Great insight Jojo!
How about the application of ferrite at the ends? Is this needed? Most of the good audio grade USB cables make ferrite cores as the finishing USB connector encapsulation on all ends.
It's more of a redundancy rather than necessity for EMI control strategies. Studies shows that the implementation of the harness is more important to control EMI emissions that would lead to bounce and/or losses. So it's better to design and implement it according to specifications rather than slap patch solutions on a lousy job.
The main goal is the destruction of digital audio jitter and deliver all those pulses from the source to the DAC in pristine timing and condition. Unbeknownst to most, there are several types of jitter and among these that affects us audio hobbyist are the
interface jitter and
sampling jitter. Unless we design our own DAC, there is not much we can do with sampling jitter, we are at the mercy of our DAC designs and their internal clock (or re-clockers). Even re-clocking isn't 100% guarantee either, there's just some acceptable form of compromise in there that must be accepted. Others will argue with the use of super precision clock crystals, well, the fact that the argument exists is a give away.
Interface jitter on the other hand is far too common in digital audio setups with computers as frontends as these types of setups utilize the USB connection (as opposed to cd transports and other platforms that uses S/PDIF, AES-EBU, Optical connections). Everyone in the audio engineering world would agree that the uber famous USB interface wasn't truly designed for audio use in the first place. Designers of the interface didn't have digital audio on the top of their list when they invented the USB interface. However, having the ability to stream quite a large amount of data in such high speeds makes it a suitable candidate for digital audio reproduction provided the proper converters and interface peripherals are used.
A lot of factors affects these nuisances, what we want to do is eliminate as many factors as possible.
In retrospect, digital audio reproduction has a lot in common with pure analog systems, there's just so much room for improvement.
Geez that was long, hope I didn't bore you.