i'm a balimbing on this issue although i prefer digital now for convenience and for many recordings that are really excellent. i still have something like a thousand vinyls incl. Telarc, Sheffield, Chesky, MFSL, Reference, and Japanese virgin pressings and about half a dozen record players, and a dozen cartridges. i had a serious talk with my wife last month and we've decided we would donate my vinyl and record player collection to UP Mindanao library should something unfortunate happen, maybe within the next 40 years. the next generation deserves to hear how good analog hifi technology sounds despite its limitations.
i own a CD player since the mid-80s and didn't like its sound initially until i heard the CD versions of Sheffield, Chesky and Reference titles, which I also have on analog. Lincoln Mayorga's "Missing Linc" and Michael Garson's "Serendipity" are among those that convinced me digital could be good. i also was given a demo by the Linn people at their showroom on Union Square in SF sometime in early '90s on how their technology has improved significantly playing their best analog and digital recordings on their best record and CD players. an analog legend, Linn was among those that originally resisted digital conversion.
what about analog? my experience is that everytime i revisit my collection every three months, i'd notice a note or sound i never heard from the digital versions. there's something there that's difficult to explain - could include the click and pop, maybe the hiss of the original tape where the vinyl recording was sourced, maybe the memory of the golden years of rock, folk-rock and cross-over jazz in the '70s and '80s. whatever it was, it always sounded good to me.
the synthesis? i'd say it's a "to each his own" game. we all have personal preferences that no one can take away from us when we play our gears and music in our rooms. analog or digital? no way, as far as i'm concerned. it should be analog AND digital.