I just wanted to share with you some thoughts regarding Audio in general. Below are
some excerpts from
http://www.dself.dsl.pipex.com/ampins/pseudo/subjectv.htmI do not want to start a flame war or anything but I just wanted to share some ideas
before you make any purchase of audio equipments.
"1: SCIENCE AND SUBJECTIVISM.
Audio engineering is in a singular position. There can be few branches of engineering
science rent from top to bottom by such a fundamental disagreement as the Subjectivist/
rationalist dichotomy. Subjectivism is still a significant issue in the hifi section of the industry,
but has made little headway in professional audio, where intimate acquaintance with the
original sound, and the pressing need to earn a living with reliable and affordable equipment,
provide effective barriers against most irrational flights of fashion. (Note that the opposite of
Subjectivist is not "Objectivist". I understand this term refers to the followers- if any- of the
philosophies of Ayn Rand)
Most technologies have universally accepted measures of performance car makers compete to
improve MPH and MPG; computer manufacturers boast of MIPs (millions of instructions per second)
and so on. Improvement in these parameters is universally accepted as progress. In the field of hifi,
many people seem to have difficulty in deciding which direction forward is.
Working as a professional audio designer, I often encounter opinions which, while an integral part
of the Subjectivist offshoot of hifi, are treated with ridicule by practitioners of other branches of
electrical engineering. The would-be designer is not likely to be encouraged by being told that audio
is not far removed from witchcraft, and that no-one truly knows what they are doing. I have been
told by a Subjectivist that the operation of the human ear is so complex that its interaction with
measurable parameters lies forever beyond human comprehension. I hope this is an extreme position
for it was proffered as a flat statement rather a basis for discussion.
I have studied audio design from the viewpoints of electronic design, psychoacoustics, and my own
humble efforts at musical creativity. I have found complete scepticism towards Subjectivism to be the
only tenable position. Nonetheless, if hitherto unsuspected dimensions of audio quality are ever shown
to exist, then I look forward keenly to exploiting them. No doubt that most of the esoteric opinions are
held in complete sincerity.
2: THE SUBJECTIVIST POSITION.
A short definition of the Subjectivist position on power amplifiers might read as follows:
* Objective measurements of an amplifier's performance are unimportant compared with the
subjective impressions received in informal listening tests. Should the two contradict the
objective results may be dismissed out of hand.
* Degradation effects exist in amplifiers that are unknown to engineering science, and are not
revealed by the usual measurements.
* Considerable latitude may be used in suggesting hypothetical mechanisms of audio impairment,
such as mysterious capacitor shortcomings and subtle cable defects, without reference to the
plausibility of the concept, or gathering any evidence to support it.
I believe this is a reasonable statement of the situation. Meanwhile the overwhelming majority of the
public buy conventional hifi systems, ignoring the expensive and esoteric high-end sector where the
debate is fiercest.
It may appear unique that a sizable part of a technical industry has set off in a direction that is quite
counter to the facts; it might be felt that such a loss of direction in a scientific subject would be
unprecedented. This is not so."
Cheers,