Author Topic: Mike de Leon  (Read 65279 times)

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Offline Noel_Vera

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Re:Mike de Leon
« Reply #30 on: Dec 15, 2002 at 05:59 AM »
And this is even more off-topic, but please bear with me: it's about de Leon's favorite subject (Rizal, or one of his loved ones) and I'm guessing y'all could stand a little eddication... ;D

Rizal Weather (or: Undressing Josephine Bracken)

By Noel Vera

WE WERE IN THE CHAMPAGNE ROOM of the Manila Hotel, talking to Austin Coates, Rizal biographer, novelist, historian, and a former high-level official of Hongkong. "We" were film director Tikoy Aguiluz, Monica Feria, managing editor of Graphic Magazine, George Asiniero, and myself. The weather outside was a blustery grey, sheets of rain splattering against the hotel windows.

"Rizal Weather," Coates declares. He was a neat, elderly man with immaculate white hair. "We were in Heidelberg one morning when we looked out the window and saw that the sky was pouring. We had plans in the afternoon, now the trip was spoiled. And--God--quarter past two, just when we were prepared to go, the sun came out. It always happens. The rest of the day was a glorious afternoon, and I remember we loved the sunset. When we got back at 6:30 it was pouring again. It rained for another three weeks. There you are--Rizal Weather."  

Tikoy started the interview in earnest: "We used several sources for our film on Dapitan: one of them is Leon Ma. Guerrero. We felt he was writing from the Church point of view, however."

"Personally," I said, "I feel your biography was the best written of the lot."

"Yes. Leony. Yes." Coates said. It took me a moment to realize "Leony" was his nickname for Leon Guerrero "The trouble with Leony is that his book isn't a book about Rizal; it's really a book about Leony." He gives a delighted laugh, his eyes twinkling with mischief. "Trust me, he was that type of man. You'll find that Rizal isn't born until about page 3."

"His writing is, uh, a bit dry," I ventured after Coates had finished chuckling.

"The strange thing is," Coates said, "in person he's an ebullient man. Very nice, very engaging companion."  

"We're curious about Bracken," Tikoy continued. "We found a lot of fake manuscripts sold by people to make money. We weren't successful in tracing anyone who knew her."  

"There isn't anyone left alive who knew her," Coates said. "I've interviewed literally everyone who did know her, back in 1950. There's nobody left. There were very few even in the '50's. Her adopted father, Taufer--"

"He was American, wasn't he?" Tikoy asked.

"He had an American passport. He got one on the basis of his parents emigrated from Germany. His brother was a much nicer, much more reliable person. George Taufer was an out-and-out womanizer. And he had syphilis as well. That was why Rizal couldn't treat him at all.

"You're the only one that mentions that Bracken was Eurasian." Tikoy said. "All the rest say she was Irish. Guerrero says she was Irish."

"Oh she liked to say she was Irish, and her father definitely was Irish. You see, James Bracken was on the verge of retirement--he was an army  soldier. He had gotten a girl into trouble; she gave him a daughter. He was stuck with finding somewhere to put her. It was a question of honor, an unwritten code with the British that after whatever you've done the child should be well looked after. And afterwards, the same thing probably happened the next year! He was that type of person. When Elizabeth Bracken died, it was Taufer who suggested that Josephine be registered as Bracken's legitimate daughter. The army had no way of knowing that his wife was dead; the death of a soldier's wife was recorded London, not Hongkong, and that was how he was able to pull it off. But not in the cathedral register; the cathedral register is true."  

Tikoy asked: "There's a story that the Rizal family, who lived in Hongkong, and the Taufers , living next to each other, knew each other."

"That's part of the Josephine myth," Coates replies. His eyes roll. "Oh, the myths about Josephine!"

"What about Manuela Orlac?" Tikoy asked.

"Manuela Orlac was a carrier. The Dominicans were always plotting against the government. They didn't use a telegraph service; they used Manuela as carrier, and there have been others. She would carry messages from Hongkong, hidden here," he indicated where she would hide the note between her breasts, "so that the Governor-General wouldn't be able to see it. The Dominicans are such unmitigated bastards!"

"They were the invisible government at that time," Tikoy said.

"They were rather visible too," Coates said. "Syphilis and all."

"How did Taufer contract syphilis?" Tikoy asked.

"You see, there were three women in Taufer's life," Coates said. "Two were actual wives. And the circumstances of the wives' death, I hear, was that both wives were syphilitic."  

"We heard that Rizal was set up by sending Bracken to Dapitan," Tikoy said.

"Maria, Rizal's sister, suspected," Coates said. "I think everybody did. Trinidad was absolutely sure; you sensed this sort of thing."  

"What was Orlac's relation to Bracken? Was Bracken like an agent?" Tikoy asked.

Coates thought about it. "No. Josephine was too simple."

"About Josephine's miscarriage," Tikoy continued. "They say that Bracken miscarried because she was confronted with the rumor that she was working for the friars. What do you think of that?"

Coates frowned, then said carefully: "The Rizal family would know. They were there."  

"What about the marriage at Fort Santiago?" Tikoy asked.

"Did it ever happen?" I asked.

"There were documents that recorded it," Tikoy observed.

Coates shook his head; his answer was forceful and emphatic: "At no account whatever, in whatever circumstances, under Spanish military law, would the wife be allowed into the prison on the day of a convict's execution."

Tikoy nodded. "How about the priests?"

Coates eyes rolled. "Ooo," he said, which made all of us grin.

"No? Never?" asked Tikoy.

"Never. Anyway, the prison was largely dominated by freemasons." Rizal was a mason, which meant--if Coates was right--that the prison guards would tend to be on his side.

"Oh," Tikoy said. "There's a story that Josephine, after Rizal died, went to Hongkong and contacted the Freemasons there. She went to the masons one night, told the story of her and Rizal. We have the name of the Englishman mason, I don't know if you've ever heard of it."

Coates frowned. He leaned forward in his most serious manner "The Josephine myth--" Tikoy laughed. Coates smiled. "There's no end to it. No end to it, really. The number of people who ask 'where is Josephine's monument--tear it away!' Oh, dear."

"She died in Hongkong," Tikoy said.

"Yes, as a pauper."

"Do you know where?" I asked.

"In the colonial cemetery, somewhere. There is no record of a pauper's grave."

"Do you have any record of her getting Rizal's property?" Tikoy asked.

"She tried to get control of the library."  

"She never got it," Tikoy said. "She wasn't his wife."

"That's exactly it. When she got to Hongkong, she wrote to Jose Maria Basa, Rizal's friend. She lived with the Basa family for about two--three months. And then, unknown to the Basas, her adopted half-sister, Sarah Taufer, returned from the Philippines with her husband. He was English. They were truly down and out, terribly poor. That Sunday afternoon, in the middle of August, 1897, she slipped out--and was never seen again. No member of the Basa family ever heard anything about her.

"The next thing that happened was that a solicitor's letter arrived, saying 'The widow of the late Jose Rizal required possession of his library.' Which was in Basa's safekeeping. Basa went to see the solicitor. He asked: 'Are you sure this is the real widow of the late Jose Rizal?'  It would have been very easy for the solicitor to find out; all he had to do was contact the Cardinal of Cebu. When Josephine heard that, she changed tactics.. She invented a nonexistent will, signed by Rizal, and wrote to Blumentritt, asking his help in rescuing the library.

Monica, quiet all this time, spoke up. "What did she want to do with the library?"

"She didn't want it, it was Sara's husband. Sara's husband was English mind you, and he was employed as a godown nightwatchman--a job done by very poor Indians."  

"So why would he want the library--?" Monica asked.

"Money. They were desperate. They lived in a cubicle. A truly ghastly place, four houses in an awful location. One was a sailor's guest house. That was where Josephine met Abad, her husband. He was a throwout. His family, who owned the Farmacia Abad in Binondo, a reputable firm, they didn't want anything to do with him."  

con't

Offline Noel_Vera

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Re:Mike de Leon
« Reply #31 on: Dec 15, 2002 at 06:02 AM »
con't

"So the Abad Josephine married was a disowned Abad" said Monica.

"He was playing a highwayman's game with his family. When Josephine was having her baby, he was writing his family: either his family sent him enough money for him,  Jospehine and the child, or he would come home. And while Josephine was pregnant, the men of the Abad family would go back and forth by steamer from Manila to Hongkong, desperately trying to keep this terrible man from coming back to Manila. They eventually came to a compromise. They agreed that Josephine and the child would be received by the family, but not Abad. Abad was to stay in Hongkong.

"All this very nearly stymied the marriage. Josephine was married when she was eight months gone with child. The child was born three weeks after the marriage. The marriage picture of Abad and Josephine was taken--you can see she was not pregnant--after the baby was born. The picture was taken in a Chinese shop, and they were both wearing hired clothes, which were hired from the Chinese photographer. It's a very sad, terrible story.

We were silent for a moment. "What puzzles me" Tikoy finally said, "is that when Rizal left Dapitan, he left things with this friend and that, but nothing to Josephine."

"She was going with him. She would be looked after by his family."

"He never planned to die," Tikoy said. Coates nodded.

Monica spoke: "You wrote your book on Rizal thirty years ago."

Coates smiled. "Did I really?"

"My question is--now, today, is there anything you would have written differently?"  

Coates sat up. "Oh, what an interesting question. No. No--no. Except there was a mistake--no, two. Once a year the galleons came bearing silver, not gold. Because the Chinese wouldn't trade except in silver." He started leafing through a copy of the book for the other mistake.  

Monica persisted. "What about the things that have been discovered since?"

"No, I'll tell you why. There's been a great deal more discovered since about him, yes. But you see, a biography, to be readable, must have life. You ask yourself: did such and such a thing that happened reveal anything about Rizal?  If it didn't, cut it out. Because it's an enormously documented life. I can get quite ruthless on that sort of thing." He spread the book open. "Yes, here we are: 'Early in 1898, after the death of her adopted father she returned to her birthplace.' That's not true. She returned in 1897, after spending three weeks in Cavite."

"She joined the Revolution," Tikoy said.

"She was up there for about three weeks," Coates said.  

"Not three years?" Tikoy asked.

"She was completely useless. Well, with the life she was used to, she couldn't adjust. I mean, carrying water from a well--where she came from, water came out of a tap. Josephine had never seen a field until she reach the Philippines. She was there for 21 days, then Paciano (Rizal's elder brother) got her back."

I ventured a question. "You wrote in your book that Taufer attempted to molest Josephine--"

"Oh, absolutely, there's no question about that Taufer."

"How far did he get?"

Coates was stopped completely on his tracks. "Why--why I haven't any idea. Josephine, she was scared of him..."

Tikoy tactfully intervened. "Rizal was her saviour then," he observed.

"Yes."

"I heard a story that she was a Shanghai dancer...entertainer...uh..."

"There was no such thing as European women entertainers in either Shanghai or Hongkong. Only Chinese." Coates said firmly.

"But she was Eurasian?"

"Who would see a Eurasian dancer?  Singing and dancing Chinese entertainers, yes. No, there's no possibility, except--" Coates grew thoughtful. "She had a little way about her. Those 'come hither' eyes, see. That's a description of her. You can see why Filipinos...got this idea of her character."

"Did Rizal love her?" Tikoy asked.

"Yes, he did, there was no question."

"But he fell in love with all the women in his life." Tikoy pointed out.

"He was himself attractive to women and attracted to them."

Tikoy changed tack. "If you were approached by a producer to write a screenplay about Rizal, how would you go about it?" I had to smile: it wasn't a subtle question, but it was interesting.

"I would never write it. It isn't a movie thing."

"Why not?"

"Well... there isn't a romantic thing in it...it ends up in a dreadful trial and death. It's an intellectual life, far too complicated."

Tikoy persisted: "How would you bring him to the masses, to ordinary men?"

"Well, if you can take bits of Rizal, incidents...a short interlude, some incident..."

"Like Dapitan..." I offered.

Coates nodded. "Like Dapitan. But you see it's something an artist wouldn't like...there's no action..."

"I'd like to see what kind of character would you give Rizal" Tikoy said. "Is he a reluctant hero, the indio who's equal to any Westerner, the Renaissance Man?"

"Was he self-absorbed?" I asked.

Coates looked besieged. He frowned. "He was absolutely--European."

Tikoy nodded. "He felt he was their equal."

"I don't think it would have occurred to him that he wasn't their equal," Coates said. "Teodora Alonza, his mother...was a great, grand lady. They were superior to any Spaniards they came across. The Rizal family was superior to those ghastly friars...terrible people who stank of sweat."

Monica asked: "How did you come to learn about Rizal?"

"February, 1950. I came to Manila, leading a HK delegation to the Jaycee World Congress. I was staying here, in Manila Hotel. I got up early in the morning, and saw this monument--the Rizal monument in fact. I went out to look at it, find out who it was. I remember I saw that name on a postage stamp when I was a schoolboy. And I thought it was a Latin American dictator!

"I knew Mahatma Gandhi. I knew the Tagore Family. I never met the poet, he died three years before I met anybody. I knew the Sun-Yat-Sen family all along. We were very close indeed. And I thought: this was absurd. Now here was evidently a very important person, and I knew nothing about him. So I disappeared into the bookshops that morning and came away with everything I could find about Rizal."

The rest of the interview was small talk. Tikoy showed Coates pictures of the film he was doing, titled Dapitan, about Rizal and Bracken and their life together. He showed Coates an Asiaweek photo of the lead actor, Albert Martinez, and asked if he looked the part.

Coates looked at the photograph. "His nose is a bit sharp," he pointed out. "But--yes. Oh yes. And he has Rizal's stance, his posture."

Monica had one more question: "Why Rizal? You mentioned Rabindranath Tagore, Mahatma Gandhi, Dr. Sun Yat Sen in your book. Why spend sixteen years of your life writing about this man?'

Coates' final answer was as direct and illuminating and lively as his prose. "So much has been written about Mahatma Gandhi. As for Tagore, everything he writes reveals volumes about himself. Dr. Sun Yat Sen is difficult to write about; he's such a complex, contradictory character I would imagine only a Chinese can do it properly. Nowadays, I'd add Mao Tse Tung, who's just as famous.

"Rizal had ideas and achievements as important as they had, but he's relatively less known." Coates shrugged and smiled. "I thought I'd do something about it."

From The Manila Chronicle, September 96

Offline tonedeaf

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Re:Mike de Leon
« Reply #32 on: Dec 15, 2002 at 10:51 PM »
Any update on the DVD(or VCD) release of Itim?  

I saw it first, a long time ago, on free tv, and didn't catch the title.  But I couldn't get Vic Silayan off my mind. I don't know much about films, i just like watching them, but I loved that it had only 4 major characters, no sidekicks, no gossipy neighbors.  It was like they were the only 4 people in their world.  

When I was still a subscriber of SkyCable, I was able to watch it again (and again), and that was when I learned that it was by Mike de Leon.  I've only watched 3 of his films - Itim, Bayaning Third World and the Lorna-Boyet komiks adaptation - wish I had the foresight to  sit through Batch '81 when it was shown.    

As for Itim, up to now, I can't imagine Vic Silayan  playing the good guy in any movie.  

Offline RMN

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Re:Mike de Leon
« Reply #33 on: Dec 16, 2002 at 11:24 AM »
HERES SOMETHING I READ ON BAYANING THIRD WORLD...

When Mike de Leon  first received na invitation from the screening comittee of the Cannes Film festival, B3W was not yet complete. The second time around, Mike de Leon was so frustrated and disappointed that his film was a flop (it cost him more or less 12 million to produce), he sent a copy to Cannes without subititles! In other words, B3W, was not screened.
« Last Edit: Jan 04, 2003 at 12:35 PM by rmn »

Offline Noel_Vera

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Re:Mike de Leon
« Reply #34 on: Dec 17, 2002 at 12:38 AM »
If it has Vic Silayan in it, it's Kisapmata.  Itim had, uh, Mario Montenegro in it.  

Cannes doesn't know what it's missing.  It's been very dismissive of recent Filipino cinema, and wouldn't know a good Filipino film if you stuffed it up its heinie.  A more responsive festival is the Autumn Festival organized by Cahiers du Cinema.  Also, Hong Kong and Singapore Film Festival are very "on" to what's hot in the Philippines.

'Course, both festivals ask me for titles...  ;D

Offline Phobos

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Re:Mike de Leon
« Reply #35 on: Feb 07, 2003 at 11:11 AM »
I interviewed Ricky Davao the other day and he had a lot of interesting things to say about Mike de Leon. One of which was this story:

While they were filming Bayaning 3rd World, Ricky was under the impression that they were doing a serious movie, so he and co-star Cris Villanueva played their parts with that at the back of their minds.

During the screening, Ricky was surprised by the audiences' reaction to the movie. They were actually laughing out loud during the movie!

He would later find out that Mike de Leon purposefully did not correct him about his initial impression of the film thinking that it would be funnier without the actors knowing that it was supposed to be funny.

The story reminded me a lot of a similar anecdote about Alfred Hitchcock on the set of Rear Window
« Last Edit: Feb 07, 2003 at 11:13 AM by Phobos »

Offline RMN

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Re:Mike de Leon
« Reply #36 on: Feb 07, 2003 at 08:30 PM »
Care to share a little more? Hehe! ;D

Offline kakabanas

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Re:Mike de Leon
« Reply #37 on: Feb 08, 2003 at 09:21 AM »
Just saw Sister Stella L. Eh, it's ok. Not one of his best. It felt forced. Tony Santos was good in it ... so was Jay Ilagan and Liza Lorena.

The best line was when Liza Lorena said to Jay Ilagan something like "Ang tigas ng ulo mo, dapat diyan ipukpok sa pader. Alam ko naman kung bakit mo pinagpipilitan isulat ang welga. Gagamitin mo lang ito para ilabas ang sama ng loob mo. Si Sister Stella pa rin ang problema di ba ? Baka akala mo  kapag naisulat mo ang welga nila mapapalabas mo siya ng kumbento. Eh kung nung hindi pa siya madre wala kang nagawa ngayon pa? Tingnan mo ang sarili mo para kang nauulol. Nakakahiya ka, babae na, madre pa"

Offline Reuven Malter

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I Love Liza
« Reply #38 on: Feb 08, 2003 at 11:56 AM »
Liza Lorena is always a scene stealer. I loved her latest perf in La Vida Rosa.

Her mere uttering of the word jeep in May Minamahal was priceless!
Clear eyes, full hearts can't lose!

Offline RMN

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Re:Mike de Leon
« Reply #39 on: Feb 09, 2003 at 10:56 AM »
I was at the CCP hoping to watch Batch '81 but Sir Ed Cabagnot said they misplaced their (betamax) copy of the film. Ended up watching something else...(Manila by Night)
« Last Edit: Apr 02, 2003 at 10:09 AM by RMN »

Offline Noel_Vera

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Re:Mike de Leon
« Reply #40 on: Feb 10, 2003 at 01:05 AM »
They really need to get their act together.  That's one of the silliest things I've ever heard.

Offline RMN

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Re:Mike de Leon
« Reply #41 on: Feb 10, 2003 at 12:04 PM »
They really need to get their act together.  That's one of the silliest things I've ever heard.
I plan to take my ojt there at the CCP's film dept. Let's see if I help can straighten  the place out. Hehehe!!! ;D
« Last Edit: Feb 10, 2003 at 12:08 PM by rmn »

Offline Noel_Vera

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Re:Mike de Leon
« Reply #42 on: Feb 11, 2003 at 12:27 AM »
Hm.  Some people were offended, somewhat, by my supposedly revealing comments upthread about some of Mike's collaborators.

So, to clarify: I don't think it's a good thing to ask Cesar about Mike's sexual orientation because he probably won't tell you.  I asked a question on a different subject and he wouldn't answer me.  The remark is meant to imply Cesar's loyalty to Mike, not his homosexuality.  On that score I really don't know.

Similar with some differences with Doy Del Mundo: I wouldn't know his orientation.  For the record he has a wife and kids.  I know that may not absolutely prove anything, but there it is.  I do think his scripts show a lack of interest in matters sexual, but I'm speaking my opinion as a film critic, not as someone in the know.

Hope that clears things up.

Offline rse

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Re:Mike de Leon
« Reply #43 on: Feb 12, 2003 at 04:08 AM »
For those interested, I just found out the Batch '81 is now available on VCD.  Check out these links:

http://www.kabayancentral.com/video/vcd/viva/vvb81.html
http://www.koleksyon.com/default.asp?cid=104&cid1=126&pid=8818

Offline RMN

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Re:Mike de Leon
« Reply #44 on: Feb 12, 2003 at 11:29 PM »
Is it available locally? They should eventually release it on DVD!

Offline tonedeaf

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Re:Mike de Leon
« Reply #45 on: Feb 13, 2003 at 12:05 AM »
If it has Vic Silayan in it, it's Kisapmata.  Itim had, uh, Mario Montenegro in it.  

I stand corrected, it is Kisapmata :)

Offline kakabanas

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Re:Mike de Leon
« Reply #46 on: Apr 02, 2003 at 04:51 AM »
Hey, any news on the DVD of his films ? I read in a different thread he's doing some restoration to be released on DVD ... I want to get my hands on some of those.

Offline tonedeaf

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Re:Mike de Leon
« Reply #47 on: Apr 02, 2003 at 10:13 AM »
For those interested, I just found out the Batch '81 is now available on VCD.  Check out these links:

http://www.kabayancentral.com/video/vcd/viva/vvb81.html
http://www.koleksyon.com/default.asp?cid=104&cid1=126&pid=8818

FYI, I was able to buy a VCD of Batch '81 about 2 weeks ago from Radio City (Shangri-la branch).  No DVD though.

Offline Lex Luthor

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Re:Mike de Leon
« Reply #48 on: Apr 02, 2003 at 10:35 AM »
For those interested, I just found out the Batch '81 is now available on VCD.  Check out these links:

http://www.kabayancentral.com/video/vcd/viva/vvb81.html
http://www.koleksyon.com/default.asp?cid=104&cid1=126&pid=8818

FYI, I was able to buy a VCD of Batch '81 about 2 weeks ago from Radio City (Shangri-la branch).  No DVD though.

got mine at Astrovision Robinson's Galleria. saw copies at other Astro branches too...

Offline Centurion Obama

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Re:Mike de Leon
« Reply #49 on: Apr 02, 2003 at 07:03 PM »
BTW, I'd just like to announce to everyone, that Mike De Leon reads this thread.

And so I would like to tell everyone to say a big,

HI MIKE!

and shame on you, noel, hehehe. ::)
Free Burma pa rin!

Offline RMN

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Re:Mike de Leon
« Reply #50 on: Apr 02, 2003 at 07:40 PM »
No kidding, Joey... ??? :o  Its past April fools.

« Last Edit: Apr 19, 2003 at 05:37 PM by RMN »

Offline kakabanas

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Re:Mike de Leon
« Reply #51 on: Apr 02, 2003 at 10:59 PM »
Ah, so is he or is he not ......






reading this thread ?  ;D ;D ;D

Offline Noel_Vera

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Re:Mike de Leon
« Reply #52 on: Apr 02, 2003 at 11:32 PM »
Look, whether he's reading these threads or not, it's not going to do trying to greet him; he probably won't answer.  And putting your greetings in large bold letters isn't going to evoke a respond.

Let em read in peace (if he's reading, mind you).  Let's just pretend he isn't there.

Okay?  

Writing this post...pretending no one in particular is reading this thread...

Easy.

Offline RMN

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Re:Mike de Leon
« Reply #53 on: Apr 19, 2003 at 05:40 PM »
I just saw 'Di nahahati ang langit and I have to admit that it was pretty cheezy ;D ( The look, the crystal swans, the acting, the dialogue and the music)  I can sort of understand why he disowned it.

*SPOILER*
I loved  the scene where Edu gets into an accident... ;D
« Last Edit: Apr 19, 2003 at 06:04 PM by RMN »

Offline moviestar

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Re:Mike de Leon
« Reply #54 on: Apr 21, 2003 at 04:55 PM »
count me in!
im a big fan of mike de leon.
yun lang. =)

Offline Noel_Vera

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Re:Mike de Leon
« Reply #55 on: Apr 24, 2003 at 11:10 AM »
I already gave my two cents on Hindi Nahahati upthread.  Liked it a lot better, myself, would rate it above Sister Stella L, which I think is his least personal film.

Offline RMN

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Re:Mike de Leon
« Reply #56 on: Aug 29, 2003 at 10:58 AM »
He is currently expoloring DV filmmaking. :)

Offline edsa77

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Re:Mike de Leon
« Reply #57 on: Oct 09, 2003 at 05:36 PM »
Hindi ko mawari ang kahulugan ng palakpakang namayani sa loob ng UP Film Center* pagkatapos ng pagpapalabas ng obra ni Mike de Leon, ang Aliwan Paradise na isa sa mga apat ng pelikulang bahagi ng Southern Winds. Isa ba itong pagpupugay sa matagal ng retiradong direktor o isang paraan ng dagliang paglimot sa malaking mensahe ng pelikulang ito.

Mula sa panulat ni Doy del Mundo, ang Aliwan Paradise ay tumalakay sa kalagayang pampolitikal at pangsosyal ng Pilipinas halos 12 taon na ang nakararaan sa isang paraang pangkomiko. Isa itong kabuuang deskripsyon ng Pilipinas na ang buhay dito ay isang malaking palabas sa enteblado, na ang bawat Pilipino ay isang aktor na gumaganap sa mga katauhang nabuo mula sa isang iskript na nasulat ng panahon. Ngunit ang kagandahan ng pelikula ay sumalalay sa kakayahan nitong maging kapana-panahon kahit na nasulat at ginawa ito 12 taon ang nakakaraan.

Ayon sa sinopsis nito, isa raw itong futuristic na pagtalakay sa kalagayang panglipunan ng Pilipinas. Ngunit para sa akin, walang tiyak ng timeline kung saan at kung para saan ito nasulat. Ang gurong kumain at nagbuga ng apoy ay kumatawan sa mga hinaing ng mga guro bago ginawa ang pelikula, ng ginagawa ito, ngayong taong 2003 at maaring 50 taon pa mula ngayon. Malinaw na ipinapahayag ni del Mundo at de Leon na ang buhay sa Pilipinas ay isang siklikong proseso, paulit-ulit, pabalik-balik, walang pag-usad. It's the same crap we've been doing for the past 300 years and might be the same crap we'll have 100 years from now if we will not address these social and politicial issues.

Katulad ng mga ibang obra-maestra ni de Leon, maituturing ang Aliwan Paradise bilang isa mga perpektong pelikulang Pilipino : mahusay na pagkakaganap ng mga pangunahin at pangsuportang tauhan, akmang cinematography sa istorya,at isang screenplay na susubok sa kakayahang pang-intelektwal ng mga manonood.

Sampung taon mula ngayon, muli ko itong panonoorin at maaring ang kutya, sampal, at tadyak sa aking pagka-Pilipino ay nandito pa rin.

* Para kay Nick Tiongson, MAS MASARAP SA TENGA ANG UP FILM CENTER KAYSA SA UP FILM INSTITUTE.

Offline indie boi

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Re:Mike de Leon
« Reply #58 on: Oct 09, 2003 at 10:17 PM »
May balak bang baguhin ang pangalan ng UP Film Center? Ang pagkakaalam ko, ang UP Film Institute as isang bagong tayong "kolehiyo" na inihiwalay na sa College of Mass Communication -- at isa sa mga sinasaklaw na responsibilidad nito ay ang pagpapatakbo ng UP Film Center.

Offline Noel_Vera

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Re:Mike de Leon
« Reply #59 on: Oct 09, 2003 at 11:12 PM »
Aliwan Paradise is pretty good--de Leon satirizing Brocka.  People keep praising de Leon for being a prime dramatist, but not enough attention is drawn to the fact that he's also a very witty filmmaker.  Basic requirement to be a witty filmmaker is good timing, precise editing,which de Leon has in all his films. He can get a bigger laugh out of me with a particularly inventive cut than hours of Andrew E. and his butt-ugly face.

I think Aliwan is funnier and more imaginative than Kakabakaba Ka Ba, actually, which I think is a touch overrated (tho still head and shoulders above most Filipino films, of course).