, 2007 at 06:55 PM
(http://i103.photobucket.com/albums/m132/keating_01/scan_pic.jpg)

Peque Gallaga and Joel Torre (standing) take a break from the set of ORO PLATA MATA.
Title: Re: THE PEQUE GALLAGA THREAD
Post by: jdv1229 on Jun 25, 2007 at 06:56 PM
great photo! was this from the presskit?
Title: Re: THE PEQUE GALLAGA THREAD
Post by: keating on Jun 25, 2007 at 06:58 PM
Nope, its from FLIP mag.  :)
Title: Re: THE PEQUE GALLAGA THREAD
Post by: jdv1229 on Jun 25, 2007 at 07:03 PM
the anniversay of Oro issue... nice
Title: Re: THE PEQUE GALLAGA THREAD
Post by: keating on Jun 25, 2007 at 07:12 PM
I can't identify the woman beside Peque. Was it Cherie Gil, Jo? Even FLIP mag didn't recognize.
Title: Re: THE PEQUE GALLAGA THREAD
Post by: jdv1229 on Jun 25, 2007 at 07:13 PM
i don't think that's Cherie Gil...
Title: Re: THE PEQUE GALLAGA THREAD
Post by: keating on Jun 25, 2007 at 07:17 PM
I can't recognize also. BTW, Ruffa Gutierrez is making a comeback at Regal Films, guess who will direct the film?
Title: Re: THE PEQUE GALLAGA THREAD
Post by: jdv1229 on Jun 25, 2007 at 07:26 PM
Ruffa mentioned that Joey Reyes will write and direct her comeback film...
Title: Re: THE PEQUE GALLAGA THREAD
Post by: keating on Jun 25, 2007 at 07:31 PM
Mother was supposed to fly to Bacolod last night, but she later found out that Peque was in Manila. So there, she's negotiating the film for Ruffa's comeback.

Hmmmm....all's well that ends well.
Title: Re: THE PEQUE GALLAGA THREAD
Post by: jdv1229 on Jun 25, 2007 at 07:52 PM
Ruffa only said it last night on The Buzz... maybe Mother Lily changed her mind and offered it to Peque instead?
Title: Re: THE PEQUE GALLAGA THREAD
Post by: keating on Jun 25, 2007 at 07:55 PM
Ruffa was supposed to do three movies, if talks will prosper one will be made by Peque. Did you see Aureaus top ten lists?

Cool, hehehe.

I'm waiting for Jake Tordesillas and direk Maryo J's lists.
Title: Re: THE PEQUE GALLAGA THREAD
Post by: jdv1229 on Jun 25, 2007 at 07:57 PM
hopefully it would be a good movie... yeah i read his list...
Title: Re: THE PEQUE GALLAGA THREAD
Post by: keating on Jun 25, 2007 at 07:59 PM
With a good story perhaps, to regain victory after PINOY BLONDE.

 And of course, without Lore Reyes. He can stand alone!
Title: Re: THE PEQUE GALLAGA THREAD
Post by: keating on Jul 07, 2007 at 07:34 PM
When ORO PLATA MATA was shown for the first time in Belgium, Peque recalls the foreigners were laughing during the opening scene where Nick Joaquin's foreword came out on the big screen. They can't read it.

He had no choice but to edit it and make it slow.
Title: Re: THE PEQUE GALLAGA THREAD
Post by: jdv1229 on Jul 07, 2007 at 07:39 PM
he made it slow? it still seemed a bit fast to me but of course i'm able to do a slow search on my vcr so i can fully read it...
Title: Re: THE PEQUE GALLAGA THREAD
Post by: keating on Jul 07, 2007 at 07:42 PM
Yep he made it slow already. I wonder where is now the print with subs, Jo?
Title: Re: THE PEQUE GALLAGA THREAD
Post by: jdv1229 on Jul 07, 2007 at 07:44 PM
the subtitled print is probably in Belgium...
Title: Re: THE PEQUE GALLAGA THREAD
Post by: keating on Jul 07, 2007 at 07:45 PM
Abbo's name was Melchor. In the original 5hour cut, there was a relationship that developed between him and Trining's character, played by Cherie Gil.
Title: Re: THE PEQUE GALLAGA THREAD
Post by: jdv1229 on Jul 07, 2007 at 07:48 PM
was there really? that would be strange i'm glad that it wasn't included in the film...
Title: Re: THE PEQUE GALLAGA THREAD
Post by: keating on Jul 07, 2007 at 07:51 PM
You can see the tension between Melchor and Trining when the tulisanes met the two families and had a violent encounter with them at the forest and abducted Trining.
Title: Re: THE PEQUE GALLAGA THREAD
Post by: keating on Jul 07, 2007 at 08:02 PM
It was already cut by Peque, audio_jolog the 5hour cut. Yup, so many scenes were left already on the cutting floor even the Zen preparation of Joel and Ronnie Lazaro before trekking in the forest to save Trining from the bandits' hideout.
Title: Re: THE PEQUE GALLAGA THREAD
Post by: keating on Jul 07, 2007 at 08:19 PM
The Zen preparation was one of the best scenes in the 5hour cut. Too bad those scenes were already thrown away.
Title: Re: THE PEQUE GALLAGA THREAD
Post by: keating on Jul 07, 2007 at 08:41 PM
Nah bro, the 5hour cut doesn't exist anymore.

The most complete version is the 3hour plus running time.
Title: Re: THE PEQUE GALLAGA THREAD
Post by: keating on Jul 07, 2007 at 09:22 PM
Welcome, bro. Kindly check the archive of Cinema One for ORO PLATA MATA's sked. They show it once in a while.
Title: Re: THE PEQUE GALLAGA THREAD
Post by: keating on Jul 24, 2007 at 09:09 PM
(http://i103.photobucket.com/albums/m132/keating_01/karylle_direkpeque.jpg)

Peque Gallaga as creative consultant for LIGAW LIHAM with Karylle on the set in Negros Occidental. Photo taken from keating's cd press kit.
Title: Re: THE PEQUE GALLAGA THREAD
Post by: sosy_high on Jul 24, 2007 at 09:20 PM
Pareng pogi, ilang beses mo na napapanuod yung Oro Plata Mata?
Title: Re: THE PEQUE GALLAGA THREAD
Post by: keating on Jul 24, 2007 at 09:24 PM
Hundred times, man. I can now even memorize all the dialogue in that film.
Title: Re: THE PEQUE GALLAGA THREAD
Post by: sosy_high on Jul 24, 2007 at 09:27 PM
^wooow....I envy you....yang Oro Plata Mata ang isa sa mga movies na gusto kong mapanuod ulet! Last time I watch it was on VHS at or Beta pa when I was in Grade 6! Twice ko palang sya napapanuod >.<
Title: Re: THE PEQUE GALLAGA THREAD
Post by: keating on Aug 01, 2007 at 12:27 PM
Peque did a string of tv shows during the 70's with Butch Perez. I was still a toddler when he did THE FABULOUS GAMBOA SHOW which for no apparent reason, the main star didn't show up for his own tv show.

CHAMPOY was pure fun, the gags still relevant up to now if you happen to catch the re-runs on channel 9.
Title: Re: THE PEQUE GALLAGA THREAD
Post by: RMN on Aug 02, 2007 at 01:48 PM
THE FABULOUS GAMBOA SHOW came out 'round 1968-1969, on IBC 13 which at that time was still owned by Andres Soriano Jr. and managed by Henry Canoy of the RMN RAdio Network. Am still digging-up info on this show.
Title: Re: THE PEQUE GALLAGA THREAD
Post by: keating on Aug 02, 2007 at 06:46 PM
I thought it was in the 70's RMN. I wonder how did they manage to make the show alive and kicking since the lead star didn't appear and always has a reason whatever it is.

The Peque and Butch combo followed it up with THE HILDA AND WALTER SPECIAL. And yes, Peque and Butch still bond until now. Too bad Peque should have made more wonders in HAPLOS.
Title: Re: THE PEQUE GALLAGA THREAD
Post by: keating on Aug 25, 2007 at 10:31 AM
(http://i103.photobucket.com/albums/m132/keating_01/oro_kuh.jpg)

FILIPINO vs. FILIPINO

by Arlene Babst (Reprinted from Bulletin Today, 5 January 1983)

The film ORO PLATA MATA certainly deserves to be discussed for its artistic achievements which are many. Those of you who've already seen it and the crowds were always SRO during its run at the Film Center have noted its meticulous attention to detail, its consistently professional photography, and the superb control exercised by its director Peque Gallaga, control evident in practically every frame of the three-and-a-half hour epic.

The film is in fact, so successful that it must inevitably be viewed on the multi-dimensional level, where not only its artistic accomplishments come to fore but also those achievements in other fields-the historical or political, to name two others.

The film centers on two wealthy family (hacienderos) and how it survives the Second World War and the Japanese occupation of the Philippines.

But viewed in a historical or political mood, the movie practically screams out this vision: there was only one Japanese soldier ever shown in the entire picture. The rest of the time, only the Filipino was depicted, the Filipino's way of life whether he was the rich haciendero or the exploited farm hand; the Filipino's manner of coping with disaster, whether by resisting, collaborating or adding to the disaster; the Filipino's way of preserving his human community, or else destroying it with his own greed and bestiality.

The vision is precise, merciless. At last we have a film brave and enormous enough to zero in on the Filipino man and woman alone, without the crutches or scapegoats of external influences, no matter how powerful. Here at last we are given the Filipino as a self-sufficient cosmic being, self-sufficient even in his deficiencies and therefore self-sufficient in his salvation.

Naturally the Spanish influence is there, and heavily. Of course, America as savior is there, too, obviously it is the Japanese invasion that wrecks the idyllic pleasures of life on a plantation (idyllic that is, if you owned the plantation; as oppressive as a war if you merely worked on it.)

But all throughout the film, the vision focuses upon the Filipino driving home the fact that upon the Filipino and the Filipino alone rests the fate of the Filipino way of life, the Filipino family, the Filipino individual. We see the family flee to the forests and there try to rebuild its shattered way of life, and we are made to understand that in such apparently helpless flight , there is still the fierce determination of that Filipino family to maintaon itself, to live the way it wants to live, and eventually, to fight all those who treaten to destroy it.

And who is the greatest threat to this family of average Filipinos, average in their greed, their sloth, their thoughtlessness, as well as their resilience, their capacity for merriment in the face of hell, their stoicism? Who is their greatest enemy? Fellow Filipinos. Not the Japanese or the war, but fellow Filipinos; in the film, a band of vicious tulisanes  bestial enough to kill their own sons and wives, or to torture their own compatriots.

The film coincedes wiht history and politics in this bitter realization. Filipinos have always been the greatest destroyers of fellow Filipinos over centuries of collaborating with foreigner fevered with the desire for profits and power. And by the same token, Filipinos must become------when? the greatest protectors and defenders of fellow Filipinos, and of this beautiful, beloved land which so many have already tried to destroy.
Title: Re: THE PEQUE GALLAGA THREAD
Post by: jdv1229 on Aug 25, 2007 at 07:26 PM
why don't you put up a website for Peque?
Title: Re: THE PEQUE GALLAGA THREAD
Post by: keating on Aug 25, 2007 at 07:30 PM
I have plans, will talk first to him to make it official. I had the rare chance to see last night ORO PLATA MATA with subs at the house of Peque's friend. Fantastic! The one that they show in Belgium although the party scene is quite dim.

Jojo do you remember if the one you saw at MFC has subs?
Title: Re: THE PEQUE GALLAGA THREAD
Post by: jdv1229 on Aug 25, 2007 at 07:36 PM
during the MIFF? it was subtitled but the theatrical release wasn't although both were uncut...
Title: Re: THE PEQUE GALLAGA THREAD
Post by: keating on Aug 25, 2007 at 07:42 PM
Its the most complete so far, the one that I saw last night. You can see the cook I don't know if that's Joey Reyes walking in the corridor before a long shot of the kitchen table were the guests eat at the party scene. And Joel Torre seats at the shoehouse while talking to Cherie before they went inside the villa.
Title: Re: THE PEQUE GALLAGA THREAD
Post by: jdv1229 on Aug 25, 2007 at 07:49 PM
unfortunately, i don't remember the scenes you mentioned... i have to see it again.
Title: Re: THE PEQUE GALLAGA THREAD
Post by: keating on Aug 25, 2007 at 07:52 PM
It was probably the print that they screen at MFC in 1982.
Title: Re: THE PEQUE GALLAGA THREAD
Post by: jdv1229 on Aug 25, 2007 at 07:59 PM
maybe but i really don't remember those scenes.. that's probably why Peque wanted to re-edit the cinema one copy...
Title: Re: THE PEQUE GALLAGA THREAD
Post by: keating on Aug 25, 2007 at 08:00 PM
Its mind-boggling that the copy from Cinema One has no subs!
Title: Re: THE PEQUE GALLAGA THREAD
Post by: jdv1229 on Aug 25, 2007 at 08:05 PM
their copy came from the CCP's only existing print...
Title: Re: THE PEQUE GALLAGA THREAD
Post by: keating on Aug 25, 2007 at 08:10 PM
Yup I almost forgot the one that CCP auctioned. Peque probably owns the existing copy that has subs.
Title: Re: THE PEQUE GALLAGA THREAD
Post by: jdv1229 on Aug 25, 2007 at 08:12 PM
that's a possibility although i was told that the CCP print is in bad shape as well.  all of their archival copies have been transferred to betacam-SP...
Title: Re: THE PEQUE GALLAGA THREAD
Post by: keating on Aug 25, 2007 at 08:19 PM
Betacam-Sp is different from umatic, Jo?
Title: Re: THE PEQUE GALLAGA THREAD
Post by: jdv1229 on Aug 25, 2007 at 08:22 PM
it's different... betacam-SP as i was told is more suited for archiving.
Title: Re: THE PEQUE GALLAGA THREAD
Post by: telonistas on Aug 26, 2007 at 12:40 AM
Betacam-Sp is different from umatic, Jo?

umatic is 3/4 inch video tape that is purely analog. 80s to 90s tech while betacam uses 1/2 inch video tape but it can record on component signal as well as analog. best format for budget archiving. digital betacam is the best but a lot more expensive. cost of tape and dubbing service.
Title: Re: THE PEQUE GALLAGA THREAD
Post by: keating on Aug 27, 2007 at 02:48 PM
Albert Martinez on ORO PLATA MATA:

" I still regret and feel guilty everytime I see Peque for not doing it, because during those times I was doing 3-4 movies simultaneously on my home studio Regal Films and the location of ORO is so far."
Title: Re: THE PEQUE GALLAGA THREAD
Post by: rse on Aug 27, 2007 at 10:59 PM
Oro, Plata, Mata is available online at the ABS-CBN movie subscription site  (194 minutes):

http://now.abs-cbn.com/moviedetails.aspx?epid=16749
Title: Re: THE PEQUE GALLAGA THREAD
Post by: keating on Sep 03, 2007 at 08:42 PM
The man is back in town ready to face the camera in the forthcoming MMFF entry.....ENTENG KABISOTE.  ;D

Cooking up a project for Ara Mina's film outfit.

Title: Re: THE PEQUE GALLAGA THREAD
Post by: jdv1229 on Sep 03, 2007 at 08:45 PM
is he going to appear in the movie?
Title: Re: THE PEQUE GALLAGA THREAD
Post by: keating on Sep 03, 2007 at 08:47 PM
Yup he can't refuse Bossing Vic.

He was already at the domestic airport flying to Bacolod when he got the text for a two-day shoot.
Title: Re: THE PEQUE GALLAGA THREAD
Post by: jdv1229 on Sep 03, 2007 at 08:59 PM
i wonder what role he'll be playing... that's something to look forward to.
Title: Re: THE PEQUE GALLAGA THREAD
Post by: keating on Sep 03, 2007 at 09:03 PM
Yep me too.

But seriously speaking its just for fun. His most memorable roles were in TATLONG TAONG WALANG DIYOS, ROCK AND ROLL, JOSE RIZAL.
Title: Re: THE PEQUE GALLAGA THREAD
Post by: jdv1229 on Sep 03, 2007 at 09:16 PM
oh yeah Rock & Roll he played Mark Gil's father right?
Title: Re: THE PEQUE GALLAGA THREAD
Post by: keating on Sep 03, 2007 at 09:24 PM
Yeah, was that helmed by Maryo J. delos Reyes?
Title: Re: THE PEQUE GALLAGA THREAD
Post by: jdv1229 on Sep 03, 2007 at 09:34 PM
yup... the last musical he directed with the Superstar...
Title: Re: THE PEQUE GALLAGA THREAD
Post by: keating on Sep 03, 2007 at 09:39 PM
Its time to dig also that film. Hey, the man was also in Brocka's GUMISING KA, MARUJA.
Title: Re: THE PEQUE GALLAGA THREAD
Post by: jdv1229 on Sep 03, 2007 at 09:41 PM
i asked around even Jake Tordesillas doesn't have a copy...
Title: Re: THE PEQUE GALLAGA THREAD
Post by: keating on Sep 03, 2007 at 09:57 PM
That sucks if there is no available copy of ROCK AND ROLL.

Mario O'Hara gave Peque a long line in TATLONG TAONG WALANG DIYOS and he was hesitant to memorize and act on it but he passed with flying colors. On the way home from Majayjay Laguna going back to Manila, he was proud of himself!
Title: Re: THE PEQUE GALLAGA THREAD
Post by: keating on Sep 06, 2007 at 07:42 PM
It seems that Peque's filmography on tv is more interesting than the films he did during the 90's and beyond. Not even a massive heart attack before Christmas of 1984 could stop him from making movies.

He walked out of the medical center straight to shoot SCORPIO NIGHTS.
Title: Re: THE PEQUE GALLAGA THREAD
Post by: keating on Sep 13, 2007 at 09:26 PM
(http://i103.photobucket.com/albums/m132/keating_01/Oro-----563A.jpg)

Peque Gallaga setting up the Epilogue of ORO PLATA MATA.
Title: Re: THE PEQUE GALLAGA THREAD
Post by: wedge on Sep 15, 2007 at 06:04 AM
Nice stills bro.
Title: Re: THE PEQUE GALLAGA THREAD
Post by: keating on Sep 15, 2007 at 12:33 PM
More stills wedge from one of the greatest Filipino films ever made bar none.

(http://i103.photobucket.com/albums/m132/keating_01/Oro----417A.jpg)

(http://i103.photobucket.com/albums/m132/keating_01/Oro----387A.jpg)

Party scene in ORO PLATA MATA.
Title: Re: THE PEQUE GALLAGA THREAD
Post by: av_phile1 on Sep 15, 2007 at 01:24 PM
Wow, a 5-hour director's cut of Oro.  Will that ever see the DVD light of day? 
Title: Re: THE PEQUE GALLAGA THREAD
Post by: wedge on Sep 15, 2007 at 01:27 PM
Keats, so there is really an existing print of the 5-hour version of the film?
Title: Re: THE PEQUE GALLAGA THREAD
Post by: keating on Sep 15, 2007 at 01:28 PM
The most complete print is the one being shown at Cinema One bro. Let's dream for the moment for the 5-hour cut. Sorry guys.

 I always forgot to ask Peque about that wedge. If the 5 hour print exists, Peque will surely get hold of it!
Title: Re: THE PEQUE GALLAGA THREAD
Post by: Noel_Vera on Sep 16, 2007 at 12:29 PM
Peque himself stated it no longer exists, that it was never meant to exist and that the three hour cut is the definitive one. Out of the horse's mouth.
Title: Re: THE PEQUE GALLAGA THREAD
Post by: keating on Sep 18, 2007 at 08:29 PM
(http://i103.photobucket.com/albums/m132/keating_01/Oro---255A.jpg)

Manny Ojeda and Jaime Fabregas in a scene from the MATA section.
Title: Re: THE PEQUE GALLAGA THREAD
Post by: keating on Sep 18, 2007 at 08:35 PM
(http://i103.photobucket.com/albums/m132/keating_01/Oro-----550A.jpg)

Joel Torre and Sandy Andolong before the finale.
Title: Re: THE PEQUE GALLAGA THREAD
Post by: av_phile1 on Sep 20, 2007 at 12:48 PM
So when will this be released in DVD?  Based on those still shots, there's no widescreen 16:9 version, or is there? 
Title: Re: THE PEQUE GALLAGA THREAD
Post by: jdv1229 on Sep 21, 2007 at 07:47 AM
here's a little something for everyone...

http://cdn-ll-static.viddler.com/flash/publisher.swf?key=bd8c7d9a&viewToken=46bd1b72&openURL=39503390
Title: Re: THE PEQUE GALLAGA THREAD
Post by: keating on Sep 21, 2007 at 08:20 AM
No news still for the dvd release since Abs-Cbn has only the cable rights of ORO PLATA MATA.

Jojo, Regal Films still kept in their vault the print of SCORPIO NIGHTS  that has subs and uncut. This was the one that they shown at the Toronto Filmfest back in 1994. Peque and company previewed it before it was sent to the festival. I wonder why did the studio release the mangled version on dvd.
Title: Re: THE PEQUE GALLAGA THREAD
Post by: wedge on Sep 21, 2007 at 08:37 AM
Hm. So the Scorpio Nights that has been proliferating in the market is a "cut" one? Even for the VHS version? Could not distinguish the difference between the VCD/DVD and the video versions...
Title: Re: THE PEQUE GALLAGA THREAD
Post by: jdv1229 on Sep 21, 2007 at 08:44 AM
as far as i know Regal doesn't have a print of the complete version of Scorpio Nights... the one screened at the Toronto Film Festival is probably in  their archives along with Mel Chionglo's Playgirl...

the original Trigon release was uncut...
Title: Re: THE PEQUE GALLAGA THREAD
Post by: keating on Sep 21, 2007 at 06:00 PM
I hope to find out soon. Its probably in their vault also in Toronto Film Festival. Nice link, Jojo.

Wedge, the dvd release has shortened the encounter between Anna Marie and Daniel Fernando near the end of the movie, the exchange of saliva was also cut and the erect light bulb of Orestes near his gun in close up shot before the necrophilia scene was also deleted.  ;D
Title: Re: THE PEQUE GALLAGA THREAD
Post by: av_phile1 on Sep 21, 2007 at 11:17 PM
What's keeping them?  Who owns the rights to distribute Oro for home use? 

And good thing I have not bought the Scorpio Nights I saw at Astro last year.  I recall the showing at the Manila Filmfest center as really uncut.
Title: Re: THE PEQUE GALLAGA THREAD
Post by: keating on Sep 22, 2007 at 11:21 AM
I'm confuse who owns the right for the dvd distribution. ECP was dissolved under the Marcoses after the Edsa Revolt.

Abs-Cbn won the bidding for the masterprint after CCP auctioned it, I suppose they have the rights for the dvd home video.
Title: Re: THE PEQUE GALLAGA THREAD
Post by: jdv1229 on Sep 22, 2007 at 11:43 AM
STAR Records owns the distribution rights to all ECP produced films...
Title: Re: THE PEQUE GALLAGA THREAD
Post by: keating on Sep 22, 2007 at 11:45 AM
There's a big possibility that it will be release on dvd?
Title: Re: THE PEQUE GALLAGA THREAD
Post by: jdv1229 on Sep 22, 2007 at 12:52 PM
not anytime soon...
Title: Re: THE PEQUE GALLAGA THREAD
Post by: av_phile1 on Sep 22, 2007 at 01:56 PM
It's sad.  And tragic.  Oro is a landmark masterpiece in local cinema history and these nincompoops are frittering away at one unmstakable heritage by depriving their fellow pinoys of a DVD release that is worth owning at home not only to enjoy but to keep for posterity. Not to mention a medium that can be shared with the rest of the world as a showcase on what Pinoys can do with films.

And in case they have failed to restore this masterpiece to its pristine condition, shame on them, not only for reneging on their responsibilities as custodians of pinoy cinematic legacy that is an integral part of modern pinoy culture, but for becoming pathetic shadows of their hollywood counterparts who are at this moment restoring hundreds of old movies as I write this post.  They should be jailed for the crime of cultural sabotage.  ;D (if there's such a crime. ;D) 

And don't give me that BS that they have no money to undertake a restoration.  That's just not acceptable.  Celebrities have been known to raise millions if they and the organizers put a determined and concerted effort at it.  Tamad lang ang mga yan at walang concern.  They'd rather produce silly love comedies than restore a heritage.  Just my rant.
Title: Re: THE PEQUE GALLAGA THREAD
Post by: av_phile1 on Sep 22, 2007 at 02:03 PM
STAR Records owns the distribution rights to all ECP produced films...

No wonder, Star records is a name synonymous to pathetic local DVD releases.  I wouldn't entrust a cinematic heritage on such incompetents. 
Title: Re: THE PEQUE GALLAGA THREAD
Post by: keating on Sep 22, 2007 at 05:48 PM
Av_phile dont rant but I understand your predicament. Even Peque had to go underground just to make a copy of his own film. Restoring this landmark film will be a painful task, the studio needs million bucks. As far as I know Road Runner had already cleaned the masterprint so the one being shown at Cinema One is the best quality available.

If I won in the lottery, I'll produce the legitimate dvd release of ORO.  ;)
Title: Re: THE PEQUE GALLAGA THREAD
Post by: av_phile1 on Sep 22, 2007 at 10:20 PM
Av_phile dont rant but I understand your predicament. Even Peque had to go underground just to make a copy of his own film. Restoring this landmark film will be a painful task, the studio needs million bucks. As far as I know Road Runner had already cleaned the masterprint so the one being shown at Cinema One is the best quality available.

If I won in the lottery, I'll produce the legitimate dvd release of ORO.  ;)

I'm sure you will. 

First of all the masterprint must find its way to Japan or the US to have each frame scanned and digitized.  That's the only way to preserve it for posterity.  Once digitized, you have to go frame by frame to clean each and restore the color and brightness to their original state, (or better state if they can enhance it).  This would most likely take an entire year or two to do.  That's where most of the expenses go.  Until this is done, the 23-yr old master film has only one sure place to go - the garbage can.  I don't know what they used, nitrate, tri-acetate or polyester based films and I don't even know if we have the facilities to properly store a film in terms of humidity and temperture to comply with the ANSI standard, but having a digital master is the first step to having a DVD release.  Every effort must be geared to having a digital master of the Oro print.  Once that is done, restoring it can be automatic. 

I might not mind having an unrestored digtal print on a DVD.   A restored print can come later for a double-dip version with 5.1 track remastering. 
Title: Re: THE PEQUE GALLAGA THREAD
Post by: marj on Sep 23, 2007 at 03:55 AM
as far as i know Regal doesn't have a print of the complete version of Scorpio Nights... the one screened at the Toronto Film Festival is probably in  their archives along with Mel Chionglo's Playgirl...

the original Trigon release was uncut...

The "missing" sequences were featured in SIZZLING SEX SCENES compilation that Regal Films released in 2005.  So, why can't (or didn't) they reinstate these in the DVD release?
Title: Re: THE PEQUE GALLAGA THREAD
Post by: keating on Sep 23, 2007 at 05:38 PM
Peque's Australian friend was willing to finance and remaster before the print of ORO PLATA MATA but the problem is he doesn't have the print. They were planning also for the gala preem of the movie in his hometown in Negros Occidental. The plan was made before the 20th anniversary of the film sponsored by Jessica Zafra's FLIP MOVIE CLUB.

Its all now in the hands of Abs-Cbn.

Weird but true.....I borrow the vcd of SCORPIO NIGHTS from a friend and its the UNCUT VERSION.
Title: Re: THE PEQUE GALLAGA THREAD
Post by: av_phile1 on Sep 23, 2007 at 08:57 PM
I don't think ABS is any more aware of Oro's cinematic heritage to bother digitizing it for remastering.  If they were, they could have given it to Peque's Australian friend that you mentioned.   They're more interested in topling GMA7 in the ratings game. 
Title: Re: THE PEQUE GALLAGA THREAD
Post by: keating on Sep 24, 2007 at 07:56 PM
i wonder what role he'll be playing... that's something to look forward to.

Looks like a long shot the project with Cristine Reyes under Ara Mina's film outfit. Do you know who's behind also in this project?
Title: Re: THE PEQUE GALLAGA THREAD
Post by: jdv1229 on Sep 26, 2007 at 07:10 PM
isn't Pac Man involved with this project?
Title: Re: THE PEQUE GALLAGA THREAD
Post by: keating on Sep 26, 2007 at 07:13 PM
Absolutely.....the project is pushing through. Pre-production began last week. It will be exciting to see Peque-Michiko collaboration but Mich nixed the project. Its not her cup of tea.
Title: Re: THE PEQUE GALLAGA THREAD
Post by: jdv1229 on Sep 26, 2007 at 07:17 PM
so who's going to write the project now?
Title: Re: THE PEQUE GALLAGA THREAD
Post by: keating on Sep 26, 2007 at 07:19 PM
They are still looking for a writer. The man is probably going back to sexy genre.
Title: Re: THE PEQUE GALLAGA THREAD
Post by: keating on Oct 08, 2007 at 09:33 PM
Three phases of the exodus scene of the Lorenzo and Ojeda clan in Gallaga's ORO PLATA MATA:

(http://i103.photobucket.com/albums/m132/keating_01/Oro-----462A.jpg)

(http://i103.photobucket.com/albums/m132/keating_01/Oro-----456C.jpg)

(http://i103.photobucket.com/albums/m132/keating_01/Oro-----455X.jpg)
Title: Re: THE PEQUE GALLAGA THREAD
Post by: keating on Oct 14, 2007 at 11:53 AM
(http://i103.photobucket.com/albums/m132/keating_01/isangaraw.jpg)

One of the most horrible way on how to market your film: Promote it like a sex-flick just because one of the lead cast was hot during its time of release. Still ISANG ARAW WALANG DIYOS  managed to get a handful of audience and signal again the return of the man in epic genre. Thanks to James of Philippinecinemavault for the picture.
Title: Re: THE PEQUE GALLAGA THREAD
Post by: keating on Oct 28, 2007 at 06:52 PM
Now it can be told......The late master filmmaker Ishmael Bernal to Peque Gallaga afer previewing the 5-hour cut of ORO PLATA MATA:

"Its too long.......Peque. I'll do the cut for you!"

How could you.......Ishma.   ;D
Title: Re: THE PEQUE GALLAGA THREAD
Post by: RMN on Dec 10, 2007 at 09:18 AM
watch out for the animated flick where Peque's part of the cast!
Title: Re: THE PEQUE GALLAGA THREAD
Post by: keating on Jan 27, 2008 at 10:35 AM
(http://i103.photobucket.com/albums/m132/keating_01/Peque.jpg)

Back to the Future: Peque Gallaga Interviewed
As Peque Gallaga's dazzlingly creative Pinoy/Blonde becomes available on demand on Firecracker TV, we spoke to the respected Filipino director - and film lecturer - (pictured right) about the ideas behind the movie, his views on film in the Philippines, and the answer to the debate over the greatest Filipino director of all time...

Firecracker: How did Pinoy/Blonde come about?

PG: I was very heavily involved in mainstream Filipino industry filmmaking when I came across Tarantino's films.

I'm not very impressed with Tarantino's sensibilities - the idea of making a cult following out of something not necessarily good to begin with mainly because it is/was highly inaccessible to movie aficionados, is a very American elitist “thing”; it'’s a very computer geek preoccupation, to celebrate the extrinsic and the outlandish - very much like comparing muscles or penis sizes, the winners being those who exhibit knowledge of what is more arcane and outrageous. It goes without saying that Tarantino has reached the limits of audience acceptability with the flop of his latest, Grindhouse.

But in a world where the guiding forces of moviemaking were to shorten and get to the point as fast as possible, Tarantino'’s verbal excursions into the import of “Like A Virgin” and the finer points of Parisienne McDonald’s burgers were like a burst of fresh air. It was a giddy feeling to be exposed to extremely articulate, but not necessarily intelligent, everyday personalities who were involved in commenting on the circumstances they were finding themselves in (as opposed to professors, sages, professors and highly educated characters who are normally used to explain the world or the “situation” in a movie).

So I decided to try it for myself and started to write a script about two young men, basically losers, failed movie directors, who not only saw the world in cinematic terms but were actually enmeshed in the movie in their minds. I wanted the script to be aware that much of what was taking place was really their cinematic take on the reality around them, and at the same time, there were two interpretations going on. I wrote it without any thought to structure or a general plot outline. I started it right in the middle of some action and then, like my characters, made my way through the information that kept popping up as the story progressed. There was no thought of the Moebius strip kind of conclusion it finally ended with, but in looking back, I don’'t know where else it could have gone.

When I finished, since I had worked on it in English, I passed it on to my partner in films [Lore Reyes] who does the Filipino translations of our scripts and we had a good time restructuring the work together because as much as there is a kind of “tough” lingo in English that defines wiseass, hip and arch characters, there is another level you hit with Filipino tough talk, which we refer to as “astig”, which further defines the characters even more sharply. Needless to say, we were quite satisfied with our work but we shelved it immediately because we knew that there was no way on earth that a producer would touch the material or even consider it for shooting.

It was many years after that I came across Tony Gloria and we were discussing another film project, when he asked me if I had a script that I thought was good but would be considered inaccessible, as he was looking into infiltrating the indie film market in a substantial way, so I brought up Pinoy/ Blonde. To my surprise, he enjoyed it and wanted to produce it.


It looks very fresh and different for a Filipino film - was the film a deliberate attempt to challenge the perceptions of a Filipino film (both in The Philippines and abroad)?

I am very frustrated and impatient by the way that my colleagues, my fellow directors, present the Philippines to ourselves and to the rest of the world. It’'s as if Gerry de Leon, in some way Lamberto Avellana and then Lino Brocka created the template that would determine what is Filipino in both imagery and sensibility, and most Pinoy movies emerge from that template. It’'s like we'’re all in some Ford factory and all the cars we’'re creating are different versions of Ford.

There are imagistic clichés that exist without anybody challenging them. For example, a poor peasant family will be portrayed eating kamote (sweet potatoes) to underscore their poverty, when in actuality the real peasants would be eating kamote tops with their rice. And this is never challenged. Most Pinoy children in the movies talk in the singsong pattern established in the 1940s and 50s with poor imitations of Shirley Temple movies, and the horror is that this has backfired into reality and you have kids talking in this movie singsong manner because their parents find it cute, being in the movies, and encourage it. If you check out most of what is considered good acting by our most “prestigious” award-giving bodies, you will see a direct line between the acting of Vivian Leigh and Leslie Howard in Gone With The Wind as filtered through [Filipino director] Lino Brocka and it continues to this very moment. All these serious, solemn scenes between two people both gazing at the horizon and staying firmly within the frame.

I grew up in the provinces, and when I decided to do my movie “Unfaithful Wife” depicting lower middle class provincial types, I depicted the world I grew up in: young, progressive, politically aware entrepreneurs who were probably three years behind Manila in terms of fashion or stylistic sense –and many times, not really behind the times, but dressing down as a rejection of Manila standards that try too hard to be global. It was set in a roadside inn that featured grilled barbecue and a folk-singer that would sing American folk songs of the 60s. The people went around in fieras and listened to folk songs that movie-scored their lives: the effect was the same, the choice of songs were different. The reaction to the movie was, although the dramatic elements were very well received, there was a sense of “disconnect” as the audience were looking for the usual cinematic signposts typical of movies taking place in the provinces: the camisa-chino [a type of Filipino casual shirt] (de rigeur in portrayal of the lumpen), the planting and other agricultural activities, the kamote eating and the expected gauche and comedic behavior of countryside bumpkins.

So yes. I do challenge these portrayals. I also deplore the fact that most Europeans (because most Americans don’'t even watch our movies except when they are involved in the Tarantinian pursuit of the rare and the pop-recherche) expect that all Filipino stories take place in the highly exotic and photogenic squatter colonies that we share with Brazil. It'’s like the perception of American movies in the 50s that if you had to do a movie in Africa, it always happened in the jungles.


For the benefit of international viewers, could you give a little more background to the ongoing argument between Pinoy/Blonde's two main characters over the greatest ever Filipino director?

After the genius of Gerry de Leon who stopped making movies in the 60s, the two great Filipino movie directors were Lino Brocka and Ishmael Bernal. Lino traces his theatrical pedigree all the way back to radio and theater, Bernal studied film in India and, if I am not mistaken, studied under Satyajit Ray.

There is an American broadway musical by Stephen Sondheim, which is a take-off on The Frogs by Aristophanes, where the central argument is who is the greatest playwright, William Shakespeare or George Bernard Shaw? The heart or the mind? Brocka definitely represented the heart, although he was no slouch in the intellectual department; and to put that in the negative is a disservice to him. Bernal represented the mind. And again, he was no slouch in the heart department, as he was as passionate and mercurial as the best of them.

They were both concerned with the social conditions of our times, especially the effect of Ferdinand Marcos'’ dictatorship on our country throughout the 70s until he was deposed in the mid 80s. Their movies portrayed the effects of a totalitarian regime that was riding piggy-back on an even more repressive situation that existed throughout the 400 years of Spanish and then 50 years of American rule. For all practical purposes, these rules were just as totalitarian and we still haven’'t come to terms with them. Or have come to any kind of closure in this regard.


Which of the two directors would you side with?

I have had the pleasure and honour to have worked with both directors (both as an actor and as Production Designer in their films) and counted them as close friends. One can see the intelligence at work and shining through Bernie'’s work. In terms of the language and behavior, his films work almost on a documentary level. –It'’s when he tries for out and out poetic effects that his work becomes less interesting.

Lino’'s work is a lot more complex. The greatness in Lino Brocka is that he opened cinema to all of us Pinoys [Filipinos], many of which the more educated and “refined” elements who came from a university or college background would not have dared even consider going into. Before Brocka, the movies was almost limited to a kind of Bulacan “mafia” [Bulacan being a province north of Manila] which I write only in figurative terms in order to get the picture clearly across, but most of these Bulaqueños were pioneers in the film industry: from cinematographers, through sound and editing. At the same time, Lino’'s movies encapsulated the political argument against dictatorship, so whether the movie was badly made or not, a Lino Brocka movie was, the medium being the message, an articulate salvo against the existing repression.

That being said, Brocka became a political figure and, being intelligent, he manipulated this profile in order to be able to get his message across.

So in personal and artistic terms, Lino became no fun to work with after a while. The persona took over the artist and his work definitely suffered. I am always arguing against people who can'’t differentiate between the work and what he stood for. Lino has, definitely, a hefty share of cheesy movies. When we waited for an hour on a Bernie set, it was because he was trying to solve an artistic problem. On the other hand, when we waited for hours on a Lino set, it was because he was out there somewhere fighting
with the producers on some social inequality problem or marketing. I think it’'s obvious in Pinoy/ Blonde, that I’'m squarely in Bernie'’s camp.


There seem to be a lot of cameos in Pinoy/Blonde which may go unnoticed by non-Filipino viewers - could you tell us a little more about who these actors are?

This is a hard question to answer because practically all the supporting actors, the bits, the cameos and the walk-ons are all in one way or another solid and leading members of the film industry. Even the gang
members are top stunt men and special effects people.

Eddie Garcia, who is the black leather jacketed gangster who sings and ends up dead on a toilet seat, is one of our premiere directors and actors and I have had the pleasure to work with him in a bit part in a comedy gangster picture. When I asked him if he would join us, he brought in a full set of gold teeth and his whole wardrobe that he had worked out. Even if in the script this was a cameo, he had really worked it out as if it was a major project. This is when I realized that many of the actors that worked (all of them for free) on this project, accepted because it gave them a chance to fool around and do something they weren'’t normally associated with in their professional lives. Either that, or a chance to spoof themselves.


We read somewhere that the budget was 1 M Philippines pesos which seems very low given the quality of the film - is that true?

Yes it’'s true. One million pesos, which is 20,000 US dollars. We approached it as an indie film and most of the people that came on board knew what we were going for. So I had to choose a location that would
serve as a location for pretty much all of the movie. We only had one day in another part of town, a stone’'s throw away from the original set, where we shot another five or six sequences. I don’'t remember now, but we shot for about fourteen days (which is long for an indie film) and had one day of pick ups in a studio for necessary close ups that I failed to shoot because we were rushing so much.


Title: Re: THE PEQUE GALLAGA THREAD
Post by: keating on Jan 27, 2008 at 10:46 AM
How does being a film lecturer as well as film director change your approach to both activities?

Obviously my lectures are tempered by actual practice (which can be brutal to artistic intentions and conceits) and my directing is informed by my lectures. But understanding can be quite a curse and a heavy burden.


Do you feel that your approach to film is strongly influenced by your roots in Bacolod, or that this has meant your films are quite different from a filmmaker from Manila?

I think I may have answered most of this in the second question. I don'’t just come from the province, I actually live in it on a day to day basis. Many people in Manila have roots in the provinces and they migrate to the big city and become metropolitans complete with metropolitan concerns and
metropolitan world views.

Manila is such a narcissistic entity. Egocentric is more like it. They think the Philippines begins and ends with them. Which is why they are always totally confounded when political results show that the rest of the country don'’t agree with their political choices or view of things. The same goes with the movie-making. There is such a Manila centeredness to all things done there which may be a good thing if they had a strong intrinsic identity to begin with, but unfortunately that town is such a poor relation to everything they strive to be (poor ersatz Hollywood, ersatz Paris, ersatz New York, ersatz Bollywood, ersatz Singapore, Korea, Taiwan - the whole global Asian phenomenon; most Filipino actors and creative types in advertising all now look like Korean pop stars and Hong Kong pedestrians) that it gets to be quite embarrassing. I realize I might be coming off as a wannabe who never made it in the big time. But it'’s not so. Been there, done that. I’'ve collected my medals and my retrospectives and moved on. There is good reason for us non-Manilans to refer to it as The City That Does Not Work.


What are your thoughts on the current film scene in The Philippines?

Bleak. Cinema is a marriage of technology and art. As in the rest of the world (mostly Hollywood) everybody here is fascinated by the new technology. Few have anything interesting or perspicacious to say. The young filmmakers concentrate so much on the technology. There is a new priesthood with its arcane and its own Latin: mostly the serial numbers of the latest digital cameras. It’'s a little ridiculous. They ignore the fact that film is using the technology in service of ideas. I’'ve come to reject the technobabble and start using gibberish when confronted with it.

The directors of the 80s and 90s used to discuss their stories and how they were going to present them. The directors of today discuss their shots. It’s like being in a convention of journeymen. So masturbatory. So boring.

We used to make all these interesting films and we were our biggest audience (more Filipinos saw Pinoy movies than they saw ET or the first Star Wars) because we were saying really incisive things about ourselves, and movies are such a narcissistic enterprise– so of course we were fascinated about the things we were finding out about ourselves. Now, we don’'t have anything to say, much less anything new or penetrating about ourselves. I suspect we don'’t like what we see about ourselves.


How do you see the Filipino film scene in the broader context of contemporary Asian, and contemporary international, cinema?

A total waste. We taught many of these Asian countries what they know about cinema back in the 40s and 50s. Now they only show Pinoy movies as objects of curiosity. In a Tarantino/geek kind of way.


What is your next project?

No movie projects. I’'m working on two major works for the theatre almost simultaneously right now. One of them is an opera version of my first movie. I guess I’'m starting to cannibalize myself in order to stay in the business.

Title: Re: THE PEQUE GALLAGA THREAD
Post by: cathyroseproximo on Feb 24, 2008 at 05:21 AM
this would have been too late for me because i saw you people wrote this a while back 2003... and its what.......2008!

i just watched scorpio nights a week ago... and it never went out of my mind since then im like wanting to share how good that movie is...

the movie was released the same year i was born...

i only borrowed the vcd from the neighborhood and it came all the way from hong kong...

i really wanna get the uncut version in anyhow

i watched it with my husband and i was wowwwed by daniel fernando and he was wowwwed by anna marie gutierrez....

hope its not too late for me to receive a reply from somebody who were able to watched it and let me know how to get a the uncut version of it

thanks lot!
Title: Re: THE PEQUE GALLAGA THREAD
Post by: keating on Feb 24, 2008 at 10:12 AM
Welcome aboard, Cathy.

The uncut vcd version of SCORPIO NIGHTS  was released several years ago. It's kinda weird since the dvd that Regal Home Video released was the butchered one. You can't differentiate on the label also if you will purchase the vcd now since you really don't know if its the mangled or the uncut version.

I guess it depends on your luck whether you will get the complete one. The complete 35mm print was on the archive of Cinema One which I saw on the late 90's in Greenbelt Cinema when Peque was still a member of Director's Guild of the Philippines.
Title: Re: THE PEQUE GALLAGA THREAD
Post by: keating on Feb 29, 2008 at 06:35 PM
PEQUE GALLAGA on Mitch Valdes nakedness in ORO PLATA MATA:

"Mitch and I fought. There was a time in our lives when we were close. Mitch is one of the women I've loved. We're ok now but we fought big at that time and then she came out in that big interview that I fooled her, etcetera, etcetera. But the truth was when I wrote that scene for Mitch, I told her , Mitch you're gonna be naked. You've got the best boobs in the world. I want you like Annie Fannie, kill the water with your boobs floating there like two battleships. She knew from the very beginning and she claimed that I exploited her  and I never told her and that really hurt because I hav never fooled any of my actors ever!"
Title: Re: THE PEQUE GALLAGA THREAD
Post by: keating on Apr 02, 2008 at 07:48 AM
A tribute to Peque Gallaga by Patrick Flores

It is becoming more apparent each passing day that one of the reasons for the seemingly irreversible decline of the Philippine film industry is its stunted audience base. An audience spoilt by the market for an inordinate amount of time cannot simply be asked to reform and mend its ways on short notice. As it had taken years for it to be inured to its current habits, so it will entail cycles of seasons for it to change at some radical level. And so, no matter how the industry blames its public for not patronizing the good films they produce, which are few and far between, or appeal for a turnaround in its taste, there will be negligible consequence. The monster it has created knows full well that the call is hollow, totally without credence.

Still, it is the prospects of a critical audience that keep some souls in the scene hoping for better days in the near future. A well-conceived curricular proposal for media studies in high school and college and a sustained practice of independent commentary in the media are only two of the possible options that could be explored to hack the dilemma tormenting the community. Another platform is the network of alternative public fora in which significant films are screened outside the commercial circuit, or at least its routine or repertoire, and viewers are gathered so that they could talk about how the cinema shapes their social experience. These instances inevitably initiate a predisposition of critical spectatorship, enliven expectations, and develop consciousness for film that might lie beyond the auspices of commodity exchange.

This seems to be the mission of the Pelikula at Kultura project, undertaken by the Cinema Committee of the National Commission for Culture and the Arts (NCCA) under the guidance of its outgoing Head, the ever-gracious actress and media executive Boots Anson Roa and by the Mowelfund Film Institute, of which Anson Roa is also executive director. The onus of the undertaking, however, falls on the shoulders of the indefatigable Nick Deocampo, filmmaker and film historian. Last Saturday, I was in Bacolod to participate in one of its forays, which was devoted this time to one of the most innovative filmmakers of the eighties, Peque Gallaga, whose body of work is fertile ground for germinal ruminations on Philippine ideology, sexuality, terror, and fantasy. That the subject is a true son of Negros carries a different charge and infuses distinct energy into this all-important task of forging a national audience that is open to the world and rooted in locale.

Cinema laureate

The semi-retrospective for Gallaga, who incidentally has been chosen as the laureate for cinema of the Cultural Center of the Philippines’ revived Gawad CCP Para sa Sining and elected vice-head of the Cinema Committee of the NCCA, consisted of the screening of some of his better-known output, workshops on some aspects of filmmaking like direction and scriptwriting (Gallaga is engaged in both), and lectures on the contexts within which Gallaga’s filmography moves very deftly. It traveled to Silay and then to Iloilo. Similar programs are being contemplated for the retrospectives of Nora Aunor in Bicol, Vilma Santos in Batangas, and Fernando Poe Jr. in Pangasinan.

I was invited to speak on the relationship between the films of Gallaga and Philippine history at the West Negros College before an assembly alerted to issues and appreciative of frank conversations. I discussed what could be considered the auteur’s trilogy on history or war by way of Oro, Plata, Mata (1982), Virgin Forest (1985), and Isang Araw, Walang Diyos (1989). Two Negros families threatened by the Japanese invasion flee to the forest and defend themselves against the imperial forces and the revolt of their slaves. A mestizo, a fisherman, and a concubine are captured by a band of American soldiers in pursuit of Emilio Aguinaldo; they are aided by a gang of mercenaries, the Macabebes of Pampanga, and other Filipino middlemen in this mission. A leader of a cult named Papa Mundo of Wakwak tries to reclaim his children in the custody of nuns after the 1986 rebellion in EDSA; in the course of the struggle, the military intervenes and unmasks his charisma and potency. These scenarios pave the path of Gallaga’s excursion into history.

This occasion gave me the opportunity as a critic to revisit these titles, evaluate their merits in hindsight and within a more reflexive frames of reference, and open lines of dialogue with Gallaga himself whose willingness to confront contentions is admirable. It was also a very instructive exercise as I was able to probe the many nuances and inflections of these works and the density of the layers of historical ramifications involved in the criticism of the oeuvre. The well-known writer Alfred Yuson was in the same panel; he gave a lyrical and poetic overview of the depth of Gallaga’s cinematic achievement. This lecture was preceded by a screening of Oro, Plata, Mata in one of the theaters at the Robinsons Movieworld, the largest mall in the laidback city, hangout of the youth who were not even born yet when the honoree started to make films. There Gallaga, as he introduced the film, was choked with emotion; he had long wished for the magnum opus to unreel in the place that had inspired it in the first place and he would now bear witness to how his film has aged, outliving many of its personnel and outgrown by some of its beholders. Attending the event were some of the natives of the province, members of the elite, who had helped the production see its aspirations through. The director was profusely grateful for their generosity, without which the film could not have been made within the budget that it was given by the Experimental Cinema of the Philippines (around P3m at that time). After 22 years, the film remains “golden and grisly.”

Cinematography in sepia

But Gallaga was also apologetic for the kind of print that unfolded that night, a copy lent by ABS-CBN. Its quality is discernibly poor, with Rody Lacap’s highly evocative cinematography reduced to sepia. We were told that another print exists, but it is all jumbled up. This brought to the surface the perennial problem of archiving, a vexing constraint that is one of the impediments of a sustainable national cinema program for the immense audience across the archipelago.


Asked if he would ever return to the salt mines, Gallaga responded that he had never left filmmaking; he is in Negros to carry out the mission of making filmmakers. There are also plans for him to helm a film on the Lipa miracle if plans do not miscarry and, we surmise, if the director, who has experienced fatigue brought about by the callousness of the commerce, feels that the climate is more clement for his art to prosper.

We are sure that with the screenwriter and academic Clodualdo del Mundo Jr. as the captain of the Cinema Committee of the NCCA, a dynamic cinema appreciation agenda will emerge and motivate a generation of viewers to assert their encompassing imaginations against the myopic delusions of brokers. The day will come when the local trade comes out of the cave of the cult and transforms itself from a national fans club of stars and soap operas manufactured by studios of overweening profiteers into worthy children of cinema’s vast and luminous light. That vision will then be the moving image of our future and the picture of our motion forward.
Title: Re: THE PEQUE GALLAGA THREAD
Post by: SalSa on May 10, 2008 at 08:21 AM
Isn't Scorpio Nights a really adult movie (XXX)? I still remember the first time they show it back in our town. Every sex scenes are for real. They cut it and show all those part usually after the movie, though.

The thing is, it is hard to get a copy of that version anymore.
Title: Re: THE PEQUE GALLAGA THREAD
Post by: keating on May 11, 2008 at 12:29 AM
The man is busy conducting directing and acting workshops in his hometown in Bacolod. The script of Oro's sequel is probably dusting now on his library.
Title: Re: THE PEQUE GALLAGA THREAD
Post by: sosy_high on May 12, 2008 at 01:41 PM
Three phases of the exodus scene of the Lorenzo and Ojeda clan in Gallaga's ORO PLATA MATA:

(http://i103.photobucket.com/albums/m132/keating_01/Oro-----462A.jpg)

(http://i103.photobucket.com/albums/m132/keating_01/Oro-----456C.jpg)

(http://i103.photobucket.com/albums/m132/keating_01/Oro-----455X.jpg)

This is the best scene in the entire movie. Just seen it again last week.

The last 20 minutes of the film was intense. The 10 minute gun fight scene was very great and the tension was excellent.

I still can't stand the gory scene like yung tinatahi ni Dr. Russell yung mga soldiers.

An Unforgettable film, nonetheless.
Title: Re: THE PEQUE GALLAGA THREAD
Post by: keating on May 12, 2008 at 06:25 PM
The gun fight scenes were inspired by BADLANDS.
Title: Re: THE PEQUE GALLAGA THREAD
Post by: oggsmoggs on May 26, 2008 at 05:38 PM
Scorpio Nights (Peque Gallaga, 1985) (http://oggsmoggs.blogspot.com/2008/05/scorpio-nights-1985.html)
Title: Re: THE PEQUE GALLAGA THREAD
Post by: celinokyle on Jun 02, 2008 at 06:56 PM
Just seen Oro Plata Mata for the first time. This is a great film. Now I have to see Scorpio Nights. Many say this is Peque's better film, compared to Oro.
Title: Re: THE PEQUE GALLAGA THREAD
Post by: RMN on Jun 06, 2008 at 05:02 PM
Been wondering 'bout the words used by Joey Reyes in his script for Oro. Like, for example, bapor over barko; pulo over isla. There are others in film, am sure, if I paid closer attention.
Title: Re: THE PEQUE GALLAGA THREAD
Post by: keating on Jun 06, 2008 at 05:50 PM
The complete masterprint with original subs shown at MIFF in 1983 is still housed at the archive of Abs-Cbn.

Mario Taguiwalo former Dept of Health Secretary during the time of Cory was credited and collaborated with Peque on the story line of ORO. He was also Peque's buddy and played the town mayor in MISTERYO SA TUWA.

Joey Reyes should be commended also for writing the script of ORO which Ricky Lee turned down.
Title: Re: THE PEQUE GALLAGA THREAD
Post by: keating on Jun 10, 2008 at 05:51 PM
From the man himself.....fresh from my email!  ;)

I'm a little wary of giving any kind of top ten lists of filipino films, precisely
because in a way, there is a kind of criticism implied on my fellow directors
and colleagues, which I think should be avoided like the plague.
 
However, let me answer your question in another way... there are certain
films that provided me with wonder, that made me question my life or want
to change my life; and there are films that, while watching, made me envious
and want to shoot something like that, or tell a story exactly in that way. These
films are: "Tinimbang Ka" by Lino, because it captured the little details of living
in a small rural community (not to mention that Laurice Guillen sitting in the car
and drinking in the sight of half-naked boys jumping into the river from the bridge
is one of the most sensual and "true" moments of Filipino cinema). "Manila by
Night" by Ishmael (I don't believe that there exists a movie called City After Dark) because
it really is a love song to the Manila I know. "Banta Ng Kahapon" of Eddie, which is
a more successful portrayal of an alpha male who is scared to death and has nowhere
to turn... it is totally superior to Jaguar which basically deals with the same theme plus
the performance of Roderick Paulate was truly amazing. And of course, the two
masterpieces of Celso Kid: "Nympha" and "Burlesk Queen". Nympha captured the
essence of sexual longing and lust while capturing the sensual elements of bed,
banig, flesh, sweat and hot Manila afternoons. That movie, more than anything, was
instrumental in my wanting to be a director, or rather, to become more personal in
my directing. And of course, the complete audacity of Burlesk Queen blew me away.
"Ganito Kami Noon" left me very unsatisfied but totally filled me up with the possibility
of showing the richness and cultural diversity (especially through images) of our past.


Title: Re: THE PEQUE GALLAGA THREAD
Post by: keating on Jun 29, 2008 at 02:13 AM
(http://i103.photobucket.com/albums/m132/keating_01/Binhi-May25-73-3-sf.jpg)

Poster ad of BINHI, Peque Gallaga's directorial debut in collaboration with Butch Perez released May 25, 1973. The man is praying that the 35mm print of this film will be buried and lost forever.  ;D
Title: Re: THE PEQUE GALLAGA THREAD
Post by: RMN on Aug 11, 2008 at 12:15 PM
FROM PHILIPPINE STAR - Peque Gallaga: The director as raconteur
By Bibsy M. Carballo
Saturday, August 9, 2008

Whenever the name of Peque Gallaga is mentioned, the various
reactions one gets could either be of awe, intimidation, dismissal,
or unmitigated worship. Although he has followed a number of career
paths (teacher, director for commercials, actor, director for
television, production designer, director for movies, director for
theater, screenwriter) Peque seems to be best known as a director and
a teacher.

His interviews are almost like a storytelling session cum lecture
where one is given the forward, the background of the subject at
hand, and examples to stress his point, punctuated by colorful
cusswords. No wonder his workshops are often the talk of the town,
and students flock to them especially those in Bacolod where he
grudgingly admits he heads a sort of Negrense mafia or what he calls
the "cultural sacadas."

He has been teaching for more than 30 years, in schools, in non-
classroom setups, holding workshops from Cagayan de Oro, Panay and
all the way to Batangas, recently in Baguio with students from Abra
to the Cordilleras. He declares he loves the interaction, the sense
of community and continuity.

The director looms large (literally and otherwise) on the horizon of
Philippine cinema once a pioneer in Asia and today lingering on a
deathbed. In many ways, Peque must feel it is actually the fault of
those in the industry, born out of laziness and greediness. He
acknowledges industry people have gotten old, don't have their pulse
on the audience. "Many of our producers haven't taken the LRT, are
hardly aware of YouTube, the blogging phenomenon or know how to
handle the videos in their cellphones. So they continue propping up
the old creaking formulas with more of the same stuff that hasn't
worked in decades. If that isn't insanity, I don't know what is."

We wonder if he has given up on the movies. "Yes, I've given up on
Industry movies. But to be fair, the Industry has given up on me as
well."

In a published interview regarding why he did his last film Pinoy
Blonde, Peque reveals it was really out of frustration with the way
his colleagues present the Philippines in clichés — the poor peasants
eating kamote, the farmers in camisa chino, Pinoy children talking in
singsong patterns reminiscent of Shirley Temple, and worst of all "
If you check out most of what is considered good acting by our most
prestigious award-giving bodies, you will see a direct line between
the acting of Vivian Leigh and Leslie Howard in Gone with the Wind as
filtered through Lino Brocka, and it continues to this very moment.
All these serious, solemn scenes between two people both gazing at
the horizon and staying firmly within the frame."

We ask him if he thinks he has a better picture than Oro, Plata, Mata
(his second directorial assignment after Binhi co-directed with Butch
Perez) and he answers,

"I think Virgin Forest, Unfaithful Wife, Scorpio Nights, Magic Temple
and Kingdom, Isang Taon Walang Diyos (Wakwak), Tiyanak, Gangland and
Pinoy Blonde are a lot better than Oro. A lot of the sequences from
Shake, Rattle & Roll are better constructed and directed."

Considering the complexity, ambition and limitations in the shooting
of Oro, he will concede it was a pretty great job but adds it is not
a complete picture, "There's about one hour and a half of story
that's missing in there. There's stuff there that doesn't make sense
or, if it does, it doesn't receive the concentration and focus it
deserved. I'd give my right arm for a chance to do a director's cut
on that."

He is now making an appearance in the indie film Hubad, which will be
screened again on Aug. 15, 6 p.m. at the CCP Dream Theatre. Here, he
plays the director of a play where the actors (Irma Adlawan and Nonie
Buencamino) must deal honestly with their growing sexual attraction
to one another and with the artistic problems of an actor both with
honesty. Asked why he accepted the acting assignment which meant he
would commute between Manila and Bacolod he replies he found the
project intelligent and ambitious and welcomes the opportunity to
give up artistic control of a project and put himself totally in the
hands of someone else.

He has done less than a dozen acting roles and confesses to knowing
his limitations stating that, "I make sure that whoever is offering
me a role knows exactly what he's getting from me. So I warn them
that I have absolutely no brains for memorizing — it all went the way
of my virginity during the psychedelic years — I can't memorize
Tagalog, Ilonggo or English if my life depended on it….I ask them not
to give me kilometric lines and, short of directing my scene, beg
them to cover my scene with as many shots as possible so I can
memorize and deliver my dialogue line by line."

We visited the Hubad set and true enough found idiot sheets
everywhere for Peque.

"I'm proud to have done bits and extra appearances from Mario O'Hara
to Maryo J; from Marilou to Laurice and the only bastards who totally
ignored me and shot me totally tuhog were Mario O'Hara and Denisa and
Mark. I remember having to memorize this huge speech in Majayjay for
a whole week because I had a feeling that Mario would double-cross me
and tuhog that speech which he ended up doing. He did the same thing
to me in some telemovie on San Lorenzo Ruiz and I remember hiding my
cue cards behind religious statues and props. When I did the
refectory scene in Rizal for Marilou, my cue card was right under the
ham that I was eating."

Denisa and her co-director Mark Gary are ecstatic over Peque's
acceptance of the role. Not only was he most cooperative in terms of
fee, assistance in promoting the films, moral and artistic support,
his presence in the picture has undeniably given it a bigness it
deserves.

The best thing about Peque Gallaga is that he shuts his mouth off,
doesn't mince any words, and gives opinions with all those added
invectives that a more showbiz type of individual would be careful of
uttering. He gives kilometric answers to a one line query which we
absolutely enjoy since it provides one with a peek into the man's
personality, not to mention making the interviewer's job so much
easier. This, plus his talent as raconteur.

When we ask him to comment on film adaptations from other literary
forms, he articulates in his usual amusing classroom lecture manner —
"All movies proceed from a cinematic idea and principle — you really
have to write it from scratch. The storytelling in cinema is
completely antithetical to the storytelling on stage or in a book.
This is basically my fight with a lot of movies here — they're really
not very cinematic. I know many people feel that I'm blasphemous when
I consider (Lino) Brocka a better dramatist than filmmaker."

Not that Peque is unaware of people's reactions to his candid
opinions, and we have a feeling that he has lately tried to edit
himself but then too much editing would rob him of that roughish
charm. People seem to enjoy subjecting him to questions like
comparisons between Ishmael Bernal and Brocka. Although he has worked
with them both, respects them both, he has always answered that he is
solidly in Bernie's corner.

In an interview he once said that Brocka represented the heart, and
Bernie the mind. "When we waited for an hour on a Bernie set, it was
because he was trying to solve an artistic problem. On the other
hand, when we waited for hours on a Lino set, it was because he was
out there somewhere fighting with the producers on some social
inequality problem or marketing."

We ask about his last picture three years ago Pinoy Blonde which was
a digital movie that spoofed everyone but didn't seem to get its
message across. Perhaps then it was ahead of its time, we suggest?

"I have absolutely no idea. I thought I was sharing everything I
loved about movies to people who shared the same love of movies. It
was really a lark, doing things that major studios would never dare
do with a set of the most gifted actors you could find in the
Philippines and I got a lot of hostility instead. I was attacked for
being pretentious. (???!!!) A lot of reviews claimed I was actually
simply copying Tarantino when I was spoofing Kill Bill and stuff like
that. If I wasn't so old and grizzled, it would have broken my heart.

"I hate to insult my detractors, but I'm really coming to the
conclusion that a lot of people who love movies don't really
understand movies. I don't think it's a coincidence that the
extremely scanty feedback I get raving over Pinoy Blonde are from
extremely intelligent people. Oops, I just ruffled a few feathers
again!"

We prove, "If you had all the money in the world, wha would be the
movie you would choose to produce and direct?"

"I'm sorry… you're talking to a glutton, " he quickly replies. "If I
had all the money in the world, I would produce and direct:

A) Olympia — a period epic of love and war

B) Boy D — an exploration of impersonal cellphone teenage sex with a
boy who thinks he's a vampire.

C) Agaton And Mindy — top secret

D) Epic film based on the book Ordeal in Samar — the Balanggiga
Massacre
Title: Re: THE PEQUE GALLAGA THREAD
Post by: keating on Aug 13, 2008 at 06:03 PM
Will indie films save Philippine Cinema from total extinction? He gave me again, kilometric reply.

The movement itself, I think, won't save Philippine Cinema from total extinction. I don't think Philippine Cinema is headed for extinction to begin with... it's just lying fallow and dormant and waiting for the the right whatever-it-is to give it a jump start. Remember Tessie Agana in Roberta in the 50s when everybody thought there was no hope anymore for Pinoy movies?
I think the basic problem of Pinoy movies today is that they are not basically exciting -- exciting as a product, not in the way it tells stories or the way it's shot -- you still can't remove the basic fact that people come to the movies because there are faces that tell the story. And there are no faces that make people drop whatever it is they're doing in order to go and see that face telling or being part of a story. Think Heath Ledger as the Joker -- before the movie was even shown, people had made up their minds that it was going to be a priority in their to-do list. I don't care how many awards Baron Geisler wins, people aren't going to drop their Embassy dates or Mall appointments to line up for Jay. He just doesn't have that buzz with him. Indie films don't have that excitement.  Not yet... I don't know if ever.
 
What Indie films have, is the opportunity to tell different kinds of stories away from the mind-numbing products that come from committees hired by big studios (and you know what I'm talking about). They're what I call spam projects. It's Spam... made to order; fits all requirements; easily available and totally predictable. I think that the big Producers are going to be responsible for putting the exciting movies out there and right now they're totally paralyzed and unable to do just that because they have no options, no alternatives and their brains are simply not equipped to think outside the little boxes they've sealed themselves in. But little by
little, I think they are beginning to become aware that there is some kind of excitement coming in from the original and unique stories that the Indie films are coming up with. Some business-minded prophet/producer with deep enough pockets is going to latch on to that idea... free our more exciting stars from TV bondage and start a new era of Pinoy films that will be worth dying for.
Title: Re: THE PEQUE GALLAGA THREAD
Post by: sinehansakanto on Aug 16, 2008 at 09:28 PM
FROM PHILIPPINE STAR - Peque Gallaga: The director as raconteur
By Bibsy M. Carballo
Saturday, August 9, 2008

Whenever the name of Peque Gallaga is mentioned, the various reactions one gets could either be of awe, intimidation, dismissal, or unmitigated worship.

"It was really a lark, doing things that major studios would never dare do with a set of the most gifted actors you could find in the
Philippines and I got a lot of hostility instead. I was attacked for being pretentious...I don't think it's a coincidence that the
extremely scanty feedback I get raving over Pinoy Blonde are from extremely intelligent people. ['Look, smart people love me!'] Oops, I just ruffled a few feathers again!"

No, not pretentious, just egocentric, narcissistic and pretentious. Unlike the humble yet profoundly talented O'Hara, this guy likes to torture the best of us by making some pedestrian movies and running his mouth about how great they are.
Title: Re: THE PEQUE GALLAGA THREAD
Post by: Noel_Vera on Aug 17, 2008 at 05:14 AM
I don't know--they're ALL pretentious, egocentric, self-centered (except maybe O'Hara, and Gosiengfiao). Goes with the territory, I think. They differ in the degree they manage to hide it, when they choose to hide it, and how much they dictate the megalomania has to really dominate their persona. From what I hear (I've never met him), Gallaga is worse than some, not as bad as others. 

Can be pretty violent too, so I hear. ;D
Title: Re: THE PEQUE GALLAGA THREAD
Post by: sinehansakanto on Aug 17, 2008 at 09:23 PM
I don't know--they're ALL pretentious, egocentric, self-centered (except maybe O'Hara, and Gosiengfiao). Goes with the territory, I think. They differ in the degree they manage to hide it, when they choose to hide it, and how much they dictate the megalomania has to really dominate their persona. From what I hear (I've never met him), Gallaga is worse than some, not as bad as others. 

Can be pretty violent too, so I hear. ;D

I think consistently great output goes with the territory as well. Nothing excites me more than hearing a great filmmaker talk about how great his/her movies are. 
Title: Re: THE PEQUE GALLAGA THREAD
Post by: Noel_Vera on Aug 18, 2008 at 01:54 AM
Or how great the next project is. Most filmmakers I know are careful not to sound too approving of past projects, but they're always on the lookout to generate buzz for the next one. Hustler, general, emperor--goes with the job description.
Title: Re: THE PEQUE GALLAGA THREAD
Post by: keating on Aug 18, 2008 at 07:48 PM
I don't know--they're ALL pretentious, egocentric, self-centered (except maybe O'Hara, and Gosiengfiao). Goes with the territory, I think. They differ in the degree they manage to hide it, when they choose to hide it, and how much they dictate the megalomania has to really dominate their persona. From what I hear (I've never met him), Gallaga is worse than some, not as bad as others. 

Can be pretty violent too, so I hear. ;D

He seems to be snobbish first time I've met him, but it all changed after the second and third time. Amiable, his comments on different subject matter will jolt you sometimes.

He's one of the most sincere filmmakers that I've met next to Lav Diaz. That egocentric description, that's their negative side, I think.

Title: Re: THE PEQUE GALLAGA THREAD
Post by: keating on Sep 16, 2008 at 06:04 PM
Four questions that I've been raring to ask the man.......his answers!

1. Was it Sta. Cruz church in the opening scene of SCORPIO NIGHTS?

 It's either Sta. Cruz church or Binondo -- I haven't seen Scorpio in a while, so I'm not completely
sure of either, but we shot all the establishing shots for the title credits in and around the Sta. Cruz
area and Chinatown, so it's definitely one of the two churches.
 
2. Did Mother Lily gave you a freehand at all in making the movie?

 Totally. Completely. I just had a heart attack and she wasn't even sure if I was going to live or die long
enough to finish the movie. Basta, we had a really, really small budget (which is one of the reasons I
decided to do the whole thing in one location) so she didn't care what I did... she figured that whatever
I came up with -- and she had no idea of how far I would take the thing -- had some sex in it, so she
was going to get her investment back. But to be fair to Lily, in those days, she had enough respect for
her directors to leave the artistic and creative work to us... it was only when her idea to do Mano Po
was realized did she get delusions of artistic grandeur (like many of the present day female producers
both on TV and cinema) and started to get involved in the directorial process.
 
3. Why is it that Anna Marie and Orestes are unnamed in the film?

 Because it wasn't the story of two specific people. Because they were a metaphor. Because they were units
in microcosmic study of a cultural sink phenomenon. I think that's proof that from the very beginning we
had higher motives for Scorpio other than purely gratuitous ones.
 
4. Now that ORO PLATA MATA had been released on dvd, too bad it didn't include your commentary, its selling like hotcakes now in the market, how do you feel about it?

I'm totally depressed by it. I knew they were working on this for a long time and I let it be known that I would be
interested in contributing to a lot of the process without charging a cent. To allow the creator of the work to be able
to, in a sense, continue in that process. I was totally ignored. I have my own version which I worked on -- the video
quality is not as good as the ABS CBN job because of its U-Matic source, but my audio version is superior to theirs.
That's ABS CBN for you... no respect for the artists whose works they get fat on. 
Title: Re: THE PEQUE GALLAGA THREAD
Post by: keating on Oct 07, 2008 at 11:05 AM
On Our Shelves: Oro, Plata, Mata
by Philbert Ortiz Dy

Oro, Plata, Mata
Directed by Peque Gallaga
Written by Jose Javier Reyes
Starring Manny Ojeda, Liza Lorena, Sandy Andolong, Cherie Gil, Joel Torre, Ronnie Lazaro, Fides Cuyugan-Asension, Maya Valdez, Lorli Villanueva
Originally released 1982 by the Experimental Cinema of the Philippines
Released on DVD by Star Home Video

(http://i103.photobucket.com/albums/m132/keating_01/oro1.jpg)




Talking about Oro, Plata, Mata (Gold, Silver, Death) isn’t the easiest thing to do. Its scope is so vast, so ridiculously epic that one article probably isn’t enough to cover all the things that it does. Where does one begin?

The film is notorious for several reasons: the length (three hours and thirteen minutes from an original cut reportedly six hours long), the explicit sex and the extreme violence. But none of these elements really stand to describe what the experience of watching the film is like. Yes, it’s long, but there’s so much going on that you might not feel it. Yes, there’s sex and violence, borrowing techniques from seventies’ exploitation films, but it’s not an exploitation film itself. It’s a struggle to accurately describe the experience of watching Oro, Plata, Mata, other than to say that it’s pretty unique.

(http://i103.photobucket.com/albums/m132/keating_01/oro2.jpg)



Let’s talk about what it’s about. The film begins with a quote from Nick Joaquin that talks about how life was irrevocably changed after the Japanese invasion, so much so that people came to refer to the all the years prior to the invasion as “peacetime,” and all years afterwards as just something that isn’t peacetime. We then find ourselves in the middle of a lavish birthday party for Maggie, eldest daughter of the affluent Ojeda clan. In one corner of this revelry, Don Claudio, the patriarch of the family, discusses the oncoming Japanese threat with a group of men who downplay it completely. In another corner, Trining, the younger daughter, gives her first kiss to her boyfriend, the timid and childish Miguel. Miguel’s mother, Inday Lorenzo, is the best friend of Trining’s mother, Nena. The celebration is cut short when news arrives of a ship sunk by a mine, killing those on board.

(http://i103.photobucket.com/albums/m132/keating_01/oro3.jpg)



We move on ahead to the Ojeda Hacienda in the province, where the family is hiding out. Nena has invited some of her friends to stay with them and wait out the war. Among them, her best friend Inday and her son, Miguel, the gossipy jewelry obsessed Viring Ravillo, and the American educated progressive Jo Russell. The ladies spend their time playing mahjong and gossiping about everything. Meanwhile, Maggie fears that her soldier boyfriend has lost his life in Corregidor. Trining is giving Miguel trouble about not being manly enough. Don Claudio is offering all the help he can to the guerillas. But even this peace can’t last that long, and the Japanese soon arrive, prompting the families to move yet again.

(http://i103.photobucket.com/albums/m132/keating_01/oro4.jpg)



This time, they move to the Lorenzos’ house in the mountains. The place is far from luxurious, but they still cling to their comforts. Soon, however, the war reaches them again when the guerillas bring their wounded to the house for treatment. They leave behind a soldier, Hermes, whose tongue had to be stitched up and left him unable to speak. Trining, grown weary of the life she’s clung to, finds her sexual awakening with Hermes. Meanwhile, the family’s head servant Melchor becomes fed up with doing all the work for nothing and steals one of Viring’s rings. He confesses to it and leaves the family, only to come back with a group of bandits. The bandits leave the families in ruins, and Trining goes with them. After some effort, Miguel gets the ladies back into their routine, gaining Maggie’s admiration in the process. He and Hermes then venture into bandit territory to get back Trining, and the two of them kill everyone there.

(http://i103.photobucket.com/albums/m132/keating_01/oro5.jpg)



We end with another party. The war has ended. The Americans have come back bearing gifts of Spam and corned beef. Maggie and Miguel are getting married. Trining has turned into a hardened, spiteful woman who thinks the families deserved all the hardship they got. And while this last scene is a celebration that reflects the first one we saw, there’s no denying that everything has changed.

The script, by Jose Javier Reyes, is so thematically dense that a single interpretation is probably insufficient to discuss what the movie is really about. One could say, at the very least, that it’s about life during wartime, the inescapability of conflict, and how people cling to shred of their civility in order to make sense of all the brutality. It’s about how invaders aren’t the only ones guilty of atrocities towards our own people. It’s about masters and servants, slaves and slavers. It’s about the rich, the hacienderos, and their way of life. It’s about women without husbands and children without fathers. It’s about people’s propensity for violence. It’s about irrevocable change, how one can never really go back to happier times, once you’ve been touched by war. It’s about one generation ignoring the wisdom of the elderly. It’s about how time keeps on moving; even when life as you know it ends. It’s about inevitable decay: gold, silver, death. It’s about the country, and how we’ve come to this point.

(http://i103.photobucket.com/albums/m132/keating_01/oro6.jpg)



Personally, what struck me the most was how we only ever saw one Japanese soldier throughout the film, and he was wounded and unable to do any harm. It’s a film about the war, but the Japanese forces never stand out as villains of the piece. All of the violence done in the film was perpetrated by Filipinos, mostly against other Filipinos. And by the end of the film, it seemed that the violence had permeated the society, and though the guns were put away, the people were still carrying them in their hearts. Because nobody wins in a war.

(http://i103.photobucket.com/albums/m132/keating_01/oro7.jpg)



The production is incredibly lavish. It’s worth noting that prior to becoming a director, Peque Gallaga was a production designer for the likes of Brocka, Bernal and Romero. His aesthetic vision certainly shows, producing frames filled with wonderful little details and some truly breathtaking shots. Gallaga’s not the best storyteller out there; chunks of this film feel kind of disjointed, but the sheer force of this film is undeniable. What Gallaga does is he imparts the film a sense of grandeur. The film is epic, and while the scenes don’t flow as smoothly as they could, they are big enough and brash enough to carry you with them anyway. The one shot that stands out, of course, is the exodus of the families, with carabaos marching in front of a burning plain. It’s a truly captivating sight, and easily one of the best scenes ever committed to film. Gallaga’s grand and ambitious production design is matched easily by the cinematography of the great Rody Lacap, who lensed Batch ‘81 and many other great films.

(http://i103.photobucket.com/albums/m132/keating_01/oro8.jpg)



The film owes much to its cast as well. Sandy Andolong, Joel Torre, Ronnie Lazaro, and Cherie Gil all went on to become some of the most respected thespians in our industry, and no amount of praise can do justice to their talent. This was Joel Torre’s first starring role, and it’s fascinating to see him so young. Even back then he was bigger than cinema could ever handle. I could spend weeks talking about how great Cherie Gil is. She should just be in every film made from now on. But really, the standout is Ronnie Lazaro, who plays Hermes. His character is unable to speak for most of the film, but Lazaro rises way above that limitation, saying more with a stare or a slight movement of his lip than most actors of today can say with a lengthy monologue. Without speech, Lazaro makes Hermes a creature of pure emotion. It’s a dynamite performance, and it ought to be required viewing for anyone who wants to become an actor.

(http://i103.photobucket.com/albums/m132/keating_01/oro9.jpg)




There’s really so much more to say, but the article’s already running long. I haven’t even gotten a chance to talk about the film’s excellent score. Suffice it to say that Oro, Plata, Mata has much to offer you. It’s the kind of film that gives you more and more to chew on the more you watch it. It’s an almost frighteningly rich film experience, one that shouldn’t be missed by any Filipino film devotee. Films this ambitious just aren’t being made here anymore, and whether you end up becoming a fan of the film or not, you can at least appreciate it for that.
Title: Re: THE PEQUE GALLAGA THREAD
Post by: thegoodbyeguy on Oct 24, 2008 at 09:14 AM


         Peque Gallaga will scream "The Horror! The Horror!" in this Sunday's issue of SIM about horror movies. A fun cover in this spook-month. Looks forward to read the whole package.

Title: Re: THE PEQUE GALLAGA THREAD
Post by: thegoodbyeguy on Oct 26, 2008 at 10:50 AM
      GROWING UP WITH THE FORCES
     FROM BEYOND


       
      By Carla Gomez
      Philippine Daily Inquirer
      26 October 2008


      (http://i174.photobucket.com/albums/w81/thegoodbyeguy/PINOYDVD%20POSTS/PGALLAGA.jpg)


BACOLOD CITY―The yaya (nursemaid) did it.

When they were kids, Peque Gallaga and his four siblings had a nanny named Mayang who came from Capiz, a province in Western Visayas that to this day has been associated with aswangs (local equivalent of vampires) despite strong objections from Capiceños.

Mayang was like a mother to the Gallaga children, but to get them to behave she used the forces from beyond. The ghoulish stories she narrated apparently followed the director right up to his initial foray into the movies.

Gallaga megged and wrote some of the scariest and most memorable Filipino horror films, among them “Sa Piling ng mga Aswang,” “Halik ng Bampira,” “Tiyanak,” “Hiwaga sa Balete Drive,” “Aswang,” and the “Shake, Rattle and Roll” movies.

He recalls: “We lived on Carolina Street in Manila and, to get us to eat or hurry up, Mayang would concoct scary stories.”

Adds Gallaga: “My sister had these big Spanish dolls and Mayang would dress them up and put them up by the window. Then she’d tell us that if we did not finish our plate, the dolls would get us.”

Sometimes they would hear the rumbling of rocks only to discover that their yaya had been throwing stones down the playground slide to scare them, says Gallaga.

But not all the strange things they saw when they were growing up could be explained away, he says. “Once we were all in the dining room when all of sudden, we heard a rumbling from the garage. Mayang said, ‘Ara na, gapakadto na (it’s there, it’s coming)!’

“Then the door suddenly opened, the lights went off and a huge figure like that of a Japanese soldier in a trench coat barged in. Our houseboy and I hid under the table, while Mayang grabbed my sister and they ran to the bathroom.

“Our dog, a very friendly boxer, was growling and biting the strange man’s leg but he continued to walk around the room as if nothing was bothering him. It was if Mayang had summoned the strange apparition into our home,” Gallaga says.

Once, he recounts, his sister Chita was giving Mayang trouble so the nanny brought her to a small bodega outside their house that was filled with junk. Except that when Chita got there, she did not see junk; what she saw was a room filled with meat dripping blood.

It might have been childish imagination, but there was also a time when Mayang brought him into a completely dark room inside their house, Gallaga recalls. Suddenly, he saw an exquisite Japanese doll glowing and floating in the air. “There was no doll like that in the house so I don’t know where Mayang could have gotten it,” he adds.

“That experience affected me all my life so now, I can never put my hand inside a dark closet,” he says.

There were nights too when Mayang would carry a knife and a candle and wake us up to wash our feet, recalls Gallaga. “She was totally crazy. At one point she was dancing on the roof in high heels like Maria Clara,” he says.

In fact, adds Gallaga, “I know what it’s like to be inside a mental hospital. My mother had to leave Mayang there for a year because she went completely bananas.” The family later took Mayang back when she got well and she became part of their life, says the director. When one of his brothers started raising his own family, he also asked Mayang to take care of them, he says.

Gallaga’s mother Conchita Luzuriaga grew up on a farm in Negros herself, so ghost stories were nothing new to her; she believed half of Mayang’s stories and had her own stories to tell.

But the ghost stories were kept secret from Gallaga’s father, Ricardo, who was in the trucking and shipping business. “My father was a very macho guy who won’t believe those stories, says the director.

“Filipinos have a far richer and scarier culture than what the Americans are selling us through Halloween,” says Gallaga. “We grow up with scary stories in our homes, and they are part of our culture. That’s why Pinoys love horror movies; they’re so real to us.”

He adds: “Scratch a Filipino Catholic and you will find an animist who still believes in diwatas (fairies) underneath. Altars are still populated with magic charms―amulets and dried palm stalks to keep the aswang away.”

But making a good horror film takes more than just being immersed in the genre, says Gallaga. Filmmakers, he points out, “should go beyond the shock factor, beyond the blood and the gore.”

Horror films should not end in prosthetics; they have to work on the mind, he says.

Scary movies are not just about a fearsome monster; they have to delve into the psychology behind it, the director explains. “You are not only afraid of the vampire or the multo; you are afraid of a particular thing like loneliness in the city,” he illustrates.

Gallaga says he was in college when he saw the movie “It’s Alive,” about a baby who becomes a monster because of toxic waste.

“When I became a director I wanted to do a similar movie about a baby that kills until I realized that that’s what a tiyanak is,” he says.

A tiyanak is a monster that uses pity as its protection, he explains. “Can you kill a baby?” Gallaga asks. And that’s exactly the dilemma that Lotlot de Leon faces in the 1988 movie “Tiyanak,” which he directed.

“She knows the tiyanak is a monster that’s going to eat her, but when she gets a stone to bash the baby in, she can’t because of compassion and pity,” he says. “I think that is what makes a horror story rich,” he adds.

Our own rich culture should convince us to stick to our own stories instead of always copying Hollywood, Gallaga the director muses. “We can’t be any good in a genre like science fiction because the state of science in our country is so under par. We can’t create believable stories where our heroes are involved in highly scientific adventures like space exploration or dealing with aliens―so we should stick to horror because in this regard, we can hold our own with the rest of the world.”

He adds: “My last horror film, ‘Sa Piling ng Mga Aswang’ was about another species coexisting with us at a different level. except that we drive them away from the forest and disturb the balance of nature.

“I think that’s what makes my horror movies work. No matter how many people there are in Manila, they all have their roots in the province,” he says.

The popularity of horror films today, even in the west, Gallaga attributes to the phenomenon of people not being in control of their lives. “There’s that feeling that there is something out there that is stronger and more powerful than us and which is getting in the way and destroying our plans,” he says.

Gallaga says he would love to direct another horror film but producers either think he’s semi-retired or is too old school. “Producers are asking younger people to come out with younger stories so I’m not getting too many offers,” he says.

“But producers should realize that I think out of the box. Mother Lily (Monteverde) never knew how ‘Scorpio Nights’ would turn out,” he says. “I have been in show business so long that I want to tell stories that are worth telling.”

Gallaga says he has one horror movie that he has been trying to sell for a long time and which Mother Lily actually likes. “It’s just that it’s difficult because the bida (lead star) needs to be in the age range of Gretchen Barretto or Kris Aquino but these stars are too busy to make a movie.” Either of the two would have been perfect for the movie because moviegoers these days go for films with younger actors, he adds.

Given the chance, he’d like to shoot the entire movie in Silay City in Negros Occidental because of its many old ancestral homes.

The movie, he adds, is not just about possession and ghosts; it has to do with the confessional and the sacrament of forgiveness. “The movie will play on the mind; it will be about something that happened in the past that has to be fixed in the present,” he says.

Gallaga says if he had the resources, he’d like to remake the movie, “Tiyanak.” “In my original ‘Tiyanak,’ we used hand puppets. With all the digital wizardry now, it would be fantastic, a lot more sophisticated,” he says.

Gallaga says he would also like to do another version of his 1982 movie “Oro Plata Mata,” that he directed after winning a scriptwriting contest sponsored by the Experimental Cinema of the Philippines. The highly acclaimed movie received an award from the International Film Festival of Flanders-Ghent, Belgium in 1983, a Special Jury Award from the Manila International Film Festival, and the 2004 Gawad CCP Para sa Sining.

“I had to win a contest to raise the money for ‘Oro Plata Mata;’ now nobody wants to give me the P50 million I need to make ‘Olympia,’” he rues. “It would be an epic love story of course. The director now is 30 years older and a lot gentler, mellower and less angry,” he says. Gallaga is currently the artist in residence at the University of Saint La Salle in Bacolod City.

A good horror movie, says this award-winning director, satisfies the part of us that believes in Shakespeare’s “Hamlet” when he said, “There are more things in Heaven and earth… Than are dreamt of in your philosophy.”

THE HORROR, THE HORROR! His Top 3 Favorite Horror Films:

1. THE EYE (2002)
2. COUNT YORGA (1970)
3. THE SIXTH SENSE (1999)



 
Title: Re: THE PEQUE GALLAGA THREAD
Post by: keating on Oct 30, 2008 at 06:48 PM
He was in Manila for four days last week and not keen on doing any teleserye that's flooding on the small screen right now.

CEBU Book 3 will just be a big dream or no hope at all.

Title: Re: THE PEQUE GALLAGA THREAD
Post by: keating on Jan 01, 2009 at 03:50 PM
(http://i103.photobucket.com/albums/m132/keating_01/virginforest.jpg)

My favorite still pic from VIRGIN FOREST. Shooting and holding the umbrella was the late master cinematographer Conrado Baltazar. Photo courtesy of Mr. Peque Gallaga. The Macabebes going down to Atimonan River. The fog is real.
Title: Re: THE PEQUE GALLAGA THREAD
Post by: keating on Jan 04, 2009 at 01:25 PM
AGATON & MINDY's principal photography starts mid-January as part of APT and Director's Guild film series Sine Direk.
Title: Re: THE PEQUE GALLAGA THREAD
Post by: keating on Sep 18, 2009 at 10:21 AM
Peque Gallaga’s Cinema: Signature in gold


By Lito Zulueta
Philippine Daily Inquirer
First Posted 20:39:00 09/16/2009




PEQUE Gallaga will receive The Natatanging Gawad for Lifetime Achievement for Filmmaking from the Manunuri ng Pelikulang Pilipino during the 32nd Gawad Urian on September 19 at the Cultural Center of the Philippines.

National Artist Bienvenido Lumbera, founding member of the Manunuri, the society of respected film critics, says Gallaga is “the epitome of the compleat Filipino cinema artist,” and that it is only fitting that Gallaga be honored by all those who love Filipino cinema “before the sun completely sets on the film industry.”

The waxing and waning of the fortunes of mainstream cinema seems reflected in the person of Gallaga, a serious filmmaker with a track record of box-office hits and successful remaking of commercial genres, particularly of horror and fantasy movies.

As mainstream commercial cinema struggles, independent and out-of-studio films have shown vibrancy and resilience, even catapulting Filipino movie to new global renown. Part of these stirrings of hope can be gleaned from the emergent regional cinema, whose mentorship and encouragement owes to Gallaga’s selfless tutelage.

Gallaga has won several Urian awards: Best Director for “Oro Plata Mata” in 1982; Best Production Design for “Ganito Kami Noon, Paano Kayo Ngayon?” (together with Laida Lim Perez) in 1976, and for “Manila By Night: City After Dark” in 1980.

Gallaga entered into prominence with “Ganito Kami Noon...” directed by Eddie Romero. This important historical movie was shown on the same year as Brocka’s “Insiang,” Ishmael Bernal’s “Nunal sa Tubig,” Lupita Concio’s “Minsa’y Isang Gamu-Gamo,” Gerry de Leon’s “Banawe,” Mike de Leon’s “Itim,” Mario O’ Hara’s “Tatlong Taong Walang Diyos,” and Gil Portes’ debut movie, “Tiket Mama, Tiket Ale, Sa Linggo ang Bola” – making 1976 the peak of the second golden age of Philippine cinema.

Gallaga’s early career illustrates the truism that great filmmakers do not necessarily influence each other; more practically, they work with each other, often in an unwitting sort of apprenticeship. Brocka had worked with Romero as scriptwriter; Mike de Leon had worked with Brocka and later, Romero, as cinematographer.

Gallaga, who finished Commerce and Liberal Arts at De la Salle University but had enrolled briefly in the architecture school of the University of Santo Tomas, had worked with Romero and Bernal (notably in “Manila By Night”) as production designer. Also an actor, Gallaga played a part in “Tatlong Taong Walang Diyos,” and Brocka’s “Gumising Ka, Maruja” (1978).

Gallaga would become a full-fledged filmmaker with his second directorial effort, “Oro Plata Mata” (1982), and later, “Scorpio Nights” (1985), arguably his two best movies. In both movies, Gallaga shows directorial breadth of vision and art director’s capaciousness, and it is hard to tell which is which. Since he’s also the writer of “Oro,” Gallaga may have demolished the classic auteur theory or embodied it in its fullest sense: he is author and creator in one.

He would exhibit the same bravura in “Virgin Forest” (1985), “Unfaithful Wife” (1986), and in his recasting of the horror genre, the very successful “Shake, Rattle and Roll” series.

His “Once Upon a Time” (1988) is another brilliant recasting, this one of Filipino folklore, with Dolphy playing the mythical role of the Filipino netherworld’s tikbalang. And his “Gangland” (1998) may have set off the gritty urban street drama of today, as manifested in such provocative movies as Brillante Mendoza’s “Tirador” and Jim Libiran’s “Tribu.”

Gallaga continues to make movies while based in his hometown of Bacolod, where he is artist-in-residence, and where he teaches theater and film at the University of St. La Salle. He has mentored future filmmakers and media artists, including Jay Abella, Manny Montelibano, Vicente Groyon and Richard Somes. A multi-variegated artist of intrepid vision and incredible stamina, Gallaga has become one of our few elder statesmen of the cinema arts.
Title: Re: THE PEQUE GALLAGA THREAD
Post by: keating on Sep 20, 2009 at 11:09 AM
My close encounters with Direk Peque By Butch Francisco
 
STAR BYTES (The Philippine Star) September 15, 2009 12:00 AM

Peque Gallaga excels in everything he does — as director, screenwriter, production designer and even in pushing regional theater

Peque. The name comes from the Spanish word pequeno, meaning little or small. Since I learned of his existence, mainly through his landmark of a film Oro, Plata, Mata, there was nothing little or small about Peque Gallaga. Certainly not his physical size. He had always been hefty — from the time I saw him accept the Best Director and Picture trophies for Oro, Plata, Mata during the sixth Gawad Urian. (I was still years away from becoming a Manunuri.)

That time he was wearing a formal dark suit, but was sporting what seemed like a mohawk haircut in front, but was long at the back. I recall movie journalist Mario Bautista write in one of his columns that “years from now, when he sees those pictures of him, Peque would probably cringe at the sight of his hairstyle.” Even then, my bet was Peque wouldn’t. I never had the chance to ask.

I can count with my fingers the number of times we’ve met. Whatever I know of him came mostly from Joel Torre, his prized discovery, and various materials written about him in the past. It was Joel who first told me that Peque was the Gallagas’ term of endearment for him when he was little. Born Maurice Lazarriaga Gallaga on Aug. 25, 1943, he spent his elementary and high school years at De La Salle in Manila, but moved to the school’s Bacolod branch when he was in college (he finished commerce and liberal arts).

At La Salle Bacolod, he taught theater and film. When he moved back to Manila, however, he got involved in television musicals and eventually co-directed the movie Binhi with Butch Perez.

Peque actually belongs to the first batch of Gawad Urian winners in 1976 when he and Laida Lim-Perez won Best Production Design for Eddie Romero’s Ganito Kami Noon, Paano Kayo Ngayon?. He won the same award for Ishmael Bernal’s City after Dark in 1980.

In 1982, he finally came up with Oro, Plata, Mata for the Experimental Cinema of the Philippines and to this day is what I consider the best Filipino movie of all time. I’ve been in awe of Peque ever since.

I finally met him in person in the mid-’80s when I was assigned media director of the Film Academy Classification Board (FACB), which industry members hoped would be an alternative to the board of censors. Nestor Torre was the first chairman of the FACB, but when he quit, the late Louie Beltran took over. Now, Louie was a very busy man and hardly had the time to attend the screenings. In his absence, I would be tapped to act as chairman. Although it was very nominal in nature, I still felt uncomfortable because I was very raw — practically just out of college.

Peque attended only a single screening in the two years of the board’s existence and on the day he showed up Eddie Romero (then FAP deputy director general) told him to “just trust me.” Peque held his flashlight (the members were all provided with one each in case they wanted to take down notes) and playfully pointed it at me (no, I wasn’t blinded by its illumination because the house lights were still on). Sizing me up, he told me: “Okay, I trust you.”

The next time we met was at the wake for the late entertainment columnist Bob Castillo. I had just reviewed his movie, Isang Araw Walang Diyos and pointed out how I was so offended by its blood and gore. I swear it felt like his camera lens was mopping up a pool of blood. That was how it registered on screen. I was ready to be assaulted by him that evening and had psychologically prepared myself to have my body brought down to the morgue downstairs after he was done with me. To my relief, he never mentioned anything about it when I said hello to him and he remained a southern gent all throughout the evening. (I now suspect he never read my review.)

In the mid-’90s, we were both asked to judge a scriptwriting contest by ABS-CBN and we met up for the deliberations. As always, he was pleasant and I savored that moment because I’ve always looked up to him as an artist.

Some years back, he visited the Startalk set for some reason I didn’t bother to ask. I just so wanted to ask him where I could get a copy of Oro, Plata, Mata, but he said that even he didn’t have a copy then. I admit I have such fixation on this film that I once risked getting late to work because when it was shown on Channel 23 one Saturday, it finished at way past 2 p.m. and Startalk airs at 2:30. (Aside from Oro, I also adore his Scorpio Nights, Virgin Forest, Unfaithful Wife and the Manananggal episode of the original Shake, Rattle & Roll.)

In 2002, I spent Holy Week in Bacolod and when I went to the grocery to get provisions, I bumped into him and he said that he was already based there practically. I was touched no end when he asked me if I had anyone taking care of me there — and that if I was going to be okay. I thought that was so kind of him and I am the type never to forget kindness.

My admiration for him grew even further when — during a meeting of the Manunuri ng Pilipino a few months ago — we sat down to talk about Peque’s achievements and why he deserves to be given this year’s Natatanging Gawad Urian during our awards night this Saturday, Sept. 19, at the CCP Little Theater.

Yes, Peque Gallaga excels in everything he does — as director, screenwriter, production designer and even in pushing regional theater. It’s truly fitting that this year’s Urian has a regional touch to it because a lot of entries come in different dialects. Of course, Ilonggo is ably represented by Yanggaw, one of the nominated films.

Peque. Even the name fascinates me. Some people may have made fun of it — probably calling him peke in jest. They’re wrong. His talent for the arts is real and genuine.
Title: Re: THE PEQUE GALLAGA THREAD
Post by: keating on Apr 03, 2010 at 07:25 PM
The man bares his angst on this digital age on the Jan/Feb issue of the local edition of Playboy magazine. Excerpts will be posted soon...
Title: Re: THE PEQUE GALLAGA THREAD
Post by: keating on May 04, 2010 at 11:11 AM
"I consider myself a very intelligent director. But I refuse to do a movie and say, this is for the importance of socialized medicine in the life of the Filipino. I do not buy that. The idea that 99% of the movies reiterate, that the poor are downtrodden and the rich are bastards, I will agree. But then I will do an ORO PLATA MATA to show that the rich are human also. And then the socialists will get very angry!"

-Peque Gallaga
Title: Re: THE PEQUE GALLAGA THREAD
Post by: keating on May 04, 2010 at 11:31 AM
Conversations with Mother Lily on VIRGIN FOREST after watching the final product:



Mother Lily: You lied to me, ha?! This is period!

(Direk Peque protested.)
Peque Gallaga: Mother, you knew it was a period film. The story took place during the time of General Aguinaldo.

Mother Lily: Yes, you said so. But I did not know that it would be that period!

The irony of it was that the only girl in the film was not even a virgin anymore.  ;D



Title: Re: Uro dela Cruz on Peque Gallaga
Post by: keating on Jun 10, 2010 at 07:18 AM
PQ
PEQUE GALLAGA


By Uro Q. Dela Cruz

I first heard the name Gallaga after watching a scene where this mestizo character that I have not seen before in all my years watching Pilipino movies was gunned down in Mario O’hara’s Tatlong Taong Walang Diyos. I thought, he is probably from the same theatre community where actors like Burgoses, Rochas, came from. I did not see him again in other films after that. I learned that he was doing production design for Ishmael Bernal for whom I was developing several scripts. But we never met, until he came to the office where I was working to offer me a chance to be an alternate to one of the actors in Oro Plata Mata, his winning ECP entry, for which he was casting at the time. My brother Abbo had been cast a week ago and I wondered why he was asking me –furthermore, I had not appeared in any movie before and I had no intention to be an actor. He convinced me to have a costume fitting at his house. Production designer Don Escudero chose a soldier’s uniform for me and put a tag on it with my name. I started to have stage fright. The actor who was originally chosen to play the role was having difficulty deciding whether to accept the role until the last moment, exactly on the night before everybody involved in the movie was to fly to Bacolod.
As they flew to the jungles of Bacolod, I was left in Manila with nothing but an hecho derecho measurement, courtesy of Don Escudero.
I tried to forget about the whole incident.
And then, in December 1982, the movie was premiered at the Film Center.

From the moment the first bar of Oro Plata Mata’s theme music was heard at the opening sequence until it faded at the end of act one, almost everybody watching its gala premiere 21 years ago was convinced that they were a part of a historic event. That first act alone hinted that it was the end of Philippine cinema as we knew it. It was almost perfect in its blend of cinematic elements –the balance of cinematography, music and sound --brave dramatization of scenes, fresh delineation of characters, irreverent handling of serious issues, and unblinking presentation of choreographed violence never before seen in Pilipino movies. A few critics and film makers who were seated next to me were turned off by the violence and thought that they were the weakest points of the movie. They seemed to have forgotten that they were watching a movie about war. Younger viewers liked it very much and even hinted that maybe, a new age, a renaissance of local cinema was at hand.
Unfortunately, the film spearheaded no such movement. But it started building a body of work from one who will prove to be the most innovative, idiosyncratic, and intelligent Filipino filmmakers. After just one film, he earned the honor to use the tagline “A Peque Gallaga Film”.

I met him again because somehow, he got a copy of one of the scripts I was developing and he offered to option it as his next project. But I promised it earlier to another director. He seemed disappointed.
I saw him next a year later, while Abbo de la Cruz was shooting Misteryo sa Tuwa (another ECP winner) in Mount Banahaw. I was helping out as crowd director and Peque was playing the part of a dead plane crash victim. During lulls in the shooting, we talked and began to know each other. He loved to play games and rode a bicycle around the narrow streets of Lucban. At first, it was hard to reconcile the idea that this person just made one of the greatest films in recent years, and he was playing practical jokes on the set.

Three months after Misteryo wrapped, I found myself working on the script of one third of the first Shake Rattle and Roll series. Meanwhile, Peque was pitching a project to Lily Monteverde, and there was still no word about it. At that time, all the major movie directors were doing sex oriented movies for special screenings at the Film Center. As expected, our proposed project was of the same mold.
Shake Rattle and Roll which was available in the meantime turned out to be relatively an easy shoot. We finished it in just a week. Being a newcomer and an “outsider” to Peque’s closely knit staff (all Oro Plata Mata veterans), I did not have the chance to learn how he really worked. I knew that I was only invited to be with them on location so that I can be consulted on the script when needed.

After the release of Shake Rattle and Roll, Peque called to announce that Regal Films was interested in our turn-of-the-century project.
It was during the making of Virgin Forest, that I learned about the serious side of Peque Gallaga. When he talked about the script, he was all business. Early at that stage, he would talk about how the scoring should be, what filters to use on the lenses –he called the cinematographer to ask his opinion, took a note of that, scheduled the test shoot of Sarsi Emmanuel, arranges for the acting workshop of Pen Medina, new comer Abel Jurado and the stuntmen who would play the Macabebe soldiers. He asked me to prepare scenes to be worked out with the actors during the workshop. (At that time, making actors undergo acting workshops is unheard of. Peque believed that actors must approach a project prepared. In other productions, directors were expected to bully unprepared actors to bring out their best! ) Peque went over period photographs with Don Escudero to finalize production and costume design. These were compared with photographs from the location hunting. And amidst all these, he was preparing for a meeting with Mother Lily in the evening. It was common belief that Oro Plata Mata turned out to be a good movie because ECP gave Peque everything he needed. People looking in thought Oro Plata Mata was good only because it was expensive. With this next project, he would be dealing with Mother Lily, a real producer. “Virgin Forest” was to be Peque’s first “pelikulang Tagalog”. The producer’s requirement was basic: it had to star Sarsi Emmanuel and Miguel Rodriguez. And even if it was about the capture of Emilio Aguinaldo, its title must be “Virgin Forest”.
Mother Lily finally gave the go signal.
In the next few days, the staff and crew invaded Atimonan beach. Two villages had to be built, one at the edge of a forest, and another near a creek. Several camp sites to be identified within the forest itself. A launch would have to be rigged to look like the ones plying the Tayabas shoreline at the turn of the century.
Peque ran a tight ship. With his staff, he made sure that a judicious schedule is formulated. Everything else is bound to that. It was almost like religion. Every department made sure that no delay occurred in the delivery of every requirement. The training they learned from Oro was applied here once again.
Two days before actual shoot, we sat in a hut in Atimonan beach and he made me read each line of dialogue from the script. He wanted to make sure that he understood them the way I did. And in the next few days, I would see the Peque Gallaga ritual that set him apart from the other directors I have worked with before.
Under the huge trees or at the edge of a brook in Quezon Memorial Park, a protected forest, Peque would sit in his director!s chair and meticulously break down the scene to be shot that day. In his tiny hand writing, he would make a shot list, each entry was preceded with a symbol signifying camera angle and general orientation. Lines of dialogue were cut into fragments that fit into his planned edited version of the scene. And he was set to go.
The actors arrived in the set prepared. Scenes were rehearsed. And then, the fun began. He was most active right before the cameras rolled --making final checks on the costumes, looking out for colors that don’t seem to belong, creatively disarranging things that seemed too ordered, adding an item that looked interesting and intriguing, giving his actors suggestions, reminding them of a moment discovered during the workshop. It all went well that first day. And at the end of the day, I caught him humming an Ilonggo ditty. On other days, it would be a Tom Waits song.
Also, after that first day, I banished my initial image of Peque Gallaga the mad genius whom I initially imagined to be a painter frenetically throwing gobs of paint on a canvas until something that pleases him came out. Peque distrusted artistic accidents. But he welcomed surprises especially from actors who, inspired by the moment, managed to bring out something beyond what was asked of them as in the massacre scene at Aguinaldos’s camp --a marching band drummer reacted by throwing his drum, after an American soldier fired a gun at him.
During the whole shooting of Virgin Forest, he would always be humming a song on the way back to the base camp.
After watching the finished film for the first time, Peque told me that Mother Lily could not believe that that was the movie she produced.

Aside from Virgin Forest and 1/3 of Shake Rattle and Roll, I wrote 3 more movies for Peque Gallaga -- Scorpio Nights, Unfaithful Wife and Once Upon a Time.
He kept his dedicated staff and crew that whole time. And making movies with that community of what we fondly called “the cultural sakadas” was almost not work. I suspected that what kept it going was actually beyond creative passion, it was like a curse which you had to feed and live with.

After about three years of movie making, the tagline “A Peque Gallaga Film could easily be (as it has always been) mistaken to mean movies with torrid love scenes, violence, rough language and gruesome creatures. But only people who set out looking for them made these mistakes. For his real followers, the tagline meant an experience not easily found in other films.
Peque treated all his films with equal care and attention. He made sure that the audience was not cheated and insulted. A horror movie went through the same preparations as did his action dramas. The performances were kept authentic and honest. Care was equally given to technical requirements and art direction. The phrase “pwede na ‘yan” was banned in Peque’s movie set.

Television lured me away from the movies.
I met Peque after more than 10 years since writing Once Upon a Time. Over the years, a few of Peque’s films had been invited to be shown at international film festivals, from San Francisco, Tokyo, Shanghai, France and Canada. In 1995 during a special retrospective of Scorpio Nights in Toronto, Canada, the late David Overbey who was a festival programmer challenged Peque Gallaga to do a Scorpio Nights for the 90’s. I found myself writing Diliryo and working with Gallaga again.

Like a movie gunfighter, he carved a notch on the arm rest of the director’s chair after he finished a movie. Now, it is easy to look at it as a private reminder of personal achievement. But if making film is a curse bestowed on him at the start of his career, the notches can also be seen as a prisoner’s reminder of his time inside a jail he does not wish to get out of.

A lot of people (all cursed) who worked with Peque Gallaga either as Assistant Director, Production Designer, and Scriptwriter have become film directors themselves. They may have learned a thing or two from Peque, the way he admitted learning from Ishmael Bernal (“not how to direct, but how to be a director”), but that is inevitable because Peque is a good teacher. He does not keep what he knows to himself, and always acknowledges lessons he has learned from you and things he has discovered with you during the process of making a film. He always calls to ask your consent whenever he feels that something you have talked about a long time ago could be used in a project he is working on. Decency like this is rare in an industry famous for all sorts of aberration.

I only write scripts for three directors, each of them my personal choice. Peque Gallaga is on top of that list. Even if I had been directing my own movies, for Peque Gallaga, I will always be honored to be his scriptwriter.

It is unfortunate and sad that the Filipino film industry cannot sustain the continuing creative energy of filmmakers like Peque Gallaga who, I believe, still has a number of films waiting to be broken down into a list of camera set-ups and entered by hand into his clipboard. And I am sure there is still enough space for several notches on the armrest of his director’s chair.

Title: Re: THE PEQUE GALLAGA THREAD
Post by: keating on Feb 20, 2012 at 06:34 PM
A musical tribute to 16 martyrs

By Linda B. Bolido
Philippine Daily Inquirer
11:31 pm | Sunday, February 19th, 2012

It may seem like a strange subject for a musical—the massacre of 16 La Salle brothers and several Filipinos as World War II winded down.
But for award-winning director Peque Gallaga, a true-green La Sallian, having been with the school from elementary to college, the event deserved to be celebrated.
In a press conference announcing the restaging of the all-La Salle production of “A Fire in the Soul: A Cantata,” Gallaga, who is directing the musical, said, “They (La Sallian martyrs) were the first foreigners who proved Filipinos were worth dying for.”
For the De la Salle educational system, theirs was a story of service to humanity worth remembering eternally and having songs sung in homage.
Based in Singapore at the outbreak of the war, the 16 La Sallian brothers came to the Philippines when the United Kingdom expelled German nationals from its territories. The British were at war with the Germans in Europe.

Innocent victims
As the tide turned against the Japanese invaders and the Americans made their unrelenting drive toward Manila, the enemies vented their frustration on hapless, unarmed citizens.
The brothers and some families that had sought refuge in the chapel of the De la Salle school on Taft Avenue were advised to flee.
But the Japanese were not at war with the Germans, they were allies, in fact, so the brothers thought they would be safe, Gallaga said.
What happened on Feb. 12, 1945, was too gruesome even at a time when people had gotten used to the sight of blood and gore. The massacre left only one survivor.
Gallaga said, aside from showing a love for their host country, the brothers’ death  also showed that investing in Filipinos meant not only teaching them literacy and numeracy. He said the message of the show was “on the level of what inspired people to join the ‘yellow army’ (pro-Cory Aquino groups that toppled a dictator)—high ideals, high principles …”
Vicente Garcia Groyon, who wrote the libretto (lyrics), said the brothers’ story had to be remembered not just by the La Salle community. Von de Guzman, composer, said, because of its subject, the cantata was probably more of a requiem, a remembrance of the dead.
Gallaga said the musical, created by Gabby Fernandez, would also show people the La Salle brothers’ commitment to education. “Not many people understood the idea of the brothers. This (cantata) introduces the brothers and what they did for Philippine education— how they embraced the country’s culture and tradition that make De la Salle (what it is).”

“A Fire in the Soul” was first staged in the Bacolod campus in the 50th year of the massacre, under the sponsorship of the La Salle brothers in Singapore, one reason why cast and crew, when talking about bringing the show outside the university, think the island state is the more likely destination.
But Bro. Bernard S. Oca, FSC, executive producer, would rather not raise false expectations. “It is so expensive to mount. I do not know if staging outside the university, especially in Singapore will happen.”

New cast member
This latest production has added actor Michael de Mesa to the cast, as one of the martyred brothers. Old-hands Franco Laurel, Al Gatmaitan, Jonel Mojica, Miguel Castro and Floyd Tena are the other main players.
Since De la Salle University (DLSU) has gone coeducational years after the brothers’ martyrdom, women have also been given roles in the production, including Naomi Sison as Alma Mater and Conchita Castillo and Tanya Lopez as narrators.
Ricky Gallaga, Dado Jose, Louie Zabaljauregi and veteran actor Jaime Fabregas are also narrators. Also featured are singing groups from the different La Salle campuses, including kids from La Salle Green Hills.
The cantata, part of the yearlong celebration of DLSU’s centennial in the Philippines that started last year, will  have two performances at the Teresa Yuchengco auditorium, 7th floor, Don Enrique T. Yuchengco Hall— matinee at 3 p.m., February 26, and gala at 8 p.m., February 27.
Oca said the gala staging was in honor of benefactors who were alumni and the International Association of La Sallian Universities. DLSU is hosting the meeting of presidents of member universities.
Tickets for the matinee performance on February 26 cost P200 each.  Students pay the discounted rate of P100 per ticket. For the gala show on February 27, orchestra seats are priced at P500 (regular) and P250 (students). Balcony seats cost P250 (regular) and P200 (students).

Call the DLSU Centennial Office at 5244611 local 290 or e-mail [email protected].
Title: SEDUCTION
Post by: keating on Dec 31, 2012 at 07:50 PM
Three gorgeous people (in SEDUCTION), a new film from Peque Gallaga. The return of the master filmmaker on celluloid. I was on the set last week of October, can't imagine the film wrapped up so fast! Trailer is up already on youtube. Showing January 30, 2013.

http://www.youtube.com/watch?v=u7STL_4p6ik
Title: Re: SEDUCTION
Post by: jdv1229 on Jan 04, 2013 at 10:30 AM
I'm surprised that Seduction received an X-rating from the MTRCB. Direk Lore had to cut short his vacation to help re-edit the movie.
Title: Re: SEDUCTION
Post by: keating on Jan 06, 2013 at 11:33 AM
They will start editing the film. The youtube video trailer will be edited also.
Title: Re: SEDUCTION
Post by: jas on Jan 31, 2013 at 08:12 AM
I am guessing a lot was cut for the theatrical release. From a X-rating, it is now only R-13.

Will there be a "Director's Cut" on DVD?
Title: Re: SEDUCTION
Post by: rse on Feb 01, 2013 at 01:35 AM
Any one seen this?  Any good?
Title: Re: SEDUCTION
Post by: ronnivore on Feb 06, 2013 at 04:43 PM
Any one seen this?  Any good?

H-O-R-R-I-B-L-E
Title: Re: SEDUCTION
Post by: Verbl Kint on Feb 06, 2013 at 04:59 PM
I wonder if the original cut is actually better.
Title: Re: SEDUCTION
Post by: johnnyblaze on Feb 12, 2013 at 01:50 PM
I wonder if the original cut is actually better.
Chances are it is
Title: Re: SEDUCTION
Post by: rse on Mar 02, 2013 at 12:06 AM
http://www.regalfilms.com/product-p/2013dvdsed.htm
Title: Re: THE PEQUE GALLAGA THREAD
Post by: Mr. Hankey on Sep 13, 2013 at 11:05 PM
I just watched Sonata at the National Film Festival (All Masters Edition) at SM.

(http://3.bp.blogspot.com/-9omInRyKLjM/Uia3WOKseZI/AAAAAAAAGHA/ETU-95NBqfo/s1600/Sonata.jpg)

The story is somewhat predictable, and the pacing is really slow. While the cinematography is beautiful, all the handheld shots are ridiculously shaky. Cherie Gil gave a great if occasionally over-the-top performance.

If any of you plan to watch it, I'd say avoid searching for the trailer online. It gives away almost all of the poignant scenes in the film.

It's okay, but uneven. Not bad for 101 pesos.
Title: Re: The Peque Gallaga Thread
Post by: Mr. Hankey on Apr 26, 2014 at 11:15 PM
Making the rounds today on Facebook:

Quote
Was having a nice lunch with Christopher Reyes and Quincho in Mamou, Rockwell, when a baby from another table started crying. Seated behind us was the director, Peque Gallaga (PG), in a meeting with G Toengi and others. PG complained to the waiter about the noisy baby. PG: "This is ridiculous! We're having a meeting here and there's a baby crying. This would be banned in the States!" This got our blood boiling already but we let it slide. A few minutes later, another baby, this time, the one seated beside us, started crying as well. One of PG's minions called the waiter and demanded that the baby be asked to leave the restaurant. At this point, Shorty and I were fuming mad, we just had to speak up.

Me: "This is a public place. If you wanted a quiet meeting, you should have held it in an office!"

The restaurant manager approached PG's group and asked if they wanted to sit outside.

PG: "No, we won't transfer outside. THAT baby should leave!"

Me: "Who the hell do you think you are?!!"

Shorty: "It's a baby!!!"

PG: "He may be special to you but he's not special to us."

Me: "He's a stranger to us. He's not even our baby!"

Although the manager told PG that Mamou was a family restaurant, he and his minions continued to bitch about how they were bothered by the baby.

Me: "You, SIR, are a horrible, horrible person!!! I have lost all respect for you."

Shorty: "You have absolutely no class!"

As we walked out of the restaurant and the manager and staff apologized profusely to us, one of PG's minions called out to Shorty: "You are all class." And Shorty goes: "I totally agree with you." Then Shorty went to the mom of the crying baby and said "I love your baby!"
Title: Re: The Peque Gallaga Thread
Post by: Noel_Vera on May 22, 2014 at 11:42 PM
I liked one of his films (tho not it must be noted, as much as Laurice Guillen's exercise in the genre), kinda sorta like a handful of others, that's it.
Title: Re: The Peque Gallaga Thread
Post by: halvert on Jan 31, 2015 at 02:45 PM
Just saw peque on tv today, replay ng cooking show ni janice de belen. He's not fat, parang morbidly obese na! Hope he slims down for his health.