well.. if you set direct radiating speakers up properly rin, they also disappear. NOT LIKE dipoles. pero close enough. and you still get the advantage of that localized 'panning sound..'
I guess the same can be said of bipoles WHEN it comes to localized 'panning' or steering and directional effects. Properly setup, you DO GET THESE EFFECTS and to me it's good enough:
- to hear the burst of flames go around you, in that oven scene in Chicken Run; ditto with the whirling mace in the the first arena battle in Gladiator.
- to hear the whizz of the pod racers from behind to front, and all around, and the ricochet of bullets in EP1's Pod Race
- the sound of doors opening/closing to the right and behind, water dripping in a cave, etc.
And you still get that advantage of being immersed and enveloped in the ambient sound:
- being in the middle of a snowstorm/hailstorm/rainstorm and you can't say where it's coming from.
- underwater effects
- being inside a cave with all the ambient echoing, and so on-
- being part of the screaming crowd in concerts, and so on
Since I use my HT setup primarily for movies and listen to music in a separate stereo only setup (as arnoldc puts it, nothing beats the imaging/soundstaging of a good stereo setup--now that's steering/panning/localized effects enough for me in music), I decided to get Mission's m7ds bipoles instead of the m71 or m72.
(Price can also be a consideration, since bipoles are generally more expensive than direct radiating options of the same brand/line. Direct radiating speakers too are more flexible, since they can serve/be sold as fronts if desired.)
So in the end, it comes down to preference. What does one prioritize and what will one be content with good enough?
GAOL